Some people miss big pot rice, while others hate big pot rice.
Because this method of evenly distributing the fruits of labor, while giving people peace of mind, will also seriously suppress people's enthusiasm and initiative.
In fact, this system is only suitable for two types of people.
One is a dutiful person who has no more requirements and is not willing to take any risks.
They only know how to be content and work honestly.
Be willing to be led and follow the lead of others.
The other type is those who like to eat, are lazy to cook, and just sit back and enjoy the fruits of their labor.
They are the biggest pests bred under the current system.
He only knows how to sneak around and suck the blood of big guys.
Therefore, unlike most ordinary people, some social elites who have outstanding personal abilities and are unwilling to leave their fate in the hands of others inevitably take the lead in seeking the possibility of breaking through the shackles in their own way.
There is no doubt that the literary and art circles are the first place where this distribution contradiction breaks out.
For example, Hong Yanwu never thought of his kindness to Liu Xiaoqin and his generous act of preserving the dignity of several mainland actresses.
It actually became a major opportunity and trigger for Liu Xiaoqin to take a crucial step in her life.
I'm sorry to say that the food he has provided in the past two months has been really good.
For this purpose, Master Pang specially assigned a white case master and a red case master, and rented several private houses near the location to station themselves there.
We also shipped kitchen utensils and built a more professional kitchen.
Since the ingredients are freshly bought at the local free market every morning,
Vegetables, meat, and eggs are not only exceptionally fresh, but also cheap.
Therefore, the standard of five yuan per person per day for two meals is simply too rich. Forty people are worth two hundred yuan.
In addition, Hong Yanwu had already ordered that several actresses should be treated differently and given special care.
The two masters also expressed their gratitude to several actresses because they took photos with them and got autographs.
So unlike ordinary staff, Liu Xiaoqin and the three "Xianfeng concubines" were given a table of "Nine Pieces of Flowers" with five meat and four vegetables at every meal. After the meal, there were watermelon, mung bean soup, and almond tofu.
A great way to cool off the summer heat.
I really treat these actresses as real empress dowagers.
Think about it, in those days you could replicate the exterior of the Old Summer Palace for 640,000 yuan.
As far as this food standard is concerned, even the "Hong Kong cowards" on horseback can't keep up with it.
And don't forget, this is a serious "kouzi" job in the capital, and they have never even seen it.
As a result, not only did no mainlanders envy Hong Kongers, but Li Hanxiang and Liang Jiahui had to spend several meals in the mainland.
Needless to say, Liu Xiaoqin enjoyed her face and face.
This feeling of pride is of course completely different from the feeling in the original history when she was like a beggar and suffered humiliation when she was refused food from her colleagues in Hong Kong, and burst into tears due to hunger.
But what’s interesting is that even though bad things turned into good things, the final effect was exactly the same as the original historical trend.
Because desire, like resentment, can also be transformed into motivation for people to act.
And how do you say it?
There are only blessings that cannot be enjoyed, and there are no hardships that cannot be endured.
Once the good days have passed for a long time, the bad days will become even more uncomfortable.
In early September, as soon as the crew finished filming and the Hong Kong people evacuated, the two masters packed up their belongings and returned to the "big canteen".
Liu Xiaoqin and the others naturally returned to their respective units from the location.
Without the glory of serving banquets every day, he returned to the same situation as before, living off the simple meals in the cafeteria every day, which made Liu Xiaoqin a little psychologically unbalanced.
Because you know the taste by eating the marrow, it is easy to go up the mountain but difficult to go down. How can white radish and white chopped chicken be the same thing?
In addition, don’t forget that in this era of planned economy, except for the wealthy individuals, the income of the Chinese people at that time was very low.
Even the most popular film and television stars are only beautiful on the outside.
To be honest, the real life of Liu Xiaoqin and others is actually very shabby.
On weekdays, they have to squeeze into buses for performances, and the performance subsidy is only two yuan per performance. Even the costumes for the performances have to be figured out by themselves in Beijing.
Therefore, whenever they go on business trips, they often face the dilemma of not being able to afford clothes, hotels, or food.
For this reason, Liu Xiaoqin has resisted all the invitations to numerous social events and activities.
But there are some activities that she just can't refuse, such as participating in a political mission such as a Beijing Film and Television delegation's trip to Japan.
As a result, due to financial difficulties, she became the most embarrassed person in the spotlight, wearing an old cheongsam used for acting as a costume in the entire delegation.
It turned out that the cheongsam had a hole eaten by insects in the chest, another hole in the hem, and the slit in the cheongsam was also torn.
In the end, Liu Xiaoqin managed to get through it all by relying on her quick wits and finding a solution that was not a solution.
Cover the hole in the chest with a red flower, tie a knot at the slit, and make it invisible when you lift the bag.
The hole in the hem can only be ignored.
After this incident ended, Liu Xiaoqin was ashamed, angry, and depressed for a long time, until "Burning the Old Summer Palace" and "Behind the Curtain" were released in Hong Kong and became a great success.
It was the new glory that rescued her from her depressed mood.
Unfortunately, she was only happy for a few days when Chen Ye, who came to Beijing to attend the celebration party, deeply stimulated her.
It turns out that Chen Ye planned to resign and go to the United States to find a new life outside.
Liu Xiaoqin didn't understand it at first, and wanted to persuade Chen Ye to stay, saying that you had just become famous, and while you were a big star, you should make more movies now that you were famous.
Unexpectedly, Chen Ye asked her, "What kind of star? What's the use of fame? I don't have a house to live in, and my salary is only 47 yuan. Can you solve it for me?"
This made Liu Xiaoqin speechless at that time.
Yes, what kind of star is such a shabby star?
When she thought of the dilapidated and hungry people behind the spotlight, she even wanted to cry.
Let’s take a look at the self-employed. These three words don’t sound very good, but they have a lot of money.
People can give her a reserved seat and use money to maintain her dignity.
Director Li was offered a price of 100,000 to 80,000 yuan just to place a few scenes in "The Burning of the Old Summer Palace" and "Current Curtain".
Although it was not filmed, even Hong Kong people cannot underestimate such a masterpiece.
I heard that "Sunset Street" relied on sponsorship from others to prevent the actors from suffering.
Alas, I don’t know who is the real winner.
Wouldn't it be great if she were so rich? It's not about eating and drinking well, the key is to be able to maintain her proper self-esteem.
You can live up to your name and be a real star, no longer need to stand in the spotlight with a guilty conscience and low self-esteem...
In this way, people go to higher places and water flows to lower places.
Following inevitable objective laws and implicit guidance, history has appeared without distortion.
After Liu Xiaoqin received a high-priced performance invitation from two people from Handan, she didn't even hesitate this time and rushed to Handan with them to complete her first "acupuncture performance".
When she returned to Beijing a week later with a performance fee of 3,600 yuan, she had completed a key psychological change and was out of control.
Of course, due to lack of contract and business experience, fraud is still as inevitable as the original trajectory.
But after experiencing several twists and turns, she became stronger and grew up faster than before.
It has evolved into an organization based on personal credibility, leading the "acupoint team" to contact the "acupoints" for external performances.
Because of her character, appeal, program quality, and performance attitude, she has been recognized by every actor she has worked with. The actors all called Liu Xiaoqin the supreme card in the poker game and gave her the nickname "Big Cat"
”.
However, in Liu Xiaoqin's own mind, the origin of all this was precisely inspired by the last two months of filming "The Burning of the Old Summer Palace" and "Behind the Curtain".
Let her understand that money is not just money, but also a person's dignity, value and self-confidence.
Therefore, in future programs or autobiographies, a "self-employed friend" became her savior and guiding light, and was mentioned repeatedly by her.
This was something Hong Yanwu had not expected, and it made him dumbfounded.
But the most fortunate thing is that despite history taking a full circle, it finally returned to its original place.
This prevented the wind fanned by Hong Yanwu's little butterfly from drowning Chen Peisi's classic works.
Because Hong Yanwu had no idea that the classic sketch "Eating Noodles" that was born on the Spring Festival Gala in 1984 was actually the product of Chen Peisi following Liu Xiaoqin in Shenyang for a reward of 100 yuan.
It is precisely because of this sketch that it became popular in the Northeast and received a strong response.
In order to successfully complete the performance, the actors who went there had to turn this art test skit into the finale.
Such a reputation later spread to the ears of Spring Festival Gala director Huang He. Only then would audiences in the Republic be lucky enough to see such a classic program, which would trigger a craze for sketches that continues to this day.
This cannot but be said to be an extremely lucky thing, otherwise the history of the Republic Spring Festival Gala and the history of the entire sketch program would have to be rewritten.
But on the other hand, I cannot help but mention one more thing.
Because what is particularly interesting is that the indirect impact caused by Hong Yanwu is actually not small.
That means Chen Peisi's partner in this performance is not the "Lao Mao" with heavy eyebrows.
As the saying goes, fat water should not flow to outsiders.
When he went to the performance in Shenyang, Chen Peisi took "Hongye" with him. Naturally, this handsome "stage manager" gave the popular male star his thumbs up.
Therefore, Chen Peisi's original old partner did not work hand in hand with him as historically, and became a partner and friend that lasted for decades.
The program performed by this popular "Wrangler" during her trip to Shenyang turned into an ordinary poetry recitation.
In this way, a relatively significant deviation occurred in history.
"Hongye" is an ordinary person who should not be famous, and should not even appear in the literary and art circles.
It is destined to become a household name in the near future.