Now Shen Yu talks eloquently on the surface, but he is really a little confused in his heart.
This Tang Sancai horse is impeccable in terms of craftsmanship.
The carcass has smooth lines, the carvings are natural and expressive, and the paintings are lifelike.
Whether it’s the horse’s facial expressions, body posture, or subtle listening, the creation is impeccable.
Compared with those imitations in the flea market with stiff lines and dull expressions that look like street stall products at first glance, even people who don’t know how to appreciate Tang Sancai can immediately tell which one is good and which one is bad.
But there are also many doubts.
Compared with porcelain, Tang Sancai looks a little rough, but its texture is actually very delicate.
To sum up, gorgeous, bright, transparent, flowing, like jade but not jade is better than jade.
The three-color horse on the table is a little rough to the touch, very similar to the kind of pottery that comes out of the kiln.
As we all know, Tang Sancai was used for burials with dignitaries in the Tang Dynasty. Even though Tang Sancai will not fade easily, being buried in soil and flooded for more than a thousand years will definitely damage the glaze color.
The three-color Tang Sancai horse in front of us is really well preserved.
To put it bluntly, it is too new.
The new ones are a bit fake.
It completely lacks the natural sense of vicissitudes revealed by the erosion of time.
And there is no weathering at all where the exposed tire is exposed.
If you look closely at the opening film, there are no "silver spots embroidered with soil" as people in the industry call it.
What makes Shen Yu even more confused is that this three-color horse is new, but it doesn't have the luster of modern imitations. Shen Yu really can't understand this.
His brain was working rapidly, and Shen Yu just remembered one thing.
I remember that at Baoyu Xuan, an old appraiser said that after the Tang Sancai became famous in the 1920s and 1930s, a large number of imitations of Tang Sancai were produced, many of which were excellent.
The manufacturing process of Tang Sancai, such as how to select materials, how to grind and wash, how to shape, butt and repair, polishing and firing, and how to glaze, etc., were mostly summarized at that time.
If we count, the high-quality imitations of Tang Sancai at that time were nearly a hundred years old.
Such a long time can completely make the glazed fire of this three-color horse fade away naturally, and it looks very soft and gentle, so it makes sense.
In order to verify his guess, Shen Yu silently recited a treasure appraisal.
In an instant, a ray of precious light condensed above the three-color horse.
The length of Baoguang is very short, less than an inch, and it can barely be considered light blue.
The size of the light cluster is about the same as that of a pearl.
"It turns out it's really a replica of the Republic of China."
After getting his answer, Shen Yu nodded again.
As a host, Song Jiajia naturally knows how to observe words and emotions, and immediately asked in a magnetic voice: "Teacher Shen, I wonder what your appraisal result is?"
"In my opinion, this is a fine three-color horse imitated by the Republic of China." Shen Yu said the result directly.
As soon as these words came out, the face of the treasure holder, the man named Wei, suddenly showed a look of displeasure.
In his opinion, Shen Yu is too young, seven or eight years younger than him.
Being young means having little experience, and it also means that you are not good at what you say.
Song Jiajia asked: "You said this is a high-quality Tang Sancai imitation from the Republic of China?"
"Yes, unlike porcelain, the history of imitation of Tang Sancai is not long. It does not have any Song, Yuan, Ming or Qing Dynasty imitations.
"So we can draw a conclusion from this that a piece of Tang Sancai is either an authentic product with a history of thousands of years.
"Either it is an imitation made within a hundred years.
"Among the imitations, those made during the Republic of China are considered valuable.
"It is said that most of the Tang Sancai paintings imitated in the early Republic of China were one-to-one imitations of the prototypes. After one furnace was fired, only the best ones were taken, and the rest were smashed. Therefore, this tricolor horse can really be called a masterpiece." Shen Yu still answered simply.
The man surnamed Wei was still dissatisfied after hearing this. He looked at Shen Yu again and made up his mind. The host would definitely ask him if he was satisfied with the appraisal results later, and he would answer that he was not satisfied.
He had just thought of a way to deal with it, but Shen Yu spoke first.
Just listen to Shen Yu's loud voice: "Of course, this is just my family's opinion. There is a master of pottery appraisal at the scene. In the entire Chuzhou, if this senior says he is second, then no one dares to say he is first."
The barrage in the live broadcast room is still exciting.
[Tang Bohu is not a tiger at all]: "Everyone, who is the appraisal master that Expert Shen is talking about?"
[Sleep every day until you wake up naturally]: "Do you even need to think about it? It can't be the host anyway."
A series of inverted thumbs immediately appeared on the big screen.
[Want Wan Guan, not porcelain pieces]: "Why don't we just check it out? First of all, it can't be the handsome expert Shen on the stage.
"Then it's impossible to be the host.
"Zheng Fuhao's ancestors studied jade, and Boss Lin's family studied porcelain.
"It is possible that Mr.
"It is impossible for Ms. Pei of ancient times to study pottery, and even if she did, she would not be the first person.
"There is only one person left in the expert team, and that is Feng Qingyun, Mr. Feng."
As soon as the analysis came out, the live broadcast room was filled with praise.
Sure enough, as analyzed by this netizen [Want Wan Guan or Porcelain Pieces], Mr. Feng slowly walked up to the appreciation stage amidst the warm applause of the audience.
The old man said slowly: "As Xiao Shen said, there are indeed a group of tombs of dignitaries from the Han and Tang Dynasties in Beimang Mountain. Their density was so dense that it was said at the time that there was "hardly any place for lying cows".
"Here, the old man would like to add that the tombs dug during the construction of the railway were actually empty tombs, that is, the tombs that were robbed by those tomb robbers.
"Many people may ask, since the tomb has been visited by tomb robbers, why were the Tang Sancai not stolen?"
When Mr. Feng said this, he gave up like a naughty boy.
"That's right? Why didn't the tomb robbers also steal Tang Sancai?"
For a time, everyone in the recording hall was lost in thought.
Everyone in the Shengshi Collection live broadcast room also began to discuss this issue.
[I really know how to identify treasures]: "This is really a huge question! Could it be that those local masters are out of kindness?"
[Family Treasures Wan Guan]: "Can you pull him down and return him to a local master? They are all tomb robbers trying to put money on their faces."
[Visitor 9529]: "Yes, yes, I support netizens who have a lot of money, but they are just a bunch of local rats who fight against each other. Where do the local masters come from?"
【Paw Patrol Team Sleeping】: "Everything big can cause a quarrel, I despise it (pucker one's lips)."
[Eat Roujiamo if you have money]: "I think the group of tomb robbers must be short-sighted. Think about it, the tombs are all underground and dark. Maybe they didn't see the existence of Tang Sancai." [Kuo Shao who drives a BMW]: "Friend, with your intelligence, you may only feel that Roujiamo is the most delicious food in your life. (Sigh)"
It was Mr. Feng himself who revealed the answer to the mystery, "It's very simple, because the group of tomb robbers at that time thought that these pottery vessels were worthless and returned them to scraps of copper and iron. When they robbed Tang tombs, they often only took advantage of the bronzes, gold and silver in the tombs."
Start with jewelry, jade, and porcelain, and generally leave the rest alone.
"So many Tang Sancai were thrown into tombs like rags.
"The road construction workers at the time didn't take it seriously because it was neither gold nor jade, and there was no way to exchange it for money. Once they dug it up, they just threw it on the roadside.
"The nearby residents feel that Tang Sancai is an unlucky burial object in the tomb, and they will not touch it.
"As a result, the Tang Dynasty tricolor glazed pottery tiles that were originally excavated were randomly thrown on the roadside like bricks and tiles.
"It wasn't until an antique dealer heard the news and went to Mangshan, the eastern capital, to find these pottery that the later Tang Sancai became famous.
"But one thing is that most of the Tang Sancai paintings at that time were bought by foreigners.
"Because we Chinese collectors are still quite taboo about underworld artifacts.
"You talk about something dug out of someone else's grave and then put it in your home. Thinking about it makes you feel sick. Do you think that's right?"
There was a round of applause on the stage.
"But foreigners don't care about this, because Tang Sancai itself is exquisite and has the characteristics of sculpture and other arts and crafts, which is very popular with foreigners, so it is very popular among foreign collectors.
"This little friend Wei is able to bring overseas antiques back to China, and the old man is very touched.
"Although your three-color horse is an imitation from the Republic of China period, as Xiao Shen said, it is a masterpiece among imitations and still has high collection value."
At this point, Mr. Feng has made the final decision!
