The screen was dark, and the sound of a lighter gradually sounded inaudibly. However, it was obvious that the lighter was malfunctioning. After thinking about it for a long time, the first light finally appeared in the center of the screen, orange and red.
Jumping upward, the jumping flame dodged for a few times before lighting a cigarette. The butt of the cigarette flickered, and finally the face of the smoker was revealed. The unshaved stubble on his chin was still difficult to hide.
Handsome.
The lens language of this section is divided into three steps, and the real protagonist is revealed in the last step. However, the lighter that failed to light up at the beginning and the flames that jumped and almost went out also affected the hearts of the audience.
Many people have carefully watched Lin Chengxun's first two movies and know that he likes to use a certain object or a certain shot in the camera to hint at the ending of the characters in the movie. The grass in "The Crucible" is repeatedly oppressed but still grows, and "
Although it is not shown in "Extraordinary Anchor", Lin Chengxun will add a shot of a wall calendar in every shot. The old and new calendars and the calendar patterns are all vague hints.
In the movie, Kong Liu took a long puff of cigarette and blew out a smoke ring out of the car window. The camera followed the movement of the smoke ring that gradually became thinner. After finally moving into a nightclub, the smoke ring completely dissipated, and then "chirp, chirp, chirp, chirp, chirp."
A sharp whistle surrounded his ears, but not long after, the monotonous whistle turned into noisy nightclub dance music. Then, the hem of Gong Yoo's prosecutor uniform came into view. The camera moved up and stopped at Gong Yoo's swaying body.
Shoulders.
In this shot, the picture changes from a close-up to a follow-up from behind. The depth of field is not far, but in Gong Liu's shaking back, people can always see the colorful corridor formed by countless colorful triangle patterns, which is very similar to
Stained glass in the church background.
As Gong Liu walked in the corridor, the background sound was filled with the roars of boys and girls, the dance music of nightclubs, and even people's curses. But what was very strange was that the audience could hear every step of Gong Liu's footsteps, and in the noisy environment,
It gives people a quiet and eerie feeling, and this strange sense of contradiction makes the audience's backs glow and the hairs on their hair stand up.
Just when their hearts were faintly lifted, a beam of light suddenly came in and shone on the colorful corridor. Suddenly, red, orange, yellow, green, blue, and purple appeared in the corner of the camera. This light made the corridor quiet and eerie.
While dispersing, independent small triangular spaces were formed in the lens.
In this entire set of long shots, only Kong Liu's shaking shoulders and back can be seen from beginning to end. There is no dialogue, no close-ups of expressions, and no emotional rendering. However, this set of long shots is the longest shot.
Because Lin Sung-hoon requires Kong Liu to take every step in a fixed rhythm, it cannot interfere with the dimension and light sensitivity that the color gives to the picture. This sense of rhythm will make the whole shot less boring, and the dimension of color is Lim Sung-hoon's personal style.
Camera language.
"It's a long shot that ends in one shot, and the movement of the characters doesn't interfere with the dimension of the picture, and it also steps on every beat of the music!" Many film critics chewed their teeth, and some who knew the original "The Crucible"
There is a wry smile in people's hearts. Lin Chengxun is going to fight Christianity to the end. The corridors of the nightclub are frescoes from Western churches. I wonder if the priest will fall into a coma if he thinks of Jesus dancing on the cross while listening to nightclub music.
.
Lin Chengxun himself didn't care about these things. He made up his mind that no matter what you say, I won't recognize it. Who stipulated that stained glass represents the church?
Li Junyi stared at the movie screen attentively, feeling a little bitter in his heart. He could pat his chest and say that he couldn't do such a stunning interpretation of spatial dimensions with color. Originally, he wanted to watch Lin Sung-hoon's movie "The Street".
But Lin Chengxun showed through his actions that you really don’t know how to make movies.
Finally, this set of long shots was completed, and Gong Liu's back stayed at the door at the end of the corridor. He first scratched his hair coquettishly, and then pushed the door open with force with his arms.
coax!
No one would have thought that as soon as the door was opened, the entire movie screen would go dark. Fortunately, Lin Chengxun stopped teasing the audience, and the screen returned to brightness after only a moment, and a man appeared.
The next development of the story let the audience know that this man is a link in the white powder industry chain, but this man was stalked by Xiaomi's mother, played by Li Yunxi, who stalked the cicada and the oriole behind. She killed the man with a stun gun.
Stun him and run away with the white powder.
When Gong Yoo, the youngest prosecutor in the drama, came to the scene, what he saw, besides a naked man who fainted on the ground, was the particularly eye-catching floor-length mirror on the wall, with a spiderweb-like shape in the center of the floor-length mirror.
The cracks divided the huge mirror into countless irregular triangles. Kong Liu stood in front of the mirror that had become mottled and fragmented, took out a lighter and lit a cigarette. The flames in the lens seemed to mend the cracks on the floor-length mirror one by one.
Average.
At this point, the Kong Liu line comes to an end.
The screen dimmed and then lit, and then the male lead of the movie appeared. The audience finally saw the peasant-like Won Bin in the early promotional posters for "Uncle", wearing a gray cotton-padded jacket and having two arms.
His long hair, which had obviously not been combed for a long time, covered his eyes. His whole person was gloomy and decadent, and he no longer had the image of a pretty boy in the minds of the audience in the past.
In fact, it was only after Bong Joon-ho saw the image of Won Bin that he decided to let Won Bin star in "Mother", a movie that Bong Joon-ho wanted to win awards.
There is not much plot in Won Bin's episode. There is no dialogue, no soundtrack, and even the people talking on the street have no sound. The whole plot is so silent that it makes people despair. They buy groceries, cook, and then divide the portions.
Placed aside, the entire shot and the people there seemed lonely and cold.
It wasn't until Zheng Xiaomi, played by Kim Sae-ron, appeared in the shot, with the small flame-like decorations on her clothes bringing a touch of warmth to the entire space, that the cold and silent shot was slowly painted with bright colors.
Millet is like the butterfly that brings spring, with fluttering wings and shining stars.
Zheng Xiaomi pushed open the door that Yuan Bin deliberately left open and directly picked up her rice bowl to eat. Her childish face was full of smiles. Even if Yuan Bin barely talked to her, she still had endless things to say to this mute.
The uncle confided.
As Zheng Xiaomi finished her meal and reluctantly left Yuan Bin's pawnshop, the vitality in the camera seemed to be drained away the moment she left. The color turned cold again, and finally turned black. When it lit up again, the picture that appeared was
So Ji Sub's white teeth.
Multi-threaded film narrative technique?
Many viewers were stunned. Three story line changes, three seemingly completely unrelated story lines, were presented in such a short span of ten minutes. No one thought that Lin Chengxun's ambition would be so big and highly personal.
Not to mention the lens language, even the film’s narrative technique pays homage to Guy Ritchie’s “Two Smoking Barrels.”
The self-pleasure in their hearts began to faintly arise, and titles that would make Lin Chengxun blush when he saw them appeared in their hearts one by one.