Five or six awards were presented, and Tang An had never heard of even one. The next award was the Best Feature Film Award, which was also considered a relatively important award.
In addition to "Shark Beach" and "Kekexili", the shortlisted films include a Spanish film, an Iranian film and a Danish film.
Although he knew that he was unlikely to win the prize, Tang An was still very nervous at this time.
After all, this is his first movie since his rebirth, and it is also the first award he has been nominated for. How could he not have any ideas!
"snort!"
At this time, contemptuous laughter came to my ears, and Lu Chuan, who was also nominated, said disdainfully, "You are the only one who wants to win an award? Don't think about it, this is not a pheasant award. The International Class A Film Festival Award is not for everyone."
You can get it!”
Although "Kekexili" was overshadowed by "Shark Beach" during the film festival, Lu Chuan later invited several well-known European directors and film critics to watch his film. The response was very good, and he is confident that he will win it.
A trophy.
The Grand Jury Prize is a bit difficult, but this one for Best Feature Film is really a sure bet!
"It seems that Director Lu is determined to win?" Tang An turned his head and glanced at him, saying calmly.
"Don't be delusional. European film festivals will not award awards to popcorn movies like this!"
“So you think ‘Kekexili’ suits their taste?”
"My film tells about life, faith, living conditions, humanistic care and environmental harmony, and uses life to interpret existence, morality and faith..."
Facing Tang An, a young director, Lu Chuan regained his psychological advantage and began to talk rhetorically.
Tang An didn't wait for him to finish, and interrupted rudely, "But you can't win the prize!"
"People like you who only make popcorn movies can't understand the profound meaning of my movie, but the judges will definitely resonate with it!"
“But this is the award for Best Feature Film!”
"What do you mean?" Lu Chuan frowned.
"Your movie looks like a feature film, but it was completely shot in a documentary style!"
"you..."
Lu Chuan opened his mouth and was about to refute, but Tang An continued, "As for your so-called literary film, is this "Kekexili" really a literary film?"
"Of course, this is definitely not that kind of popcorn movie!" Lu Chuan said firmly.
Although he did use documentary techniques as Tang An said to make the movie look more real.
"In my opinion, most of the plot of this movie is to cater to the audience's curiosity. For example, the sky burial in the movie is on a very ordinary slope at noon, and a group of people with numb expressions are scattered around the body. As the first
The "I" of the narrator was able to go and visit casually without the permission or obstruction of the taskmaster."
"These flaws completely obliterate the formal and connotative impact that sky burials may bring to people, making it look more like a purely commercial pandering to the audience's curiosity."
"I think since Director Lu thought about sky burial, he wouldn't understand, right? Is this really what you photographed?"
"There is also a scene where the mountain patrol members were swallowed by quicksand. This was just for the sake of shock. Quicksand is impossible in a cold plateau like Hoh Xil. There will only be frozen soil that is so hard that machines cannot break it!"
Tang An mentioned the loopholes one by one, which made Lu Chuan's expression change again and again. He opened his mouth but didn't know how to refute.
"Your creative motivation can obviously only be that you want the audience to see them, because you know better than the audience what the audience wants to see, so even if something cannot happen, it must happen."
“When selecting materials based on themes, what else can better cater to the novelty tastes of urban audiences than the mysterious Tibetan culture? This is the fundamental taboo of all literary and artistic creators when creating, and they have lost the sincerity of artistic creation.
, it will inevitably become a kitsch commercial sensationalism in the end.”
"There are also characters in the movie. In the original version of this movie, the mountain rangers in the documentary "Balance" are not as pessimistic and cynical as described, and they are not as persevering as Christ in the face of suffering. And Ritai
The prototype of the captain, the captain, is not that serious and heavy. He will wander around the night markets in big cities, curse loudly, and when facing poachers, he will not put on the posture of a heroic saint like a hero."
"And Director Lu, you created several almost perfect heroes in "Kekexili", historical figures who only existed in model dramas of the revolutionary era!
Art allows exaggeration, but art refuses to exaggerate, especially when it flaunts its "realism" while exaggerating, and this distorted exaggeration is just to possibly lead to more box office revenue!"
"In the final analysis, "Kekexili" is just a commercial film disguised as art. Everyone is just for the box office. Director Lu, please don't put on such a noble look to educate me!"
Finally, looking at Lu Chuan who was sitting blankly in his seat with his eyes full of thinking, Tang An said word for word, "At least I'm not as hypocritical as you!"
After Lu Chuan heard these shocking words, he stood there blankly talking to himself.
"I'm hypocritical...I'm hypocritical...I'm doing it for the box office?"
"No, I am not hypocritical, nor am I doing it for the box office!"
Lu Chuan kept telling himself in his heart that it was not what Lu Tangan said, but thinking back carefully, he consciously or unconsciously brought the audience's perspective into every scene, and did not stand in an objective position.
Out of the corner of his eye, he caught a glimpse of Lu Chuan's eyes that kept flickering, and Tang An became more and more disdainful.
Heart-breaking!
The best way to defeat someone is to let him deny himself from the heart!
As a 30-year-old person, he started to doubt himself after just a few words. No wonder Han Sanping and Hua Yi were behind it and they couldn't make a name for themselves.
As the host on the stage finished introducing these films, an old man with a white beard announced the winning film under the eyes of everyone in the venue.
"The winner of the Best Feature Film Award at the 52nd San Sebastian Film Festival is..."
"Movies from China..."
The old man with a white beard drawled, whetting everyone's appetite.
At the same time, most eyes are looking towards Tang An. The only Chinese films shortlisted for the best feature film are the recently popular "Shark Beach" and "Kekexili".
Lu Chuan, who had been doubting himself just now, regained his composure, sat up straight, and pretended to be calm as he stared at the envelope in the hand of the award-winning guest.
"The winner for Best Feature Film is..."
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