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Chapter Thirteen: The Art of Dialysis

After confirming that the mummy had no blood relationship with Danxuan, Chen Zhi immediately informed him of the result.

Danxuan was obviously disappointed, but his reaction was very bland and he still didn't say anything he wanted to end.

Chen Zhi knew that this mummy was not actually Danxuan's real purpose. What he really wanted to know was where his bloodline came from?

That is, who was the person who gave birth to an illegitimate child to Princess Gaoyang during the Tang Taizong period more than 1,000 years ago?

After this period of exploration, the ancient scenes seen on the corpses also aroused Chen Zhi's curiosity.

The Tang Dynasty was indeed a very special dynasty. It had a vast territory, abundant resources, and all the wonders and wonders of the world were in Chang'an. It attracted thousands of nations to come and return, and the people's faces were filled with the feeling of prosperity and confidence.

In fact, in the past period of time, Chen Zhi had never doubted the identity of this mummy. Wearing such noble clothes and being closed in this secret room, its identity can be easily imagined.

However, the current test results have shattered all their past assumptions.

It seems that a story did happen in the Buddhist holy land Tianfa Temple 1,000 years ago, but this story has nothing to do with this corpse.

The role he played at that time was just a bystander.

In the following time, Chen Zhi spent all his time analyzing this bystander.

This bystander is a very strict monk. He wakes up and rests regularly, is self-disciplined and orderly. What he sees with his eyes and touches with his hands are all within the moral code of a monk.

For other things, it can be said that I don't care much.

Chen Zhi asked the staff to specially treat the eyes and fingers of the mummy, and then turned the substances in these two places into a large amount of liquid, and then dripped it into his eyes drop by drop.

Of course, the pain of this process was unbearable for ordinary people, but after painful attempts, the images he saw became clearer, and these images seemed to be hidden deep in his memory.

In these images, he saw the dressed-up woman again. The dressed-up woman was talking to him and seemed to be begging him for something.

But the woman showed no signs of intimacy, and the relationship could be seen at a glance.

In the subsequent clips, it has been confirmed that the woman is Princess Gaoyang.

Because a personal maid next to her was very panicked and kept calling her in ancient languages. The words mentioned in the language were the words "Seventeenth Princess"...

The woman was very young and lively, with a sense of overwhelming pride on her face, as if any man would succumb to her skirt.

Later, in the view of bystanders, this woman could often be seen standing outside the main hall of the temple, tapping her feet and looking inside.

It is easy for a young woman to express her thoughts on her face. This woman's face is full of expectation, admiration and admiration.

It’s as if I’m waiting for someone to come out of this temple, and then I’ll be satisfied after just one look.

Judging from this scene, Chen Zhi could basically judge that she was waiting for her sweetheart. This person was extremely valuable at the time, so valuable that a princess would worship him.

But this kind of emotion is completely not allowed by the world, so the maid would panic so quickly.

In a subsequent video clip, Chen Zhi got a very important piece of information.

The monk, who was a bystander, later met Princess Gaoyang in private.

It was late at night and the surroundings were very dark. The onlookers were very panicked and their hands were shaking all the time.

But they were not dating at that time, but handed Princess Gaoyang a brochure and a hanging prayer beads.

The Buddha beads are larger than ordinary ones and are made of ordinary wood. They are full of stains and are very broken, as if they have gone through a lot of vicissitudes of life.

When Princess Gaoyang received these tokens, she was obviously very happy. She bowed down and saluted the bystanders, and then said something...

This sentence seemed important, but Chen Zhi couldn't hear it clearly at this time.

Before the two parted ways, Chen Zhi saw a line of handwritten bibliography in the booklet, "Records of the Journey to the West of the Tang Dynasty"

Later, the Princess of Gaoyang met the bystanders again.

The purpose of this meeting was to return the copy of "The Examination of the Journey to the West of the Tang Dynasty" to the bystander and ask him to pass it on to another person.

At that time, Princess Gaoyang's face turned red and she whispered to the bystanders, nervously explaining many things.

The onlookers at that time were obviously very embarrassed and hurried back.

After returning to the inner court, he opened the "Examination of the Journey to the West of the Tang Dynasty".

I found that it was full of handwriting. It seemed that the princess had read this book over and over again countless times, marking every place and writing down her own thoughts.

On the last page of this booklet, there are a few lines of small words written in beautiful handwriting, but they are blurry and cannot be read clearly.

However, these small words seemed very inappropriate. The onlookers were so panicked that they hurriedly closed the book and wandered around the room.

Finally, the bystanders held up a candle and walked towards the underground palace of Tianfa Temple.

This was also the first time that Chen Zhi saw the underground palace of Tianfa Temple during the Tang Dynasty in images.

It seems that the underground palace of Tenpōji Temple has existed since then.

Those spiral wooden staircases at that time were not as shabby as they are now. They were layered one on top of another, spreading downwards and shining with the unique wood paint luster of that era.

As you walk down, you will see some fur spread in the gaps.

The bystander held a candle lantern and carefully walked down the wooden ladder. His body was shaking involuntarily as he walked. It was obvious that he was very scared at the time.

And finally, he finally walked to the dark room at the bottom of the underground palace and walked to the round table.

And there was a person sitting there, wearing a cassock, holding a writing brush in his hand, and he was copying.

But the man's face could not be seen clearly. He had been coughing lightly and seemed to be very weak.

The bystander was very embarrassed and handed the man the "Records of the Journey to the West of the Tang Dynasty" and pointed out to him the small words on the last page.

The man kept coughing and looked at the handwriting left by Princess Gaoyang without any reaction.

The bystanders kept bowing and holding the book, not daring to move at all, with a very humble attitude.

It can be seen that the onlookers also have great respect for this man and regard him as their predecessor and teacher.

The man remained silent and coughed. Finally, he took the book down and waved his hand, indicating to the bystanders that they could leave.

The bystanders seemed helpless and then left the underground palace.

But at the last second before he left, Chen Zhi saw the man's wrist through the faint candlelight.

It was a wrist with black skin, which seemed to have been severely beaten by the wind, and the monk's robes were very shabby.

He held a writing brush in his hand and seemed to be writing a letter.

Although I can't see the full text clearly, I can clearly see a section of his writing.

"Brother Wang, Qu Wentai..."


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