Above the sky, as Zhuge Wuhou waved his sculptural feather fan, a huge purple light curtain appeared in front of everyone's eyes.
The first picture that appeared on the light curtain was an old man and a green cow. The old man was lying on the back of the green cow, heading westward along the windy sand.
The sunset was directly applied to the old man's face. This face was already very old. The two long white eyebrows were like two white waterfalls, falling exaggeratedly along the steep cheeks; and the long white beard,
It was blown forward by the wind, like a path-finding tentacle, pointing to the west.
This is the first picture.
In the second picture, in front of a wide river, the green cow lowers its head and drinks the water in the river. It seems to be the impact of the long journey. This green cow is also better than in the first picture.
I have lost a lot of weight.
The old man was upstream not far from Qingniu, silently looking at the river. After a while, he scooped a ladle of river water into the gourd on his waist, and then stepped forward tremblingly.
Get on the Qingniu and continue on the road.
In the third picture, a towering city gate appears in the painting. A middle-aged man wearing armor stands on the city gate, looking in the direction of the city gate. From the man's perspective, a piece of purple air is floating from the east.
, in the end, it spread to the entire city gate, and in the purple air, the figures of a green cow and an old man appeared.
It's still the old man, but at this time, although his beard and hair are all white, his face is rosy and energetic, with a purple aura floating on his head, and the morning glow behind him. The old man in the background picture is as calm as water, with fresh air on his face, like a god, and again
It also lacks the aging of the previous two paintings.
In the fourth picture, the old man is on the city gate, writing a book at his desk, while the middle-aged man is kneeling behind the old man with a pious expression. As time goes by, the old man has disappeared from the city gate, and there are still some words on the desk.
There was a bamboo slip with still wet ink on it. As for the middle-aged man, he held the bamboo slip in his hand and stood there for a long time, looking outside the city gate towards the west.
After reading these four pictures, Xiao Yueyue looked serious and said slowly: "The Book of the Later Han Dynasty records that Laozi, the founder of Taoism, rode an ox west out of Hangu Pass, and left behind the Taoist treasure "Tao Te Ching" at Hangu Pass, worth five thousand dollars.
Each word has its own meaning."
As long as you are familiar with some Taoist allusions, when you see these four pictures, you will definitely think of this allusion of Lao Tzu, the founder of Taoism. Lao Tzu left Hangu Pass in the west and handed down the Tao Te Ching. He has disappeared since then. As for the whereabouts of the old man, everyone has always wondered.
People in Taoism have been studying it for many years. However, until now, no one has found any evidence to prove where the old man went?
The two brothers Xiao Yanyan and Xiao Yueyue are looking forward to it. Maybe in the fifth picture, they will see where I went after leaving Hangu Pass. Once they know it, the news will definitely shock the whole world.
The world of metaphysics.
Lao Tzu's influence is not only in Taoism, but also in the entire metaphysical world, Lao Tzu's influence can be ranked among the top three.
At this moment, the Xiao brothers and sisters no longer thought about why stories about Lao Tzu appeared in Zhuge Wuhou Palace. Their minds were deeply attracted by the four paintings, and they were eager to know the follow-up.
The fifth painting also appeared quickly, and they did not disappoint. In the fifth painting, it was still Lao Tzu. At this moment, the background changed to the top of the snow-capped mountains, and the green cow had disappeared.
Opposite me is a tall man. Because his back is to me, his face cannot be seen clearly. However, just because he dares to turn his back to me, it is not easy to know the identity of this man without even thinking about it.
I was having a conversation with the man. This could be seen from the way I kept opening my lips. About a cup of tea later, I shook my head slightly and seemed a little lost. I slowly walked down the snow-capped mountain alone.
And that man is still standing on the top of the mountain, with his back to the people.
A quarter of an hour later, suddenly, there was lightning and thunder in the sky, and a huge black hand tore the sky apart and grabbed hard towards the top of the snow mountain. And when the man was about to be caught by the big black hand,
With a sudden leap, he jumped into the cliff at the top of the mountain.
The black hand grabbed the air, seemed to be very angry, and slapped it directly on the snow mountain. The entire snow mountain collapsed completely, turning from a high mountain into a huge pit...
In the sixth picture, I appeared in a Western church. In front of me, there was also a gray-haired old man, holding a cross and a Bible in his hands.
The white-haired old man's expression was a little excited, and he kept waving his arms, as if he was explaining something. After a while, I left again, and the white-haired old man also disappeared after I left.
"This is a Western priest. Could it be that after leaving Hangu Pass in the west, I went to Europe?" Xiao Aimao asked doubtfully.
In history, there is indeed a saying that when Laozi went west to convert the barbarians, he meant that he went to the west to teach the barbarians. The barbarians at that time referred to other ethnic groups in the Eurasian continent.
"I didn't expect that this rumor turned out to be true. I really went to the West." Xiao Yueyue exclaimed.
"No, although I went to the West, I didn't civilize Westerners." Xiao Aiyang shook his head and denied what his sister said, "If I really civilized Westerners, the picture shouldn't be like this."
In so many paintings, there is no scene showing Lao Tzu educating Westerners. This shows that Lao Tzu only came to the West and did not educate Westerners.
But I went to the West just to meet such a priest? Who is this priest?
These two questions appeared in Xiao Aiyang's mind. Unfortunately, no one could answer his questions, including the picture that continued to change.
From the seventh painting to the ninth painting, it is still Lao Tzu, but the scene has changed, and the people have also changed. Through the background style, Xiao Aiyang and others can vaguely tell that they are someone from Greece and Africa respectively.
at.
This also means that Laozi left Hangu Pass in the west and traveled all over the earth.
In the tenth picture, it's finally me no longer, replaced by a middle-aged man in a white shirt. The man also rides a green bull, appears at Hangu Pass, and heads towards the west.
"Is this Zhuge Wuhou?"
The man in the white shirt is easy to recognize. He wears exactly the same clothes as the sculpture of Zhuge Wuhou in front of him. Even his temperament is the same elegant. He must be Zhuge Wuhou without a doubt.
"Is Zhuge Wuhou following the path that I followed?"
Seeing this scene, Xiao Aiyang and his party showed surprise on their faces, and the following pictures also proved their guess. Zhuge Wuhou appeared in front of the snowy mountain that had turned into a deep pit.
In the church in the west, in a certain temple in Greece, the only difference is that in these pictures, only Marquis Zhuge Wu appears, and no one else appears. The middle-aged man, the priest,
All the priests of the Greek temple were missing.
In the sixteenth picture, Zhuge Wuhou disappeared, and another man appeared on the picture. However, as soon as this man's figure appeared, the expressions of Xiao Aiyang and others became weird.
"It's Qin Yu."
"It's Mr. Qin."
Xiao Yueyue and Cao Xuan were surprised at the same time. In the picture, the man who appeared was Qin Yu, and Qin Yu in the picture was holding a handful of grass in his hand, feeding it into the mouth of the green cow, and then,
After touching Qing Niu's nose, he seemed to feel that he was being watched. He glanced towards Xiao Aiyang and the others. Then, a smile appeared on his face. After waving to them, he turned around and held his hand.
The green cow walked slowly towards the west.
"What's going on? Qin Yu is greeting us?" Xiao Yueyue asked in confusion.
"Why does Mr. Qin appear in this scene?" Cao Xuan also asked.
Xiao Aimai, who was looked at by the two people asking for explanation, couldn't help but cursed in his heart, how did I know that this guy Qin Yu would appear in this scene? From what he saw after entering the hall of Zhuge Wuhou Zhenjun,
Everything he did was unbelievable, breaking his endurance limit time and time again.
Xiao Yanyan did not answer, but the picture continued to change. The seventeenth picture still showed Qin Yu, but the background where Qin Yu appeared was not the place where I and Zhuge Wuhou had been before. This was in a
In the extremely solemn and elegant lobby, Qin Yu stood in front of an old man. The old man's face could not be seen clearly, but on the wall behind the old man, there was a solemn five-star national emblem.
Qin Yu opened his lips and walked towards the old man step by step. However, when Qin Yu took the first step, a mouthful of blood spurted out from his mouth. When he took the second step, he spit out three mouthfuls of blood.
After taking the third step, Qin Yu's skin oozed blood, and he soon turned into a bloody man.
In the fourth step, Qin Yu's hair turned white at a speed visible to the naked eye, turning into a head full of white hair in an instant.
In the fifth step, Qin Yu's face and skin began to wither and lose the luster of life, just like a dying old man.
The sixth step, above the sky, lightning and thunder...
On the seventh step, Qin Yu said something to the old man, and then fell into a pool of blood...
The scene suddenly changed here, and the purple light spots began to disappear. In the end, the light on Zhuge Wuhou's feather fan disappeared, and the light on the top of each hall also disappeared, and everything returned to calm.
However, the mood of Xiao Aunai and his group couldn't calm down for a long time because of the last scene they saw.
The Qin Yu shown in this seventeenth painting is really miserable. In an instant, he changed from a young man to a gray-haired old man. In the end, he even fell into a pool of blood. What was the reason for this?
?
At this time, Xiao Aina suddenly thought of a rumor that the elders in the family had mentioned. Doesn't this rumor fit exactly with the scene he saw? If this is true, then Qin Yu... (Unfinished)