ps: Thanks to superadam for the 1000 starting coin reward, happy new year!
The theater was crowded with people.
Lin Chengxun stared at the screen intently. Although he filmed and edited this "Extraordinary Anchor" himself, the feeling is different every time he watches it. This kind of feeling can be called reviewing the past and learning the new, knowledge from the past life.
If you don't recharge regularly, the final result will be in vain. Even if Lin Chengxun doesn't like movies like "The Anchorman", watching and reflecting on them will greatly improve yourself.
Li Soyan sat on the right side of Lin Chengxun, and the person on her right was Han Jiaren. At this time, the movie was halfway through, and Li Soyan changed her sitting position again, with her shoulders slightly tilted to Lin Chengxun. She took a peek at Han Jiaren, thinking of this paragraph
Han Jiaren's crazy fan behavior made her wonder what Han Jiaren was thinking in her heart. Although she didn't know whether Lin Chengxun and Han Jiaren had hooked up, it didn't prevent her from feeling a little sour in her heart. For a moment, some kind of
Bold ideas that stimulate taboos emerge.
Li Soyan straightened her back, and from the corner of her eyes, she determined that Han Jiaren was immersed in the plot of the movie. She secretly placed her soft little hand on the inner part of Lin Chengxun's thigh and played the music with her five fingers in an extremely coquettish way.
Lin Chengxun subconsciously glanced at the soft little hand on his thigh. He only thought about it for a moment, then made a cross-legged movement, avoiding Li Soyan's hand naturally.
A gentleman loves money and gets it wisely. A gentleman is lustful and naturally refuses to be obscene. Besides, if his own fire is stoked and there is no time to put out the fire, who are you kidding? He has to go back to tutor the little girl at night.
Li Soyan found that her hand was blocked and was stunned. She didn't believe that Lin Chengxun suddenly became a gentleman. How could there be a cat that didn't steal?
Han Jiaren was immersed in the plot of "Extraordinary Anchor" at this time, and did not realize that her best friend was teasing the marriage partner she had in mind.
I have to say that Lin Sung-hoon adapted the plot of "The Extraordinary Anchor" quite well. Although you can vaguely guess the happy ending by watching the development of the plot, a scene that brings together all the eight hardships in life made the audience smile with laughter and at the same time linger in their hearts.
There was a touch of melancholy, which made them worried but not sad, which was a very strange feeling.
Even industry insiders such as Bong Joon-ho, who initially regarded this movie as a purely commercial film, have begun to correct their attitudes, gradually peeling off the comedy skin covering the surface of "The Anchorman", and thinking about the comedy skin hidden by Lin Sung-hoon.
Real flesh and blood.
Closer to home, Han Ga-in here did not notice Lee So-yeon's current bitchy behavior, but Park Bo-young, who was sitting on Lin Sung-hoon's left hand side, saw all of this completely.
Even though Park Bo Young is young, she has a clear understanding of the complicated relationship between actors and directors in the Peninsula entertainment industry. Generally speaking, when an actor faces a director, he either refuses in a polite way, or comes into the room and is "talked about" clearly.
play".
Park Bo Young is now very lucky that the first film director she met in this chaotic entertainment industry was Lim Sung Hoon, who has emerged from the mud and stayed clean. He actually refused the meat delivered to his door. It seems that during the filming, Director Lim Sung Hoon was really there every night.
Talk about drama.
Lim Sung-hoon doesn't know that his image in Park Bo-young's heart has been elevated to another level. He is now trying to put himself in the position of the audience and think deeply about his "Extraordinary Anchor".
"It's kind of interesting. A big panorama clearly explains the relationship between the bright and dark lines of all the main characters in the play. Everyone has a line, and everyone's lines are intertwined to form a concept that is both a circle and a net. Compared with
The contrast between black and white in the previous "The Crucible" has a stronger sense of ritual, which is a good idea. Seven people form a circle, but this circle is... wrong, not seven."
Sitting in the corner, Kim Ki-duk calmed down his relaxed expression and seriously began to think about the composition of the entire movie. As a representative director of Peninsula who has flowers inside and outside the walls, his film art quality is naturally not something that ordinary people can understand, and it is true.
Because of his own pride in himself, Kim Ki-duk persisted in making films that exposed the ugliness of the peninsula in the face of abuse from domestic audiences on the peninsula.
Kim Ki-duk's vision is naturally high enough, otherwise he would not have repeatedly received international nominations and awards. Due to the dislike of him by the Peninsula film industry, Kim Ki-duk's focus has been on bringing up newcomers in recent years, so after watching the movie "Good and Evil"
After watching "The Crucible", he became interested in Lin Chengxun, but it was only a little bit. But when the circular character composition of the movie "The Anchor" appeared in front of him, it deeply stirred the feeling in his heart.
root string.
"This is the beginning of Lin Chengxun's ambition, the eight hardships of life, tragic comedy."
After a long time, Kim Ki-duk took a deep breath and sighed in a low voice. Often everyone can only see their own feelings about watching movies, but a good filmmaker will try his best to let the audience see the special feeling given by the director himself.
Feel it and let it empathize with you; it is difficult to hold on to this point. If you don't play with connotation, it is just popcorn. And a movie that blindly plays with connotation is easy for people to understand. In the end, the box office was so busy that it vomited blood.
It will also give the audience the feeling that you are insulting their IQ with the movie, which means that the reputation will fall into the abyss.
The progress of the film is very fast, the rhythm is appropriate, and some laughter points are extended, making the audience notice that this is not the old peninsula comedy that uses exaggerated narrative style to make fun, but is full of ironic laughter points.
Tight and dense in the movie.
This kind of irony is like a circus clown. No matter how sad the clown cries, his tears can only be the original cause of the comic effect.
Can the word clown represent tragedy? No, it can only be comedy.
Therefore, many people regard the phrase "the core of comedy is tragedy" as a golden rule. This is true for Lin Sung-hoon, and the same is true for the very pursuing Kim Ki-duk. Such a contrasting tragic and joyful effect full of irony has to be said to touch Kim Ki-duk's g
point.
Furthermore, after Kim Ki-duk tasted the eight hardships of life, he quickly understood that what Lin Chengxun wanted to build was not a circle, nor a net that bound life, but reincarnation.
Seven people and one soul are shaped into a reincarnation, which surrounds all the sorrows of life. What people outside the reincarnation see is a kind of faint black humor. Kim Ki-duk wanted to cry, but when he watched Cha Tae-hyun's performance on the screen, he suppressed his lips.
It couldn't help but tilt up.
"A young man who is very talented and has great ideas, but it's a pity that he is the student of that fat man." Kim Ki-duk glared at Bong Joon-ho with annoyance.