After the shooting of this large panoramic shot, it was time for the crew to eat. The food today was good, a barbecue restaurant, and Mr. Liu Jaesuk paid for it.
During the meal, Lin Chengxun sat down with several creative staff and discussed the next scene while eating. Although it was already dark at this time, because it was a night scene and an indoor scene, filming all night became a matter of course.
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However, the filming of the next scene was a bit difficult. It is not that it requires a lot of pushing, pulling and other photography skills, but it is a detailed description of Cheng Deshan's family, financial constraints, and the achievements of the second daughter Cheng Deshan.
Problems include the quarrel between the eldest daughter and the second daughter, the tuition fee issue for the younger son’s school, and the parents’ neglect of the second daughter Cheng Deshan.
That is to say, like many middle children in this world, the older one dotes on the younger one, and the one in the middle is often the one that parents are most likely to ignore.
In this short family scene, several actors have to show the warmth of a plain family, the wife has to show her complaints to her husband because of the family situation, and the two daughters have to show the conflicts between sisters and the strength of the elder sister.
My sister is unconvinced by repeated defeats.
Because there was too much to show, Lin Chengxun cut off the plot of the third child, Cheng Yuhui, and put it in the later episodes. This episode only showed the existence of Cheng Yuhui and completely triggered family conflicts through a phone call from a tutor asking for tuition fees.
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Among them, the most critical point, and also the most difficult point to shoot, was Cheng Deshan's emotional outburst due to the ban on holding placards in the Olympics and his parents' preference for Ernie and his younger brother.
If Hyeri is just a little bit less explosive, or if Hyun is even a little weaker in the argument with Hyeri, the filming will start all over again.
After dinner, the actors retouched their makeup. Lin Chengxun carried a bench to Hyeri and Xiaoxian, and started asking them to respond to their lines. After putting on makeup, they rehearsed several times before filming officially started.
In the camera lens, Cheng Dongyi, as the male host, is sitting cross-legged on the main seat directly opposite the TV, with his two daughters beside him. There is a seat between Li Sanhua, the hostess of the family, and Cheng Deshan; Cheng Deshan
There is a gap of more than two people between Cheng Paula and Cheng Paula, which is a metaphor for the bad relationship between the two; and the placement of the food on the table is actually based on satisfying Cheng Paula first, who is the absolute leader in the family.
The eldest daughter who is loved by her parents.
Cheng Paula is confident in being favored.
This is a typical multi-person medium shot, with three people and a triangular composition, which represents the temporary stability of the relationship between the three. But when the hostess Li Sanhua enters the scene, the stability is broken, and the dinner table becomes a treasure.
The "battlefield" of Lahe and Cheng Deshan.
Li Sanhua entered the scene, and a short conversation between the parents began at this moment, and then a series of dialogues were foreshadowed, such as the ice cream his father bought privately for Yu Hui, the mother bought cosmetics for Paula, and the birthdays of Paula and Deshan were close.
, Deshan loudly expressed that he would never celebrate birthdays with Onipola again.
All kinds of words are just like the chats that every ordinary family will have at the dinner table. Family members are not just on TV. What is shown in movies may be beautiful or bloody. Many trivial disputes are real daily life.
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It is plain and warm, slowly infiltrating the audience's soul like a spring rain.
"It's like a real family."
Yoo Jae Suk admired from the sidelines. He got Lim Sung Hoon's permission and sat in the director's seat to observe this scene with a monitor. It is inevitable for family members to stumble, quarrel and fight in their daily lives. When he saw this scene, he seemed to have seen it.
The appearance of his home when he was a boy, but after all, he is a veteran national host and can completely control his emotions.
Unlike the screenwriter Li Youzhen of "Reply 1988", she clearly wrote the plot of this episode herself, but when she saw this scene, her eyes were still inevitably wet with tears.
Lin Chengxun heard some low-pitched compliments, and the corners of his lips curled up, while his eyes kept looking at the scene in the camera lens.
The audio-visual language of TV dramas and movies has been constantly changing in the peninsula in recent years, especially with the addition of cable TV stations and online platforms. Although the bloody routines of Korean dramas in the past still occupy a part of the market quota, they have an increasing
It is an indisputable fact that more and more viewers are resisting or even disgusted with it.
In the past few years, Peninsula’s Reply series has been characterized by a desire for change, as has the movies “War with Crime,” “Train to Busan,” “Snowpiercer,” etc. In the future, some of Peninsula’s TV stations will buy American dramas and use them for remakes of British dramas.
The path is also about thinking about change.
The influx of capital and the entry of small fresh meat have led to changes in market demand. Audio-visual language needs to change with the times so as not to be eliminated.
In the information age, TV series and movie plots about industrial assembly lines can no longer satisfy the audience. TV series including those in China are also thinking about changes at this time. Internet novel adaptations and remakes of foreign dramas are all ways of thinking about changes. I just don’t know what China will be like in a few years.
TV dramas are gradually moving closer to "pastoral feminism" plots. Is this the right path?
Therefore, "Reply 1988", a "truth-seeking" TV series, had not even started filming. The script was only sent to the tvn cable TV station and was purchased by the TV station at a high price.
The sense of immersion is the sharpest weapon of the TV series "Reply 1988". Once the TV series is released, it will not be invincible in the current Peninsula TV drama market, but it is still possible to move forward.
Lin Chengxun is very confident in his lens design, such as the close-up of Hyeri's face and the insertion of voiceover in the opening scene. The fundamental purpose is to make the audience feel like they are interacting with the characters in the play.
There are a total of five families detailed in the play, and each of the five families has a sutra that is difficult to recite. This is a plot arrangement that touches the softest place in the hearts of the audience.
This is how life is, you are either miserable or tired, and looking at others as if they are winners in life is full of happiness. In fact, when others close the door, they have their own difficulties, and there will be bitter tears hanging from the corners of their eyes.
But bitterness and tiredness are not the eternal themes of life, and naturally they are not the core of the TV series "Reply 1988". Taking pleasure in hardship and always having sweetness in life are the main themes of this emotional TV series.
Now it depends on whether the Hyeri family can express this "bitterness" and finally cover up the bitter taste in their mouths with that "joy".
The filming was going on group by group, and the "pain" of Deshan, the second daughter in the family, was slowly laid out. Onii-chan and Paula took action directly when she was a little upset; the food and clothing at home were also closely guarded by Onii-chan.
and my brother; I heard the words "You are my sister/sister" over and over again; and I saw again and again the clumsy and sneaky hiding movements of my father and brother when they came out of the small shop.
In the end, Madagascar launched the Olympic Games, and Deshan's status as Miss Olympic Placard Holder was banned; she repeatedly said that she did not want to celebrate her birthday with Paula, but she was still arranged to share the same cake with Paula and celebrate her birthday on the same day.
Deshan volcano erupts.
"Stop it, I told you, I don't celebrate my birthday with Ernie... Why are you doing this to me, am I easy to bully... Why don't you give me a poached egg... Why am I the only one who is Deshan...
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"Stop, the makeup artist will touch up her makeup and cry again."
"...Why didn't you give me poached eggs? Why did you only give Ernie and Yuhui chicken legs? I'm good at eating chicken legs too..."