Zhang Dongjian, who has a lot of experience, "sincerely" gave his advice. Of course, what he meant was not to just wrap the tape around the body to represent a physical seal, but to wrap the tape around his underwear to suppress the thing that was ready to move.
Passionate scenes in film shooting, or to put it more generally, sex scenes and other soft pornographic film gimmicks, unless the director has unusually obscene filming arrangements, generally speaking, these soft pornographic scenes are for actors and actresses or directors, photographers, etc.
It was a hard battle for the lighting and other crew members. To put it seriously, it can be called torture.
Male actors should take protective measures before filming. Don't think that it doesn't matter if they are male. Protective underwear, tape, etc. are the most common methods. Even if these protective measures are used, the male actor should communicate well with the female actor.
Otherwise, Zhou Da Nostril’s lesson is not far ahead. His lack of success in the film and television industry is partly due to his own reasons, but it is also the main reason why Ziwei Gege treated his kiss scene as a gimmick.
First, before the rise of the Internet era, word-of-mouth communication for actors was still very important.
For actresses, breast patches, large band-aids, protective underwear and protective underwear to prevent exposure, and flesh-colored bottoms are all must-haves.
In addition to actors and actresses, the workload of lighting, photography, etc. is also more than double that of ordinary lenses. Lighting needs to use light ratio, lighting angle, etc. to outline the general image of the characters. Photography requires discussion with the director and experimentation.
What angle should be used to shoot passionate scenes and sex scenes where the actors have simple or even no contact? Dislocation and borrowing are two commonly used shooting techniques.
Of course, if there were celebrities like Lee Brokeback who could let the actors and actresses shoot that shocking paperclip position scene, it would be a lot easier for the director and other staff behind the scenes. As for whether the actors and actresses were working hard or quickly, only
The two of them knew it themselves.
Of course, Lim Sung-hoon still can't do such a shocking thing. I have carefully discussed with Jun Hyosung before that as a director, he would not mind using misplaced and borrowed shooting techniques to shoot this only passionate scene in "Train to Busan"
.
However, it was Quan Hyosung who proposed the actual filming. Lin Chengxun dared to swear to God that he could not take advantage of his position to do such a filthy thing. He was not the bad old man Kim Ki-duk who was waiting in front of the screen at this moment.
Dear book friends, the author drives. (cough cough cough...)
The most critical point is that when Lin Chengxun was actually filming, he discovered that he underestimated Quan Xiaosheng's charm and overestimated his own determination. So he invited the main creative staff of the film to discuss and decided to pass this process.
It would be nice to spend the close-up shot of the church photo getting slightly wet, and finally take a shot of Im Sung-hoon and Jeon Hyo-sung "afterwards".
Of course, the most critical part of this section is Lim Sung-hoon's recitation, so while the makeup artist was giving Quan Hyosung the "after-the-fact" special effects of "sprinkling water" and "applying blush", Lim Sung-hoon took the biographies he wrote and started practicing his eloquence
.
Reciting lines, in layman's terms, is not as simple as imagined. Soothing urgency and cadence is one thing, but giving emotions is a higher level. It is somewhat similar to singing. One thing that Lin Chengxun remembers clearly is environmental protection warriors.
Pan Yueming's interpretation of the song "The Day Does Not Know the Darkness of the Night" in "White Night Chasing", although his singing skills are not perfect, and can even be said to be unqualified, but it gives the audience the feeling that he is the one who really sings this song.
The person with the taste of song.
This is how Pan Yueming integrated his own feelings into the song to perform. So, sometimes people have to have a little environmental protection in their lives. After seeing the green prairie above Comrade Pan Yueming's head, he not only improved his acting skills, but also learned to integrate his feelings into his singing.
middle.
Lin Chengxun's narration is the most important. Rhythm and rhythm are the basics. The emotion does not need to be too involved, because what he needs is to use a rhythmic rhyme to slowly excerpt the sentences from the "Bible" from his mouth.
In order to do this, he secretly joined the church choir several times. If the nun who taught him singing knew that his purpose was to blaspheme the Bible, she would probably shout traitor,
Then kneel down before your Heavenly Father to apologize.
After Lin Chengxun finished practicing his narration and communicated with the guest scene manager about the changes in the shooting plan, the shooting continued.
More than a dozen lights surround the scene of the high-speed train bathroom. Lin Chengxun's chest buttons are all unbuttoned to reveal his rather stylish chest muscles. Quan Xiaosheng is clinging to his side in messy clothes. In the camera, her breasts under the collarbone are
The perfect whiteness is extremely dazzling when illuminated.
The plot in the script continues.
Lin Chengxun gently placed his lips at the corner of Quan Xiaosheng's blurred eyes, and slowly touched the delicate and overflowing southern hemisphere with one, two, and three fingers. This was his character's habit, and he was still chanting
He was excerpting extremely serious sentences from the Bible, but his actions secretly made him feel ecstasy.
Waves of numbness began to spread along with the shallow pimples on the skin. Quan Xiaosheng gasped and slowly slid down with a tremor of the body... (I can’t write anymore, I feel the current situation, Che
Before it started, the traffic police had already issued a ticket.)
After filming this sequence of scenes, Lin Chengxun finally breathed a sigh of relief.
After a break at noon, the afternoon shooting plan is to represent one of the seven deadly sins, the angry appearance, that is, Cheng Yuli, the heroine's plot husband in the movie, the character's identity is arranged to be a retired professional rugby player with an irritable personality. In the afternoon
The scenes are his appearance and a conflict with the male protagonist Jin Shiyu.
"Has camera number three been set up?"
Lin Chengxun looked at Sika who was talking to Yoona not far away, and his heart moved slightly. He asked Xu Shuali, who was temporarily guesting at the scene. After receiving a negative answer, he thought for a while and asked him to tell the staff to transfer Unit 3.
Hanging on a crane, I tried to use a wide-angle shooting angle to create the confrontation between the arrogant and the angry, and further stimulate the conflict through the lens of the two heroes confronting each other.
Lin Chengxun himself walked towards Yoona and Sika. They were talking about something. Lin Chengxun naturally knew that Pani had called to report Sika's "missing" before Sika arrived.
This matter.
In other words, Sika returned to the peninsula from Japan without saying goodbye. Coupled with a series of previous incidents, some people in Girls' Generation were already dissatisfied with her shifting her focus to the M1 fashion brand.
"Sika, how long are you going to rest on the peninsula this time?"
"Me?" When Sika saw Lin Chengxun approaching, the coldness on her face eased slightly, but then it became a little colder again, "Why, I can't even rest for one more day."
"No, I'm afraid that if you don't leave tonight, you won't be able to leave tomorrow morning even if you want to." Lin Chengxun stood beside Yoona without hesitation, and made a wave of cars.
"Okay, I've already booked a plane ticket to go back in the evening." Sika hugged Lin Chengxun's arm and quietly looked at the Girls' Generation nanny car in the distance.