Climbing up the stairs from Chaotianmen Pier, you can still see many small craters along the way.
This is the key target of Japanese bombings. The May 4th bombing half a year ago bombed from Chaotianmen to Shangqing Temple.
An old man recalled this: "The enemy planes finished their bombing and left, and we quickly disembarked from Chaotianmen Pier. I remember that when we got off the boat and reached the road, we had to climb very high steps... I had just climbed less than half of the way.
I burst into tears because as I walked higher, there were more and more fragments of human limbs on the ground... There were bloody thighs lying on the road, there were messy piles of intestines still squirming, and there were some with messy long hair.
Half of his face looked at you ferociously, and one of his broken-arm hands held a delicate small bag, and the fingers grabbing the bag were still shaking slightly! I couldn't breathe at all, my chest was tight, I was suffocating, and it seemed like I was about to be suffocated.
It felt like death. I forgot whether I cried or not. I probably didn’t even have the strength to cry. I remember that many children had their eyes covered. One child was not covered, but his mouth was open.
It was so big that I couldn't close it, so I walked all the way... the road from Chaotianmen to Shangqing Temple... Along the way, I saw fires everywhere, black smoke, corpses everywhere, and pieces of human limbs...
…”
The young pilots looked at those bomb craters and were speechless, and their expressions became solemn.
Continuing to go up, the houses along the street all have signs of being burned. Many houses were burned more than half, so they used bamboo strips and soil to build on the original walls. The repaired appearance is very ugly. The lower half of some houses are
It is a masonry building structure in the Ming and Qing Dynasties, with the upper half made of bamboo and thatched roof.
More houses were destroyed with only their wall foundations left. The owners no longer had the financial resources to repair them, so the whole family built shacks among the ruins. Some shacks were even rented out to provide accommodation for people fleeing from other places. Such "hotels" were very popular.
In short supply because the price is very low.
The young pilots were dumbfounded. They had been bombed frequently in Kunming before, but they still could not imagine the tragedy here in Chongqing.
While walking, Zhou Hexuan suddenly saw thick smoke rising in front of him. He thought it was a house on fire, so he quickly said: "Go over and have a look!"
There was a bombed ruin, and the streets were crowded with people. However, it was not a fire, but the Central Film Studio was filming exterior scenes. The shacks on the ruins were temporarily moved, and some old wood was set on fire to create a sculpture that had just been damaged.
It looked like a bombing.
The film currently being filmed is called "Ten Thousand Miles in the Sky" and is China's first feature film to showcase the style of Air Force athletes.
The young pilots were very interested in this and quickly joined the onlookers. Lin Yao shouted in surprise: "Look, that's Bai Yang!"
Bai Yang is a female star who became popular only three years ago. Her representative works include "Cross Streets". In recent years, she has appeared in patriotic films and patriotic dramas.
Seeing that the young people seemed to want to go to Bai Yang to get autographs, Zhou Hexuan smiled and said: "This movie will also be shot at your air force station. If you want autographs from celebrities, there will be many opportunities in the future."
"Who are the celebrities?" Peng Xingbang asked.
Zhou Hexuan said: "Gao Zhanfei, Wei Heling, Bai Yang, Wang Renmei, Jin Yan, and Li Wei."
The young people suddenly became excited. After all, they are young people who also pursue fashion and entertainment. They can't wait to go back to Guangyangba Airport and wait to meet the stars.
Since the outbreak of the Anti-Japanese War, well-known film companies have either disbanded or stayed in Shanghai, Tianjin and other places. Many film workers who did not want to live under the iron heel of the Japanese invaders came to the rear to actively carry out patriotic propaganda work. They usually performed patriotic dramas,
Whenever I get the chance, I will shoot patriotic movies.
Three major film groups have formed in the entire rear area, namely China Film Studio, Central Film Studio and Northwest Film Studio. They produce patriotic films, such as "Defend Our Land", "Hot Blooded Soul",
"Eight Hundred Heroes", "Ten Thousand Miles in the Sky", "Children of China", etc.
These filmmakers often risked their lives to go to the front lines and even to the anti-Japanese base areas behind enemy lines to film anti-war documentaries with the army. For example, the Northwest Film Studio funded by Yan Xishan filmed "North China Is Ours" in southeastern Shanxi this year, and will do so again next year.
Filming "Snowstorm in Taihang Mountain" and "Long Live the People".
Unfortunately, because there were many leftists in the Northwest Film Studio, Yan Xishan ordered the film company to be shut down before the filming of "Long Live the People" was completed.
After walking not far, everyone came to a teahouse. Zhou Hexuan smiled and said: "Come on, I will show you Sichuan's teahouse culture."
This teahouse seemed to have been bombed. There was a big hole in the roof, and the tiles that were re-covered were obviously different in color. Fortunately, the bomb fell into the teahouse without exploding, so the teahouse can still operate as usual.
There were many bamboo chairs in the teahouse, and someone was singing Sichuan opera on the stage. The content of the performance was actually a Sichuan opera version of the Anti-Japanese War movie "Defend Our Land."
As countless literati and theater performers moved inland, Sichuan Opera also took on new life during the Anti-Japanese War. These outsiders started learning Sichuan dialect, gradually became Sichuan opera fans, and created a large number of patriotic Sichuan operas. Local traditional Sichuan opera practitioners also
In this exchange, he began to integrate and absorb the essence of other dramas, and even actively moved closer to the performance methods of modern dramas.
The tea waiter came up quickly with a long-mouthed teapot. Suddenly his eyes lit up and he said with a smile: "It's Zhou Shenxian Sui, you old man, please sit down quickly!"
Zhou Hexuan pulled a chair and sat down. He smiled and said in Chongqing dialect: "Is your teahouse business going well?"
"That's for sure," the tea waiter said proudly, "Zhang Tianwang is the pillar of our tea waiter. If he didn't come today, otherwise the tea waiter would be so crowded that you wouldn't be able to find a place to sit when you come to listen to the show.
"
"Zhang Tianwang" is the king of Sichuan Opera Zhang Decheng, whose stage name is "Xiao Pianyi" and nickname is "Zhang Erwa". He is from Zigong. During the Anti-Japanese War, he served as the director of the Chinese Drama Association and the chairman of the Paidu branch. He performed in "Chaishi Festival" (in praise of Wen Tianxiang).
, "Yangzhou Hate" (in praise of Shi Kefa) and many other patriotic plays. This gentleman was very close to the Communist Party, and even bailed out the underground party. His home was repeatedly raided by Kuomintang agents.
"good!"
"I have to get it!"
There were cheers in the teahouse, but it was the actors on the stage performing face-changing skills.
At this time, face-changing in Sichuan Opera had not yet become an independent performance item. In most cases, it was performed in conjunction with the plot. For example, when the performance is full of righteous indignation, the actor suddenly changes his face to express the change of the character's emotions.
Chen Guimin looked at the stage with wide eyes and asked in surprise: "How did his facial makeup change?"
Zhou Hexuan laughed and said: "Unique secret."
Soon the Sichuan opera performance ended, and the teahouse waiter carried it to a table.
A gentleman in a long gown walked out slowly and slowly put out a tree, a handkerchief and a folding fan. He was going to perform Sichuan storytelling.
The first paragraph of the storyteller made Zhou Hexuan laugh: "Brothers, the third episode of "Captain of China" is out today. Do you want to listen to "Captain of China" first or "The Condor Shooting" first?
"The Legend of Heroes"?"
"Captain China!" the tea guests replied in unison.
The storyteller said: "Okay, let's talk about "Captain China" first. I want to say hello. "Captain China" is a comic book. I just read the third episode. Some parts are not clear (coherence)
Don’t blame me. Bang (sound of wake-up wood), Chinese men have many ambitions and write to serve the country through the army. They don’t care about their seven-foot-long body and slaughter the Japanese pirates to restore China! (Sealing poem) I mentioned last time that the bastard Japanese doctor named Aihara
, He shouted urgently: Throw bombs quickly, blow up everyone. The Japanese soldiers picked up the grenades and threw them into the cell. The bangs were heard everywhere, and the Japanese soldiers inside were chatting comfortably, and the Japanese soldiers were so bombed that they beat their mothers.
Call..."
Zhou Hexuan really doesn’t know how to evaluate it. His Super Anti-Japanese Hero comic has only been serialized for three issues, but someone has already adapted it into storytelling, and it’s also a Sichuan dialect version.
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