in the country, any industry has more than one relevant department head.
In the film industry, the competent unit is Optoelectronics, and other ministries and commissions can more or less take the lead in certain aspects.
For example, for the Film Distribution and Exhibition Association, the business supervisory unit is Optoelectronics, but it is subject to the supervision and management of the Ministry of Civil Affairs.
Although the Distribution and Screening Association is not as impressive as the Football Association in terms of football, it is not just a showman who puts on a good show.
There are a lot of various associations and organizations, mainly under the jurisdiction of Optoelectronics, and the final decision is made by Guowuyuan.
Every year, the State Council promulgates several various regulations, some of which are inconsequential, but some of which are enough to change the current situation of the industry.
The National Film Industry Development Seminar held at the end of the summer vacation today was held in the standard screening hall of the Film Academy and was hosted by the National Film Administration and Beijing Optoelectronics.
The screening hall was filled with all kinds of practitioners in the film and television industry. Not a single one of the hundreds of seats was empty. In the aisle, the cameras on both sides of the front row were already ready.
"It will be at least another four or five hours today."
Tang An was sitting in the second row of the screening room. Last year, a meeting lasted for four hours. After the meeting, there was a small meeting, and the day passed.
Next to him, Yu Dong said, "Don't you think Mr. Tang is used to it? Ten years ago, when regulations were not standardized, the government held meetings frequently. In the past two years, things have gotten a little better."
"What Mr. Yu said is wrong. I think it's not that Mr. Tang is not used to these meetings, he's just not used to sitting in the audience." Wang Zhongjun, who was resting on a chair, laughed.
"What Director Wang said really made me go up on stage and say a few words. Facing so many seniors in the industry, I was a little nervous." Tang An said with a smile.
The meeting hasn't even started yet, but the main person always squeezes the last minute to show up, and everyone just chats and slaps in twos and threes.
He also mentioned the farce at the Ahli press conference, and Tang An did not deny Zhang Qiang’s participation.
"It's such a waste for talents like Mr. Zhang to stay at Li Pictures. You can't see what Li Pictures has done in the past year or so. Just like what Chairman Ma said, Li Pictures is not a traditional film and television company. It is a film and television service company and will not focus on any aspect of film and television production, artist management, promotion and distribution."
"Oh, Mr. Tang, let me tell you, what does Li Pictures mainly do?"
Wang Zhongjun sat up straight and asked Tang An. Several people around him also looked at him curiously.
Tang An smiled and said, "Film and television services, of course, are services."
"What kind of service?"
"It's not a service to the audience, nor a service to film and television companies, or theater chains, but a service to Li Baba."
Tang An proposed a new concept, but everyone still didn't understand it.
Film and television services, this is what Ma Yun said personally. Literally, it serves the film and television industry.
It is easy to understand that Ahli Pictures and Taopiaopiao, which has been injected into Ahli Pictures, serve major companies and focus on publicity, marketing and distribution.
But Tang An's so-called service for Ah Li is a bit confusing.
However, there are also people who immediately grasp the key points when they are mentioned in this way.
Wang Changtian, who had always been careful with calculations, had some clarity in his eyes and immediately said, "What Director Tang said is the same as those companies acquired by Ah Li."
"Director Wang is right!"
Tang An nodded, "I don't know if you have noticed that Li Pictures held a separate press conference the day before yesterday and developed an app called Yuyubao. At the press conference, "Tiny Times 3 and 4" were announced. Projects for six film and television dramas including "The Beauty of Dew"."
Entertainment treasure?
It is a crowdfunding platform for movies. Many industries have crowdfunding. This is not a strange thing. I don’t know what Tang An wants to say.
Speaking of his own project, Zhang Zhao coughed lightly and said, "I know a little bit about this, it's just an ordinary crowdfunding project."
Tang An nodded, "On the surface it is just an ordinary crowdfunding, 100 yuan per share, and each person can subscribe up to ten shares for a single project. Before the official start of subscription today, the number of reservations has exceeded 270,000, and the six projects have nearly 9,000
The amount of 10,000 yuan is estimated to have been digested within three days.”
Tang An did not ask Zhang Zhao why he wanted to participate in a project as profitable as "Tiny Times". It was most likely for next year's Lunar New Year release of "The Wheel", and the 800 million guarantee required the support of theaters and ticket purchase platforms.
As for why the planned trilogy was expanded into a tetralogy when the first part was originally relatively compact.
It's obvious that Leshi just wants to make more money. The characters are repeatedly flirting with each other, and if they put some music in, it won't be a big problem to extend the duration of the movie.
Tang An went on to say, "The first batch of six projects of Yuyubao have digested a share of 100 million, and there are still no blockbusters. Once the prospects are good in the future and they are promoted on a large scale, I don't need to say more about the funds involved.
"
"But that's not the point. As far as I know, this entertainment treasure is linked to an insurance from Guohua Life Insurance. It is actually an investment-linked insurance. After all, it is an insurance product. It is only an insurance product for the cultural and entertainment industry, not for the general public.
Raise money."
Speaking of which, everyone was not fools and understood immediately.
When Yuyubao came out, I didn’t know much about it. I thought it was just an ordinary crowdfunding platform where funds are used for projects.
But now, it is obvious that the masses gave their money to Yuyubao, and Yuyubao gave it to insurance companies, and the insurance companies took your money to invest in movies.
It sounds no different from crowdfunding, but the key part of the problem is that you have no way of knowing which film and television drama the insurance company has invested in.
Popular movies such as "Tiny Times 3 and 4" are projects to raise funds, but the investment-linked insurance contract does not specify which movie the money must be invested in.
According to regulations, insurance companies are not obliged to disclose this information, and even if investors find out that they have been cheated, there is nothing they can do.
As for the expected return of 7%, they said it was an "expected" return, and they also added: There is no commitment to the principal or return of this product.
Of course, these are of little concern to the film and television companies. What is lost is the people's money.
but!
The birth of Entertainment Bao has pulled a thread ahead of the insurance and cultural entertainment industries!
According to legal regulations, trust products can invest in cultural industries, but investment-linked insurance cannot participate in investment in cultural industries.
The trust serves as the front and the investment-linked insurance serves as the lining. The investment-linked insurance shell is used to raise funds, but it eventually turns into a trust product.
Today there is Guohua Life Insurance, and tomorrow there will be Pacific, Ping An, and Life Insurance
Insurance companies are not doing well right now. If they find a way to easily penetrate this hundreds of billions of film and television culture industry, no one will let it go.
Several film and television company bosses frowned, obviously aware of the possible consequences of this trivial matter.
Although several investment funds have successively participated in investment in film and television culture this year, Shangshi Media jointly launched a 3 billion film and television investment fund with Hongyi Investment last month.
But this is a serious investment, and it is different from investment-linked insurance and p2p. The latter two are a bit ugly, and a lot of them are money scams.
Moreover, this gimmick of "everyone is an investor, you can make a movie for 100 yuan, and interact closely with the stars", and when the movie is released, the audience who invested money can brag about their own investment in the movie, which is also very attractive.
force.
Several bosses were worried by what Tang An said, but Tang An still looked relaxed.
It seems that I have gone off topic. I was originally talking about the services of Li Pictures and Li Baba, but ended up switching to the insurance and finance industry.
But when Tang An saw them like this, he was happy to see them together.
Entertainment treasures cannot become popular. The Internet spreads so fast these days. Countless people immediately popularized it.
What's more, after being fooled twice, the smart Chinese people will not touch that thing.
And entertainment treasures are nothing. What are really awesome are those p2p platforms. A financial fraud scandal broke out before the release of "Havoc in Tianzhu".
A p2p platform raised funds in the name of "Havoc in Tianzhu" and ended up being defrauded of about 2 billion.
And that "Ip Man 3" is really a rare and cool operation.
Others use the left hand instead of the right hand, and the fast road is better, but they all use n hands.
First, he spent money to buy the proceeds and distribution rights of the movie, and then transferred the proceeds to two other listed companies through the sale of guaranteed funds, causing the stock price to skyrocket.
The major shareholders of the other two companies are the Kuailu Company.
But this is not over yet. Later, eight p2p small loan platforms were introduced one after another, and these p2p small loan platforms used this to raise funds online.
I made a lot of money after transferring a few hands, and my income doubled at least ten times.
But in the end, the box office was not as good as expected, which meant that the entire industry chain would suffer losses.
We had no choice but to pile up the box office, which is why the box office farce of "Ip Man 3" happened.
Later, film and television and finance had a deep relationship.
In the end, there were other matters, the state took action, and the CEO of Kuaishou had fled overseas.
When the sky falls, there is a tall man watching, and the country is the tallest man.
The cultural industry is an industry that the state focuses on. When it reaches a certain point, the state will naturally take action.
However, no one else can predict the future. Not only the CEOs of several major companies, but also some representatives of various university associations, the first row of vice presidents and directors of film schools, Chinese opera, communication universities, and drama schools, as well as representatives of major associations, all
Showing deep thought.
But Wang Changtian was the first to react. Seeing that Tang An still had a relaxed expression, he was surprised and said, "Don't you worry, Mr. Tang?"
Tang An shrugged, "What do I have to worry about? Besides, what's the use of worrying about it?"
Wang Changtian shook his head. Although it is useless to worry, it is impossible to prevent the arrival of capital from all walks of life. Even if their major companies do not accept that capital, what about other companies?
"But if you tell me this, Mr. Tang, Li will definitely hold a grudge against you."
Tang An smiled and said, "Let's talk in private. I didn't publicize it or tell the audience. Is it possible that he, Lili, can also prohibit others from talking about it?"
There was no shouting everywhere. There was already a lot of chatter at the scene, and only the people in the front and back rows heard it.
Unless Tang An exposed the entertainment treasure's tricks in front of the crowd during the interview, it would not look good.
Furthermore, the summer season is now coming to an end. Whether it’s TV series or movies, major companies are too busy to pay attention to entertainment treasures. After a few days, you will naturally know what is going on, and it is not a secret.
things
Not long after, this film symposium began, and the leaders of the three organizers, Film Bureau, Beijing Optoelectronics, and China Film Group, appeared on the stage on time.
These are commonplace topics. We need to promote dialogue and cooperation in the global film industry and build a core city for the Asian film industry.
Let’s first use data to illustrate the current status of the globalized film industry. With the changes in the global economic landscape, China has become the focus of the world’s attention. The degree of openness of the Chinese film market is still increasing. More and more Hollywood filmmakers are flocking to China.
country.
At the same time, under the premise of stable economic development, Chinese films are ushering in a prosperous era of films.
After Han Sanping finished speaking, Kang Pei continued.
"The Chinese film industry will usher in a "golden age" and urgently needs global attention. The domestic film market has entered 2013 and has entered a "bull market" year in which domestic films and co-productions have rapidly occupied the market.
According to the data, it is known that Hollywood’s imported blockbusters have experienced negative growth for the first time. The Chinese film market has quietly entered into rapid development. The Chinese film industry is currently experiencing the highest growth rate in the world. How to build a "Chinese film brand" in the new global market?
"Chinese culture" will connect with the Hollywood industry to rebuild a new image of "Chinese film" and in the long run promote China to become a film power with "cultural going global".
The core topic is still the globalization of domestic films. This big goal has been promoted for I don’t know how many years.
Each leader delivered inspiring speeches one by one, with impassioned and ups and downs.
But it can’t just be a seminar given by the leader. It’s called a seminar when everyone discusses it together.
Secretary Dang Wei of the Film Academy, Distinguished Professor of Communication University, Professor of a film school in the United States, Chief Engineer of China Film Digital Base, Deputy Director of the Sound Professional Committee of the Society of Film and Television Technology, President of the Producers Association, Chairman of the Recording Engineers Association, etc. have all published
respective speeches.
Next, representatives of film and television companies took the stage. Wang Zhongjun, as the first CEO of a listed film and television company in China and the CEO of a film and television company with the highest market value, was the first to take the stage.
It was Tang An's second turn.
After sitting for so long and listening to a bunch of things that I seemed to have heard at some conference, I was finally able to get up and take a few steps.