Then, everyone takes it for granted that the more sophisticated drawing skills mastered by the stronger ones are more qualified to be passed on to those who come after them as standard answers.
The path that those mediocre people take step by step will only look crude and clumsy in comparison.
But according to Meng Zhou's thinking, the situation is exactly the opposite.
Alchemy growth records such as Miao Lin's notes are more valuable than the "obvious" and "well-known" alchemy methods given by those alchemy geniuses.
Meng Zhou picked up a notebook and opened a page at random. It recorded Miao Lin's thirty-seventh failure in refining a certain elixir and Yan Xiong's detailed records of various symptoms and reactions after trying the elixir. He also summarized and analyzed based on Yan Xiong's feedback.
Identify the reasons for the failure and the direction and specific methods for next improvement.
And such failure records can be found on almost every page of Miao Lin's notes.
"This is an alchemist with rational and scientific thinking."
Meng Zhou also diagnosed and treated many alchemists, and would chat with them during the diagnosis and treatment, and learned about the characteristics of each profession.
The experiences shared by those alchemists are full of various "feelings".
This is not only true for alchemists, but also for weapon refiners and talisman makers.
Even when Chu Zheng imparted his experience in making talismans, it was also music. Within the rhythm, it was still a "feeling" when it was traced to the root.
The common impression they gave Meng Zhou was that they regarded themselves as art workers, and the magic weapon, elixir or talisman or something else that was to be born in their hands was a work of art that needed to be created by their own hands.
.
This is somewhat contrary to Meng Zhou's idea. He believes that instead of talking about mysterious and elusive "feelings", it is better to sit down quietly and study each profession, each magic weapon, the refining of elixirs or the making of talismans.
Perform standard quantification.
Miao Lin is the first professional he has met who doesn't talk about "feeling" but only talks about facts. This may be related to the fact that his talent is average and his "feeling" is too slow. If her talent was better, she would never take this path.
Such a clumsy road.
But facts are facts.
After briefly looking through these notes, many thoughts flashed through Meng Zhou's mind.
He truly felt that these notes were of great value, and even if they were taken alone as a reward, they would still be of sufficient value.
Then, Meng Zhou looked at another set of inheritance classics compiled by Yan Xiong.
Compared with the alchemy classics prepared by Miao Lin, the contents compiled by Yan Xiong are much more complicated.
The first is a fire-based practice method called "Fire and Fire Technique". Although this fire-based practice method is relatively popular, its advantage is that it can perfectly fit with various foundation-building practices. In addition, its power is not outstanding.
Many casual practitioners regard it as their fundamental skill.
There is also a spell book that is specially designed to be used with "The Fiery Art", most of which are fire spells, and there are also some spells from other systems that can complement it.
He placed these contents at the top, but Meng Zhou paid the least attention.
He paid more attention to the following books. One of them was the martial arts body horizontal training method that he already had in his hand. The notes were much newer than the one Yan Xiong gave him that day. It seemed that he had written them down recently.
The next book contains some of Yan Xiong's insights on poison. This is also a wonderful by-product of his long-term trouble with erysipelas.
After browsing for a while, Meng Zhou's attention was attracted by the last classic.
This is a compilation of martial arts skills compiled by Yan Xiong. Many of the martial arts skills are also in the memory of the previous master, or highly similar ones can be found.
What stood out to Meng Zhou the most were the various special martial arts that matched Yan Xiong's powerful body.
Their function is to enhance the five senses of the practitioner.
For example, position recognition by listening to sound can be used to distinguish the distance and distance based on the sound in a dark environment or when the eyes are damaged. In the end, you can even build a world purely composed of sound in your mind. Isn't this a sonic radar?
Another example is Wolf Gu Yingshi, which is all about training the eyes. The former is to increase majesty and intimidation, and has a vague meaning of mental attack. The latter is to increase long-sightedness and precise aiming ability, which is a perfect match for arrow path or hidden weapon martial arts.
Seeing these martial arts, Meng Zhou's heart suddenly brightened.
"Yes!"
"Practice this kind of martial arts or spells, which is the most cost-effective and the most error-free option!"
Considering that this type of martial arts complemented each other when practiced together with Yan Xiong's physical horizontal training method, and had the effect of getting twice the result with half the effort, Meng Zhou's plan for the next stage of training gradually became clear.
I confess, I haven't even thought of a name for this martial arts training method right now.
Long before I started the book, I actually had a name in mind, "Turtle, Snake, Dragon and Elephant". The already practiced Turtle Snake Strength can be regarded as its foreshadowing, but after thinking about it, I still felt that this name was too awesome, which made me feel uncomfortable.
It’s not appropriate to get the protagonist from Yan Xiong.
Now in the Qi training period, I am practicing such a high-end and high-end technique. How can I compile the foundation-building pill-forming Nascent Soul in the future?
The higher the realm, the more "returning to nature" the name should be, right? The exercises in the Qi training stage are called fighting against heaven and earth, and the Nascent Soul stage is plowing and hoeing...
But you have to have a name, right?
When I named the character Yan Xiong, I wanted to go in the direction of form and meaning. I had a rough idea, but I felt it was a bit rough and I never finalized it completely.
Do you have any good suggestions for me to refer to?