There is light moss crawling next to the green school playground. A line of ivy spreads the green along the iron fence outside the grassland, blocking the last sunlight of dusk. The grass in the center of the playground is bare, and it looks like someone in their 40s or 50s.
Above the head of the middle-aged man, the entire scene reveals that it is old and down-and-out.
Li Shengmin walked slowly on the track of the playground, his eyes warm as he looked at the girl who was walking on the curb with her arms stretched out in front of her to maintain balance.
This girl's name is Yang Ruiying, she is twenty years old and a student at the Conservatory of Music. The two of them were lovers before sunset.
"let's break up."
"Ah? Okay." Li Shengmin narrowed his eyes and smiled. Li Ruiying never gets tired of playing this kind of breakup game.
"I'm serious, let's break up. I'm going abroad tomorrow." Li Ruiying's voice was like water droplets falling into the lake in the silent night, crisp, loud, and cold.
"Ah?" Li Shengmin raised his head and happened to see a beam of pure white light from the modeling lights on the playground slanting on the side of Li Ruiying's face. As if he was under the moon, Li Shengmin finally saw the cold temperament that his friend Dabai said.
Yan is very beautiful, but she wants to break up with herself now.
"Why, there must be a reason for breaking up."
"When you first see a house, you will unconsciously want to own it. But after living there for a long time, you will want to move. Is this reason enough?" Yang Ruiying said with a look in her eyes.
Determined, the sunset completely set, and the tears that were about to overflow in her eyes trembled with her eyelashes in the darkness. Life is like a reverse journey, and I am also a pedestrian and a passerby.
What should I do if I get broken up with?
Li Shengmin looked up at the sky, bit his lip and glanced at Yang Ruiying, but only saw Juejue's back. What should he do if he is broken up with? He thought of what his friend Dabai once said: a decent and ritual breakup.
, is the most ideal state to end a relationship, with dignity and completeness.
"Okay." Li Shengmin raised his head to maintain his last dignity, "I hope you find the building you like most."
Han Jiaren stood aside and watched the performances of Lin Chengxun and Jiyeon. Her heartstrings were touched. She wanted to show her admiring smile but couldn't. When she first saw the script, she felt that Lin Chengxun was putting herself and Ji Yan in the same position.
Her story was written into a script. She fell in love at first sight and then fell in love with each other, but then broke up inexplicably. Is this a coincidence? After meeting again many years later, the heroine can only recognize the regret in the heartbreak.
Han Jiaren herself didn't want to become Yang Ruiying in the script. She didn't want to end the relationship with Lin Chengxun immediately, so she stared with her eyes showing her stubbornness: I don't!
Thinking of this, Han Jiaren looked at Han Xiaozhou, who played the male protagonist's future fiancée in the movie, wondering whether she was Jiyeon or Sika, or...
Alas, it doesn’t matter what you were thinking about now, does it?
Not only did she change her own life, she also changed the ending of the movie script.
...
The first scene was successfully filmed. Lin Chengxun waved to the staff who were about to come over. He walked to Zhiyan and squatted down. He watched her big eyes fall to the ground. What Lin Chengxun could understand was Zhiyan.
Deep down in Yan's heart, she is not as carefree as she appears to be.
"oppa~" Zhiyan came back to her senses and stared at Lin Chengxun with moist eyes. After her lips trembled a few times, she just put on a smile: "I'm hungry."
Lin Chengxun said "Hmm", took out a candy from his pocket and stuffed it into Zhiyan's mouth. He hesitated for a while and said, "Do you want to win more championships with your new album?"
"Oppa, I don't want this." Zhiyan shook her head, rubbed her eyes with her fists, raised her face and returned to the image of a heartless snack food.
Lin Chengxun nodded, led her back to the crowd of the crew, rubbed Zhiyan's head and asked her to stay with his unnies. He himself looked at Gong Liu and Kim Tae Hee, and saw Kim Tae Hee at first sight.
With a cold and stunning look on his face, he decided to postpone all of Kim Tae Hee's scenes today until tomorrow.
The core of the relationship between the male and female protagonists in the drama "Introduction to Architecture", Lin Chengxun adopts half of the answer to separation in the Tang Dynasty's "Book of Letting Go of Wife", that is, one is separated and the other is wide, but there is no happiness for each, and time does not
Without any color of joy or sadness, it washed away the first love between Li Shengmin and Yang Ruiying fifteen years ago and made it very dull. It was so dull that when Yang Ruiying came back to look for Li Shengmin, she found that the other party did not recognize her, and even some people had appeared in the near future.
wedding plans.
So fifteen years is a gap that divides the role of Yang Seo-young into two parts. Therefore, the method acting skills taught by Gong Yoo to Kim Tae-hee are not suitable for Kim Tae-hee. As for what genre Kim Tae-hee is suitable for, Lin Chengxun is not clear. Maybe the expressionist style can
Let her show a different style, maybe the experience party can surprise people, it's impossible to say.
There are always people talking about the experiential, method and expressionist performance schools, but in fact they are not as responsible as they say.
For example, the experience school is to let yourself become a character in the play. The most typical one is Brother. In "Farewell My Concubine", Cheng Dieyi in the play is not the only one who can't survive without being crazy; and among the actors that Lin Chengxun has handled, Yuan
Bin can be considered an experientialist. One "Uncle" made him fall into a role in the movie and he almost couldn't get out of it. When he was filming Bong Joon-ho's "Mother", he was so angry that Bong Joon-ho called Lin Sung-hoon three times and four times to complain.
The method school requires some conscious skills, or a clear method and path. For example, Lin Sung-hoon asked Ji-yeon to replace Yang Rui-ying's reluctant feelings with the desire for barbecue. This was a method, although Ji-yeon finally replaced
Another feeling.
Expressionism is about self-expression and self-shaping, which is similar but not exactly the same as Methodism. Kong Liu is this performance school.
But in the final analysis, the three acting genres all reach the same goal by different paths. Their end point is to perform performances that are natural and not artificial, affectionate and not pretentious. It is a pity that Kim Tae Hee cannot do any of these. Her acting skills can only be used by Lim Sung Hoon.
It’s hard to describe in one word.
"Director, I've made adjustments." Kim Tae Hee walked up to Lin Chengxun, feeling very good about herself, and her coolness and competence were vividly displayed in her brows and eyes.
Wait a minute! Why does the time of a few steps have more capable and emotional colors?
Lin Chengxun turned his attention to Gong Liu, and saw Gong Liu shrugging his shoulders with a wry smile. He was just an actor. If he gave Kim Tae Hee a few simple words and Kim Tae Hee's acting skills improved by leaps and bounds, then he would be a shitty actor and become a director directly.
Okay.
"In this case," Lin Chengxun had no choice but to think about it and said: "Taixinu, come to my room tonight and I will tell you about the play."
Kim Tae Hee was suddenly startled, her eyes as wide as two ping pong balls.
"Also Ji-yeon, brother Kong Liu, come too. The four leading actors of us will discuss this "Introduction to Architecture" together." Lin Chengxun gasped, and then faced Han Jiaren, "Jiaren, you come too."