Shen Yu glanced at his own luxurious office and wanted to leave, but finally sat back on the sofa.
Without it, maybe we can really learn some secrets about Feng Ye and Danshan Taibao from Cheng Tianle.
Recently, my sister Qin, including my future father-in-law, as well as Mr. Li, Mr. Xu, Mr. Song, Mr. Wu, Shen Xueqing and others have been spending a lot of money to find any clues about Mr. Feng.
However, the progress was mediocre, and a lot of manpower and material resources were used to find only a few Danshan Taibao who were in charge of peripheral inspections.
These few people don't know anything about Mr. Feng. They don't even know the names of Lin Yian, Li Jinrong, Zhang Hongfu and other key members of the Taibao team.
The final sentence is estimated to be only half a year to three years.
It can be said that Mr. Feng does not seem to be a living person in the world at all, just like a ghost who comes and goes without a trace.
Buzz!
While I was thinking, my cell phone rang.
I picked up the phone and saw that it was Xu Duofu calling.
Just after pressing the answer button, Xu Duofu's anxious voice came from the receiver, "Shen Yu, where are you?"
Shen Yu: "I'm in Cheng Tianle's office on the third floor."
Xu Duofu: "What are you doing there? Come down quickly. Mr. Chen from Tianfu Jade Jewelry Group has already given you a high price of 26 million for your high-quality yellow-yang-green material. Do you want to sell it?"
Shen Yu smiled and said, "Sell it, just transfer it to the bank account you transferred to me, and you sign the contract on my behalf."
Xu Duofu was speechless, "I'm confused. What's important between you and that guy Cheng Tianle? Why don't you come downstairs?"
Shen Yu lowered his voice, "It's about Master Feng. Cheng Tianle knows something about Master Feng. I'm waiting for him to come back."
Xu Duofu said nothing this time, "I understand, don't worry about the jade, I'll cook it for you. By the way, I heard from Lao Wu, do you want the rest of the ingredients?"
This sentence reminded Shen Yu, and he slapped his forehead, "Oh, if you didn't tell me, I would have forgotten it. I think I can still cut out jadeite from the remaining materials, but I haven't figured out how to do it yet. You asked Lao Wu Pack it up and give it to Tietou to hold."
After hanging up the phone, Shen Yu turned his attention to the four ancient paintings remaining on his desk.
The remaining paintings, without exception, all have vertical axis.
Just like Ding Yunpeng’s original painting of Arhat, it is in tatters without exception.
He randomly pulled out a piece and unfolded it, leaving Shen Yu speechless.
This is a painting of "Five Horses" inked and colored on silk. The writing in the upper left corner is the original work of Li Gonglin, but the painting is mediocre, and none of the five horses can be called a sacred horse.
There are many seals, dozens in total.
However, the seals are all the same color, which can be said to be fake at first glance.
Continue to look at the second picture, which is still in color on silk. This is a "Picture of the Peacock King", which depicts the Buddhist figure of Peacock King with four arms who can ward off disasters, remove poisons and cure diseases.
Signed by the author: Ding Guanpeng Gonghui.
"Hey, it's actually a painting by Ding Guanpeng."
Ding Yunpeng and Ding Guanpeng, just one word apart, are quite different in age.
Ding Yunpeng was from the Ming Dynasty and was active during the Wanli period of the Ming Dynasty, while Ding Guanpeng was from the Qing Dynasty and was active during the Qianlong period.
Unfortunately, upon closer inspection, this painting clearly uses the forgery technique of "Golden Cicada Escapes Its Shell".
The so-called golden cicada shelling is to retain the mounting layer of an ancient painting, but the core of the painting is removed, and then the fake painting is embedded.
No wonder Cheng Tianle was willing to give these paintings to himself. The co-author had already confirmed that these paintings were fakes.
As we all know, the older the calligraphy and painting, the more silk they are made of. Counterfeiters also take advantage of this and use silk to make them look as old as possible.
The third piece is still ink and color on silk. This is a sketch of feathers that is outlined in fine brushwork and flat-painted and dyed.
On the picture, a hen with pure white feathers leads five chicks to forage for food. The hen has fluffy feathers and a bright comb. The painting method is to fill in color first and then outline it with thin lines, so the feathers are very textured.
The little chickens are also well drawn, their eyes are vivid and lifelike, and they are timid and scared but also reveal a bit of playfulness.
There is a seal, but I can't see it clearly.
The poem with the title is also very vague.
Shen Yu recognized this painting as "Picture of Chickens and Chickens" and was one of the best feather paintings in the Song Dynasty.
It is also a model work for later generations to learn feather painting. However, the original painting is preserved in domestic museums, so this painting should be a copy.
However, the quality of this copy is very high. Judging from the quality of the silk, it is probably a Ming Dynasty copy.
The ancients liked to copy the "Picture of Chickens and Chickens", among which Zhu Zhanji, the Xuande Emperor of the Ming Dynasty, was the most famous.
"Finally got some blood back!"
Shen Yu rolled up the paintings slowly, with a smile on his lips. Since Cheng Tianle said that these four paintings were given to him, the owner of these paintings has changed from Cheng Tianle to Shen Yu.
There is no need to doubt this.
Cheng Tianle is a businessman. Without integrity, the wool business would not be able to reach its current scale.
There is no problem with the market price of this copy being one million. If the provenance is found, the price will rise even more.
I don’t have time to research the evidence in detail now, so I’ll just go back and read it slowly.
I have seen three of the four paintings, and only the last one remains.
After getting the authentic painting of Ding Yunpeng's Crouching Tiger and Arhat, Shen Yu was looking forward to it.
Gently unfold the painting. This is an ancient painting with both thick ink and bright colors. It is called: "Ten Dragons".
This picture shows a total of ten real dragons with different colors and expressions.
Shen Yu couldn't tell what kind of dragons they were, but he could roughly recognize the flat dragon, the blue dragon, the blue dragon, the ink dragon, the mirage dragon, and the dragon.
Some are lying on rocks.
Some are hidden in the clouds and mist.
Some water broke out.
Some fight against the wind and waves.
Some are flying in the sky.
Some swallow the golden elixir.
There are even two ink dragons biting each other.
These dragon paintings are extremely good, lifelike and vivid.
But because the painting is full of black clouds and lightning, and the dragons are all grinning, it can be said to be full of eerie and terrifying meaning.
Not to mention children, even timid adults can’t read this picture.
There is an understanding of the title: splashing ink turns into clouds, whirling water turns into mist, which means the transformation of the real dragon.
Bell seal: Suo Weng.
"It turned out to be the authentic work of Chen Rong and Chen Suoweng. Wouldn't I be completely rich?"
Chen Rong, courtesy name Gong Chu and Suo Weng, was a Jinshi scholar in the second year of Duanping. His birth and death years are unknown.
Chen Rong is recognized as one of the three famous dragon painters in the Song Dynasty.
The historical arrangement of famous dragon painters in the Song Dynasty: Dong Yu, Seng Chuangu, Chen Rong.
Because Chen Rong has the most authentic paintings handed down from generation to generation, most of the masters of dragon painting after the Song Dynasty took Chen Rong as their teacher.
The dragons written by Chen Rong are auctioned according to the number of pieces.
The market price is now 30 million to 40 million a piece.
To put it bluntly, if there is only one dragon in the painting, it will be 30 to 40 million, and if there are two dragons, it will be 60 to 70 million.
This painting is called "Ten Dragons", which means that the market price of this painting should be between 300 million and 400 million yuan.
"Treasure Appraisal!"
In an instant, a ball of dazzling golden light condensed three inches above the "Ten Dragons", and then slowly rose up from one inch, rising eight times in a row before gradually settling down.
After a few seconds, the light beam slightly decreased by a small section, and finally turned into a pebble-sized light group positioned at the center of the painting.
"One inch of Baoguang means a hundred years, eight inches means eight hundred years, and a little less. It was during the period of Emperor Lizong of the Southern Song Dynasty. Coupled with the size of Baoguang as big as a pebble, this painting must be an authentic work by Chen Rong!"
