ps: Yesterday's chapter "Drunk Spring Breeze" I revised, but I still got a warning for a minor violation. I'm depressed! Is there really no one here to discuss this with me? I can't always be the only one who puts pressure on your butts, and you have to respond too.
Ah! Ahem, you can see the communication location in the comment area.
The waning moon is like a hook, hanging in the sky as if a silver crack has opened in the night sky.
It's still the same room as last night, and it's still the same window as last night. The difference is that the mood of the person standing in front of this floor-to-ceiling window is different.
At noon during the day, after Kim In-ho left with a gloomy look on his face, the film's advance promotional video went smoothly. The coldness on Lin Sung-hoon's face seemed to have become a halo skill, turning into a stream of cold air rolling around the set.
Almost everyone thought Lin Chengxun was angry, but in fact he didn't have much anger. Just as he said to Xu Suzhi, Lin Chengxun respected Xu Suzhi's choice. If she chose to give up, then just give up.
But Lin Chengxun had to show that he was very angry, and he did not hesitate to step on S Entertainment's face on the set to refuse Kim Heechul from entering the crew, because this gap cannot be opened. Once Lin Chengxun relents, it means that the role actors he chooses for future movies can
Feel free to let those big companies trade.
The selection of film actors is the director's right and cannot be handed over to him. I don't know who at S Company came up with such an idea. He actually challenged this unspoken rule. Do you really think that Lin Chengxun is a newcomer?
It's just that I feel a little sorry for the fourth son, Xu Shuaili.
Lin Chengxun shook his head helplessly when he thought of this. After two lifetimes, he still regarded himself as a young man in his heart. Lin Chengxun cherished this kind of friendship.
Forget it, don’t think about it anymore, I still have to shoot tomorrow.
...
The second day, on the set of "Extraordinary Anchor".
The lights are bright inside the shack, but it is gloomy and dark outside. A door separates this world into two parts. The alley is dark, with shacks lined with roadside stalls on both sides. The extended oilcloth makes the rain in this dark and dark alley
Much smaller.
The expensive suit worn by Cha Tae-hyun was incompatible with the surrounding environment. His entire face was hidden in the shadows. The black umbrella he held in his hand covered the part above his nose. His eyes were hidden under the umbrella and he looked at himself in the bright shack.
Daughter, Huang Zhengnan.
His foot took a step forward, stepping into the puddle, but then suddenly pulled it back, just like his face that was hesitant to speak.
The camera zoomed in, and Cha Tae-hyun's face gradually became clearer and enlarged. His thick eyebrows were furrowed, and the whites of his eyes were drooped, staring diagonally downwards. He was very worried.
This scene is about Nam Zhuxian who was furious and kicked his daughter and grandson out of the house because of the message on the radio. However, he regretted it afterwards, so he saw this scene. His daughter Huang Zhengnan and his grandson Huang Jidong were in a roadside tent here.
House work.
The father's face was expressionless, standing in the center of the shadows with regrets but not daring to take a step; the daughter's eyes were gloomy but she had to force a smile to serve customers; the grandson seemed ignorant, but in fact he was murmuring his grandfather's name every midnight.
The three lines represent three viewpoints. At this moment, they are intertwined and confused, making this "Extraordinary Anchor" both happy and sad. It is not like the old Peninsula comedy routines, which are expressed bluntly through exaggerated narratives or physical performances.
Comedy effect.
Lin Chengxun has said before that he doesn't like that kind of comedy, so he wants to find another way.
This time "Anchor" is different from "The Melting Pot" in that it does not use a digital camera but a film camera. Even the cameraman is a famous Peninsula artist invited by CJ Entertainment. In order to express what he wants more appropriately, Lin Sung-hoon
The lens-like feel also abandons the slide rail and requires the photographer to hold a film camera.
The alley is dark and narrow, and he can only rely on himself to drag the machine, and the hand-held camera prevents the cameraman from shooting without oxygen, which requires the cameraman to adjust his breathing rhythm and hand movement range to achieve a natural frequency.
"This one passes!" Lin Chengxun shouted while looking at the picture on the monitor, and then he stood in front of the cameraman and gave a thumbs up. He never hesitated to praise such an expert with real skills. Cameramen need time to polish themselves.
For example, Lin Chengxun spent nearly six years polishing his skills in his previous life, and then in the era when everyone is making movies, his six years of polishing turned out to be a waste of time.
"How was the filming? Director, do you want another one?" Cha Tae-hyun took the agent's towel and wiped his sweat, then came closer and asked.
Having been in the industry for so many years, Cha Tae-hyun certainly has his own standards for judging the quality of movies. Furthermore, who knew that "The Anchorman" would not be nominated next year.
"This is a perfect one. Brother Taixian, please prepare. Next is a portrait scene of eight people." Lin Chengxun said that there is no need for another one.
This scene is the wandering in the heart of the male protagonist, and the subtle movements express the tremors in his heart. This step that he cannot take seems simple, but in fact it is more difficult than taking it.
There is a basic course on body in the acting major in school, and part of it is about how to walk in front of the camera. It is very difficult to express this step and a single gesture as a whole drama.
This tests the hands, eyes, body, method, and steps.
These five items require both talent and hard work. Cha Tae-hyun obviously belongs to the hard-working category. He has practiced this scene countless times in private, so it makes sense not to do the next one.
Lim Sung Hoon doesn't plan to do another scene, so Cha Tae Hyun naturally won't force it. After all, the next group scene can be called the most difficult scene in "Extraordinary Anchor".
.......
In the corner of the set, Park Bo-young sat on the heroine's chair, holding the script in her hands and studying it word for word. Next to her was her son Wang Suk-hyun in the play.
Acting in her first movie at the age of sixteen, Park Bo Young put in her best efforts. For the three-minute restaurant working scene, he worked at Lim Sung Hoon's Pingan Restaurant for two weeks;
As an unmarried mother, she moved directly to Wang Xixuan's home to eat and live with Wang Xixuan; on the set, she asked everyone on the set to call her Huang Zhengnan.
An actor thinks that he cannot perform in an understandable manner, so he can only try to adapt himself to the role and perform in his true colors. In this way, he can integrate his own personality into the role, which is commonly known as entering the role.
Lim Sung-hoon admired Park Bo-young, a sixteen-year-old girl, so he not only gave her Park Bo-young's own lines, but also gave her the lines of the scripts of the other leading actors, asking her to study the reactions that each character should have when speaking.
.
Directors often like such hard-working and hard-working actors, who are worry-free and easy to use.
...
Five minutes later, the scene was completed and filming began.
As the camera on the crane expanded the panorama, Lin Chengxun saw the wonderful sense of space he wanted to see on the monitor.
The sense of space is an indispensable element in group portrait scenes. It shows the director's control and manipulation of the spatial image of the movie. There is Johnnie To in Hong Kong. In his movies, the actors often stand in a space-divided position, dividing the movie's space.
The subtle atmosphere created is intoxicating.
At this time, Lin Chengxun was very satisfied with the sense of space presented in front of him.