Early in the morning, after Lin Chengxun woke up from peeing, he looked back and saw that the person on his pillow last night was nowhere to be seen. He wrapped himself in a pajamas and ran to the nursery. Sure enough, he saw Han Jiaren with light makeup, a red skirt and a small suspender belt, revealing her thin body.
His shoulders moved with a familiar commotion, and then he looked back, his eyes filled with delicate tenderness.
Lin Chengxun was about to go up to talk, but he saw the tenderness turned into a sharp blade in an instant. That feeling, if you dare to step forward again, you will see blood with a knife!
Hey, delicate!
Lin Chengxun shrugged his shoulders and went to his room to take a shower.
When he came out from the bath, there were two more people in the baby room, and he couldn't squeeze in again, because Director Bong Joon-ho, who had originally arranged to meet at noon, guessed that he heard that Lin Sung-hoon was finally going to start business, so early in the morning
He ran over in a hurry.
"Is there anything to eat? Get some!"
"As for that?"
Carrying a plate of toasted bread and milk, Lin Chengxun led Bong Junhao to sit down at the stone table on the grass outside the villa.
"Why not? The script of "Parasite" was conceived before the filming of "New World" started, and then I kept polishing this script. Until now, the "New World" movie has been in production for almost a year. "Parasite"
The casting for "Beast" hasn't started yet!" Bong Joon-ho said angrily.
"You can't blame me for that. You're also working on "Okja" at Netflix."
"Hey, forget it, what movies have you watched recently?"
"Kurosawa Kiyoshi's "The Bible"; Pasolini's "Theorem"; Miike Takashi's "The Visitor"; and Lanthimos' "Dogtooth"." Lin Chengxun lazily bathed in the sun.
, then added, “Recently, I have also studied the modern history of the Lower Peninsula.”
As soon as these words came out, Bong Joon-ho, who was chewing bread, grinned, "That's fine, I'm really afraid that you hate literary movies."
"I don't hate literary and artistic films, I hate the arrogance of those literary and artistic filmmakers who are all-inclusive in commercial art." Lin Chengxun sneered: "Besides, it is already so obvious in your script. The first generation owner of the mansion, Nangong
Xianzi is from Japan; the second-generation owner is Mr. Park and his family, American entrepreneurs; the third-generation owner is German; and the two couples living under the house have a small amount of weight, and they have to cosplay with the one in the north;
I’m not stupid, so how could I not see that in addition to the superficial class issues between the rich and the poor in society, there is also a political metaphor of the peninsula’s modern history underneath.”
Bong Joon-ho smiled proudly. The original subject of the book "Parasite" must have been the social problem of the peninsula's increasingly serious polarization. As a result, he gradually thought about it and gradually figured out another hidden line.
As for the three movies that Lin Chengxun mentioned at the beginning, "Theorem", "The Visitor", and "Dogtooth", they have the same label. These movies are all about breaking into other people's homes; the same goes for "Parasite"
In this way, the poor break into the rich's home.
"By the way, how are you doing living underground there, Brother Zhengmin?"
What Lim Sung-hoon is talking about is that Hwang Jung-min personally lived underground for a role. Although the movie "Parasite" has not yet started its public casting, some roles have already been confirmed, such as Song Kang-ho, Bong Joon-ho's royal man.
The protagonist is definitely indispensable; Huang Zhengmin is one of the people Lin Chengxun stuffed into the crew.
Of course, it's not a matter of relationship. After all, Huang Zhengmin's acting skills and qualifications are there, and no one will comment.
"It's not bad. I stayed here for a week. At first, I ran out more than a dozen times a day. Yesterday, I was able to control myself and just stick my head out at the door to breathe fresh air." Bong Joon-ho's face was full of calmness, he said
Wiping his mouth, he continued: "I suggest you find two psychotherapists to accompany the crew."
"Yeah." Lin Chengxun nodded.
"And bring me your storyboards from this period. If you don't plan to publish anything, I will come up with this book myself."
"Lim Yoona!" Lin Chengxun shouted loudly. After hearing someone in the house respond, he shouted: "Take down the story board of "Parasite" in the study."
"Inside, oppa!"
"You're so soft-hearted." Bong Joon-ho sneered. Seeing that Lin Chengxun didn't say anything, he looked around and looked around.
About seven or eight luxury villas of various sizes were built here. Originally, Han Jiaren took them all by herself. However, first Lee Hyori intercepted them, and then Son Ye-jin took action again, and the two happened to meet each other.
The ones on the left and right guarded the largest villa, Lin Chengxun, in the middle. At this time, Lin Chengxun shouted loudly, and Son Yejin happened to open the window over there, revealing a pretty face.
"Tsk, I was originally thinking about buying a house to be your neighbor, but now it seems that I have to forget it. This is not a vacation villa area. It is clearly the harem of the big capitalist Lin Chengxun." Bong Joonhao joked,
After he looked sideways at Lin Chengxun, he suddenly discovered many changes. If Lin Chengxun was peaceful in the past, then Lin Chengxun now is calm.
"If I had known that you would change so much after having a child, I would have arranged for you to get married and have children when your service was over."
"This has nothing to do with getting married and having children. Getting married and having children does not necessarily make people immediately understand the word responsibility."
"That's better than what you are doing now, dragging around a dozen female idols and female artists."
"What's wrong with me now, Zifeiyu, how can I know the joy of fish?"
"speak English!"
The two of them were sitting and chatting, and not long after, Yoona came running over with a story board, followed by a large group of people who wanted to become actors.
"Hey, you are really soft-hearted." Bong Joon-ho looked at the group of Girls' Generation actors and repeated this sentence again.
He did not lower his voice, so Yoona, Xiaoxian and others also heard clearly. They pursed their lips and felt quite complicated. They have been under great pressure every day for the past year.
But what can they do? The author of the fight wants to arrange it this way.
"If you want to listen, just sit aside and listen, idiot, go take out those cookies you made last night..."
Lin Chengxun stood up and took over the story board. He first arranged for Yoona, Xiaoxian and others to finish the work on the side, and then took Bong Joon-ho to start studying the storytelling method and shots of the "Parasite" story in his mind during this period.
The top few drawings are basically sketches of stairs going up and down, with ragged people going downstairs and well-dressed people going upstairs; the scenery upstairs and downstairs are also distinct.
"My idea is this. The Ki-taek family has entered President Park's home one after another as tutors, psychotherapists, drivers and nannies. They are undoubtedly making an upward leap in social class, and their own hearts
The idea was the same, so I went upstairs;
After climbing the stairs, they saw a different scenery. That's why after President Park's family went camping for his son's birthday, they simply regarded this mansion as their own home. Therefore, the opening shots of Ki-taek's family were as much as possible.
They are all shots of going upstairs;
Going downstairs is all about when the plot conflicts are triggered. It is easy to go from frugality to luxury, but it is difficult to go from luxury to frugality. The three of them, father, son, and daughter escaped from the mansion like cockroaches on a rainy night. After heavy rain and heavy rain, what they once had.
That home was flooded as well, so here, the camera, infinitely goes downstairs.”
The shots of Bong Joon-ho nodding, going upstairs, and going downstairs are not complicated, and it is difficult for the two of them to have differences.
"Then there's the problem I've been talking about. The way Ki-taek's family entered the mansion was too dramatic. I can't deny that the script sets President Park's family as good people, pure, and have never done any bad things.
Good people are a very perfect setting. The rich have done nothing wrong, but they are still hated by the poor;
But the setting of "good guys" does not mean stupidity. There is no problem with the way in which the two brothers Jiyu and Jiting are parasitic, but the way in which Kize and his wife are parasitic later need to be reconsidered."
Bong Joon-ho did not speak, but just watched Lin Chengxun continue to flip through the sketches. This time the sketches were simpler, but the content was an indispensable part of the Feng Shui stone in "Parasite".
The first time this Feng Shui stone appeared was when Ki-woo's friend Min Hyuk gave it to him as a symbol of good luck. Later, this Feng Shui stone really brought good luck to the whole family of four.
Members parasitized into the mansions of rich people;
The subsequent reappearance represented the coming of bad luck. Except for the mother who worked as a nanny in the villa and mansion, the other three people fled home in a hurry during the heavy rain. The heavy rain directly flooded their home in the basement. At this time, Feng Shui
The stone actually floated directly in the water. It turned out that the so-called friendship of good friend Min Hyuk was also fake. He asked Ji Yu to take the lessons for Da Hui on his behalf, just because Duo Hui would not take a fancy to Ji Yu, who was a poor man;
The third time it appeared, Ji Yu wanted to use this Feng Shui stone to kill Wen Guang's husband, who had been living under the mansion for four years. However, he was killed because he was a real brother. It turned out that it was precisely because it was a fake Feng Shui stone.
, that’s why Ji Yu was not killed by the feng shui stone.
The drawings continue to scroll down, this time it is pure text content. From the Japanese occupation of the peninsula to the intensification of the Cold War, East Germany stopped sending labor to West Germany, but West Germany reached an agreement with the peninsula, and West Germany provided economic assistance to the peninsula.
But the peninsula had to send a large number of laborers to West Germany, etc. Document excerpts.
...
Lin Chengxun and Bong Junhao had heated discussions, and several times they almost overturned the table because of their objections.
But Yoona and others were confused when they heard this. They seriously doubted that the script of "Parasite" they read and that of Lin Chengxun and others were not from the same script. They could still understand the social issues of class solidification and the gap between rich and poor.
But I didn’t even take a nap, so why did I suddenly reach the modern history of the peninsula?
Yoona, Xiaoxian and others don't understand, and they feel a little lucky but also a little sad, because in "Parasite", Lin Sung-hoon clearly said that none of them are suitable. They are too old to play the daughter and not old enough to play the mother. They have to guest star.
If so, it's completely unnecessary.
However, this "Parasite" is a collaborative work between Lim Sung-hoon and Bong Joon-ho!