(It’s so easy to get on the list, I must resist this time, vote for recommendation!!!)
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In later primary schools, character recognition and writing were taught at the same time, which was not good because Chinese calligraphy was about "preparing the intention before writing, and then writing". School children did not have a perceptual understanding of the structure of characters, so they naturally had no idea when writing.
I can't help but feel that the characters I write are weird and terrible. It's extremely difficult to achieve success in calligraphy.[]
In ancient times, schoolchildren often memorized literacy books such as "Hundred Family Surnames" and "Thousand Character Classic" and became familiar with thousands of characters before they started to practice calligraphy. In this way, before learning calligraphy, they already had an impression of the structure of the characters.
, writing comes naturally. After repeated practice, everyone can write well when picking up a pen.
In later generations, it was okay to write poorly, but in this era, if you can't write well, you don't have to talk about anything. Not to mention being an official or a scholar, just being a businessman or a bookkeeper. A bad word will be looked down upon.
Therefore, if you want to study, you must learn calligraphy. And learning calligraphy naturally starts from copying. Chen Xiliang did not choose the commonly used method in Mongolian studies: "Kong Yiji, a great master, transformed three thousand and seventy scholars, and you gave birth to a son from a young age. Good works of benevolence can reveal etiquette."
It is rare to use "Guangyun".
Firstly, this book is officially compiled and uses the most rigorous regular script, which is very helpful for laying the foundation; secondly, this book is divided into volumes with five tones, which are flat at the top and flat at the bottom.
It is also a study of pronunciation. Thirdly, copying such a large volume cannot be sustained without calmness. His intention is to kill the fireworks in Chen Ke's chest.
But everything went against his wishes, and Chen Sanlang was so depressed that he went crazy because the ancients' method of learning pronunciation was too clumsy... To put it simply, they took forty Chinese characters as the initial consonants, and used the final characters of the rhyme book as the finals, using the 'fanqie method'
' phonetic notation for Chinese characters.
To put it simply, in the Fanqie method, for the two characters used for phonetic notation, the first character is referred to as 'Shangzi', the latter is referred to as 'Xiazi', and the phoneticized character is referred to as Qiezi. The basic principle is that the upper character
The initial consonant of the word being cut is the same, and the lower character is the same as the final rhyme and tone of the word being cut. The combination of the upper and lower characters is the pronunciation of the word being cut.
For example, in the line 'Dong, Du Zongqie', the initial consonant of 'Du' is used, and the final rhyme and tone of Zong are Dong phonetic notation. This phonetic notation method was borrowed from Sanskrit pronunciation during the Southern and Northern Dynasties and was developed and perfected in the Tang and Song dynasties. Compared with
The phonetic notation such as Duruo and Zhiyin in the Han Dynasty was naturally a great improvement - but for people who are accustomed to pinyin, it will definitely be a return to the Stone Age overnight.
Obviously, the characters "Funqie Shangxia" contain redundant elements and there are certain obstacles in the assembly process; moreover, "Funqie Shangxia" uses too many characters, making it difficult for users to master. Of course, this method of single-character annotation is indeed better than later Hanyu Pinyin.
Letters must be precise.
Moreover, Hanyu Pinyin is based on Beijing dialect mixed with Manchu accents as the national standard. The Chinese spoken by the Manchus does not have the entering tone, so the Chinese Pinyin cannot simulate the entering and exiting tone. The entering tone is one of the three oblique tones in the flat and oblique tones.
Once the rhyme is entered, it no longer conforms to the rhythm of ancient Chinese, so using Hanyu Pinyin, the rhythm in ancient poetry cannot be pronounced.
But coincidentally, because he had to learn ancient Chinese, what Chen Ke had been exposed to since he was a child was not the Chinese Pinyin scheme popular in mainland China, nor the Mandarin alphabet in Taiwan, but the 'Weicher Pinyin'... This method has been used for the longest time
The unique Latin phonetic notation can not only express the entrance tone of orthodox Chinese, but also better simulate the classical charm.
But when he excitedly wanted to use Weishi Pinyin to replace Fanqie, he was dumbfounded. Because at this time, there was still a full thousand years before Weishi Pinyin appeared, and the bond between words and sounds - the Pinyin dictionary naturally
There is no way to talk about it. The great task of phonetic notation of Chinese characters seems to fall on him without any shirk - and the prerequisite for phonetic notation is to accurately master the pronunciation of each Chinese character.
The sad thing is that in order to master the precise pronunciation of each Chinese character at this time, you must first thoroughly understand "Guangyun"...
Naturally, this is a job for predecessors to plant trees for future generations to enjoy the shade. Chen Ke has only two choices, either wait a thousand years for the Englishman Wade to come to China, or do this arduous and great project himself
...my scalp goes numb just thinking about it.
To do it or not to do it? This is a question, but at least one thing is certain - whether you do it or not, you have to study "Guangyun" hard.
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In the early morning, Chen Xiliang opened his eyes when he heard the dawn call from Toutuo outside. Usually, he would get up early, boil water for cooking, and then the children would wake up one after another... But these days, he was so tired and tired that he fell asleep all at once.
Overslept.
He rubbed his eyes and saw that Chen Ke was already sitting at the table writing words. He couldn't help but smile sincerely, tiptoed, put on his clothes and shoes, and walked to the table.
Chen Ke still heard the footsteps, and just as he was about to turn around, he heard Chen Xiliang say in a deep voice: "When writing a book, silence is the most important thing! When you listen to it, you must be calm and focused without any worries, and your heart is upright and peaceful!"
Chen Ke nodded and turned his attention back to the paper. Chen Xiliang saw that his posture of holding the pen was wrong, so he corrected his wrist first: "If the wrist is straight, the front is straight. If the front is straight, the four sides will be full!"
"The second time is the real finger, the real finger will make the joint force even. The second time is the empty palm, and the empty palm will be easier to use." Chen Xiliang corrected him to hold the pen, took his hand, and demonstrated the strokes on the paper while explaining:
"For points, you must collect, you must be tight and heavy! For painting, you must draw, but for astringency, you are late! To draw, you must plunder, and for danger, you must be strong! To stand up, you must work hard, for fighting, you must be strong! For fighting, you must run, you must hesitate and right.
Gu! If you are looking for a ring, you will be depressed. If you are looking for a sharp edge, you will always turn! If you are looking for a wave, you will be stunned. If you are looking for a three-fold twist, you will be able to send it away!"
He dipped in ink and continued writing: "Don't flatten your pen on the side. Don't bend your pen on your side. You must move forward with the tip of your pen. If you try hard, you should not be straight, otherwise you will lose your strength. If you pick the tip, you must keep the tip of your pen to gain momentum. The policy must be based on the policy."
Then close it. The brush tip of the beard-grabbing stroke comes out to the left and is sharp. When pecking the beard, the brush is lying down and the brush is quickly covered. When the beard is pressed and the brush is released, the proud Xu will come out..."
After explaining all the key points of writing, he let go of Chen Ke's hand: "When I was studying Yi, I settled on regular script writing when I was young, which is the first level of my hand. Beginner learning is nothing more than copying. You must first seek the meaning of the ancients, and then
Study the use of the pen, and the subsequent imitation of the style. If you copy attentively and continuously, within a hundred days, the words will not be unsightly..."
After finishing speaking, he saw that Saburo had written a few words and it turned out that he had indeed made progress. Then he noticed that there was movement in the courtyard. He quickly went out and saw a fat young man busy in the kitchen. This uninvited guest was obviously not a thief.
, could he be the elder brother of the snail girl...the snail brother?
"Who are you?" Chen Xiliang looked familiar to him, but couldn't identify him.
"Master, don't you recognize me? I am the Chuanfu from Laifu!" The young man quickly wiped his hands with his apron, came out and bowed excitedly: "Master, please accept my disciple's respect!"
"Laifu's Chuanfu?" Chen Xiliang said suddenly: "Are you Boss Cai?"
"It's my disciple." The young man said coyly: "My disciple came here to learn skills early in the morning. I really shouldn't have disturbed my master and uncle's rest..."
"That's not true. Sanlang has already told me about your matter." Chen Xiliang said with some confusion, "Are you studying art?"
"Yes, I am learning skills!" Chuanfu nodded seriously and said, "Master is teaching me how to cook porridge, steam pancakes, and mix pickles!"
"This is obviously asking you to make breakfast..." Chen Xiliang said at a loss of laughter and tears: "Don't listen to him in the future. This kid is used to making fun of others. Don't come here so early in the future. I asked him to go to your place and teach you how to cook."
"It's necessary. The young master has both virtues and skills. We are sincerely apprentices." Chuanfu touched the back of his head and said with a simple smile: "It is the duty of an apprentice to serve the master. If we lose our duty, we are not worthy of the young master."
Become an apprentice."
"Hey..." Chen Xiliang felt that this guy was really nice, so he persuaded him: "There's really no need to come, your store is still very busy."
"Let's close the shop," Chuan Fu said, "I want to concentrate on learning from the master for a month..."
"..." Chen Xiliang felt a little unhappy. Wouldn't this affect my son's study? But how could he say this clearly immediately? He could only wait a few days before saying it.
At this time, Erlang, Wulang and Liulang got up one after another. Liulang had completely recovered and was more energetic than before.
When they met Cai Chuanfu, they naturally winked and winked, but they were completely indifferent.
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Chuanfu's craftsmanship is not up to standard according to the standards of opening a restaurant, but having a meal at home, especially for a family like this that is struggling with hunger and fullness, is not a problem at all.
A basket of cakes and a pot of porridge were all eaten up. Chuanfu happily went to clean up the dishes, but this time he was stopped by Chen Xiliang and ordered Wulang to do it. He said to Sanlang seriously: "Chuanfu came to our house to learn skills.
He's not a boss, so don't imitate those arrogant people and bully him!"
After saying that, he went out to work. Cultivating children to study is a costly business, and cultivating prodigies is even more expensive. Chen Xiliang was already very uneasy because he didn't work yesterday.
Erlang also packed his bags and prepared to go out. Today is the day he returns to school. Fortunately, Zhongyan Academy is not far from home, and he can still see him every morning and evening.
As soon as they left, Rokuro looked at his third brother eagerly. He was allowed to rest today, and he really hoped that his third brother would take him out to have fun.
Cai Chuanfu also looked forward to him, hoping to learn advanced cooking skills immediately.
Unexpectedly, Chen Ke moved his pen, ink, paper and inkstone to the table with a straight face, and continued to copy "Guangyun".
The two of them did not dare to say anything, and could only watch his writing stroke by stroke. After writing a piece of paper, Chen Ke put down his pen and said to Chuan Fu: "Master, am I better, or are you better?
"
"Ah..." Chuanfu scratched his head and said honestly: "Of course the master is great, the disciple is just..." He thought of Chen Ke's catchphrase and used it: "...that one is really inferior."
"I am so powerful, yet I need to seize the time and lay the foundation stroke by stroke." Chen Ke rolled his eyes, pointed at the kitchen, and cursed: "You know you are inferior, but why did you wait for half an hour? I am writing.
You don’t need a Dharma protector, why don’t you hurry up and practice basic skills?!”
"Yes, yes!" Chuanfu hurriedly ran away with his head in his arms.