Six hundred and ninetieth chapters do not give face
Xu Jinglei's "There's a Place Only We Know" and "Back to 20" from about the same period, these two films can be regarded as the return of the four sons to officially shift their business to China.
Although neither is a big production, the directors of these two films are well-known, and the investors include China Film and Television, including Ah Li. For an idol, they are not qualified to receive films of this level in South Korea, let alone
Don’t talk about the first male lead, let’s say the second male lead.
Not to mention movies, even TV series are not like idols.
It’s easy to make money in China, but I have no money, no status, no human rights in South Korea, otherwise I have to go back to my country.
It was almost time, and Tang An arrived at the Great Hall of the People on time before three o'clock in the afternoon to attend the symposium on publicizing and implementing the Film Industry Promotion Law.
Although it was just a symposium, the Vice Chairman of the National People's Congress Chang Weihui and Chief of Secrets, a deputy national-level boss, were present, and the standards were much higher than those of the previous meetings.
This is the official appearance of the new leadership team of China Film, China Film and Movie Channel in the industry.
Many people from the top of the entertainment industry pyramid came, as well as several representatives from principals of major performance schools, Secretary Dang Wei, and presidents of major associations.
When Tang An arrived, several people had already arrived, including five film and television company representatives, Wang Zhongjun, Yu Dong, Wang Changtian, Ye Nian, and Fan Luyuan, screenwriter representative Liu Zhenyun, and actor representative Xu Fan.
In terms of institutions, he is the dean of the School of Journalism and Communication of Qinghua University and the vice president of Chinese Drama.
Huang Jianxin, president of the Directors Guild, which represents major associations, and Fu Ruoqing, chairman of China Film Group Corporation, concurrently serve as presidents of both associations.
Tang An walked in and smiled, "Hello everyone, I'm late."
Seeing Tang An coming, everyone came to greet him. Wang Zhongjun teased, "Dr. Tang's timing is quite accurate."
There are still ten minutes left before the meeting starts, and those present arrived twenty minutes ago, and they are quite critical of Tang An's behavior of playing "big name".
Tang An waved his hand and said, "I just gave the crew a day off and invited them to have a meal and sleep. I was so busy that I almost fell asleep."
"Director Tang has been really busy recently. He has to manage the company and make movies." Wang Zhongjun chuckled.
With a smile on his face, Wang Zhongjun wished that Tang An was late. He was still thinking that it was only ten minutes away. How could the roads in the capital not be blocked now? It would be fun to block him for ten minutes. "
Tang An said, "I'm used to it. If I don't make movies, I always feel like something is missing. I can't relax."
Wang Changtian smiled and said, "The Spring Festival is about to begin. Tang Dong's "The Return of the Great Sage" is now very popular, not much worse than "Havoc in Heaven". The response to the film nationwide is also very good. I'm afraid this year's Spring Festival
There is suspense now.”
Tang An shook his head, "It's probably because there are currently no high-level animated films in China, but the promotional campaign is still not as good as "Havoc in Heaven". The lineup is too different."
"The Return of the Great Sage" is jointly distributed by Hantang Pictures, Wuzhou Distribution, and Hengdian Film and Television. In addition to 80 million in publicity and distribution fees and 20 million in ticket support, the total publicity and distribution fund is 100 million, which is completely a standard only for super blockbusters.
And half a month ago, various provinces and cities across the country held large-scale screenings, and now word of mouth has spread.
However, "Havoc in Heaven" has 60 million replacement publicity resources and 80 million publicity cash investment, a total of 140 million publicity expenses, plus a luxurious cast, it is not comparable to "The Return of the Monkey King", pre-sale
The difference is almost doubled.
With a publicity fee of 100 million, even "Police Story" and "Private Order" released during the Lunar New Year period have not reached this scale of publicity. With such a large amount of money, Tang An is either crazy or really wants to show off in the Spring Festival period.
Fists and kicks.
Wang Zhongjun said, "Director Tang seems to be very confident. He doesn't seem to be riding on the popularity of "Havoc in Heaven". He wants to win a good start in 2014."
Tang An smiled and said, "The production cost is 100 million. This money can't be spent in vain. You have to give it a try. At least there is a chance to make money. If you don't, you will only lose the 100 million production fee."
Yu Dongdao said, "'Havoc in Heaven' is the first blockbuster film released by Director Kang since he took office. Director Tang is so courageous."
Although "Havoc in Heaven" is not controlled by China Film Group Corporation, it invested a lot of money and participated in co-distribution.
More importantly, this is the first movie released by China Film Group since Kang Pei took office, and it is also a super blockbuster.
No matter who promoted this project, whether it succeeds or fails, it must all be attributed to Kangpei.
Tang An did not answer, but asked, "Yu Dong's "Omen" is quite popular, and the title of God of Gamblers 3 is still very attractive."
Then he turned to Wang Changtian and said, "Director Wang must have spent a lot of money on the promotion of "Where Are We Gone, Dad?" We are all competing with each other."
Is it possible that because this is Kang Pei's first film as director, he should be given an excellent Spring Festival slot?
This is a popular period with a scale of more than 3 billion yuan, with profits of hundreds of millions of yuan, but Kangpei's reputation is not that big.
Yu Dong and Wang Changtian were also speechless. Their two films had been decided long ago, and there was still a gap in the audience between "Omen", "Where Are We Going, Dad" and "Havoc in Heaven".
However, "The Return of the Great Sage" is also based on the theme of "Journey to the West", and the two parties are in direct competition. More importantly, Tang An has invested as much as 100 million in publicity expenses, which is clearly aimed at "Havoc in Heaven".
After chatting for a few minutes, the symposium was about to begin, and the deputy national leader arrived belatedly surrounded by a group of people.
The Ministry of Education, the National Legal Affairs Office, and several departments of the National Development and Reform Commission all sent representatives, but the deputy committee member Yuan Chang was obviously the center of attention, with Kang Pei and Fu Ruoqing falling at the back.
Tang An noticed that Kang Pei stared at him after he came in, and responded with a smile.
A glint flashed in Kang Pei's eyes, and then he stopped looking at Tang An.
"Havoc in Heaven" is his first movie since taking office, so there is absolutely no room for error.
Originally, I was very satisfied with Tang An's arrangement of an animated film instead of "Detective Chinatown 2".
However, he never expected that Tang An would actually invest up to 100 million in publicity and distribution expenses for this animated film. Even in addition to the 20 million ticket supplement, there was still 80 million in publicity and distribution expenses. It was clear that he was competing for the Spring Festival slot.
.
With such a huge investment, Kang Pei didn't believe that Tang An was just joking.
Hum, the mantis acts as a cart, it’s just an animated movie!
Kang Pei didn't know where Tang An got his confidence, and he wanted to compete with the super-strong lineup of "Havoc in Heaven" with an animated movie.
Even though "The Return of the Great Sage" has received a very good reputation after being screened!
Although I don't know what kind of medicine Tang An sells in his gourd, Tang An obviously doesn't give face by doing this.
Tang An could probably guess what Kang Pei was thinking, but he didn't take it to heart at all. The reputation of the Westward Journey IP was ruined by Xing Hao in just three movies. It was a waste. It would be better to start another series with an animated version of the movie.
As for China Film, within the rules, it really doesn’t matter
Everyone followed to the conference hall next door.
The boss sat in the upper row with a deputy director of Radio and Television, the director of the Literature and Art Bureau of the Xuanxuan Ministry, and the director of the Film Bureau. Tang An and others sat in two rows on both sides with representatives from the Ministry of Education, the National Five Yuan Legal Affairs Office, and the National Development and Reform Commission. List.
The common seating arrangements in the news are arranged on three sides, one row and two columns, while Kang Pei and Fu Ruoqing sat at the corner where the two rows on the side and the row on top intersect.
There were accompanying recorders at the back, and there were dedicated photographers on the other side.
The deputy national leader made a speech, emphasizing that the Party Central Committee with Comrade *** as the core attaches great importance to cultural legislation and regards strengthening cultural legislation as an important task to comprehensively promote the rule of law. The Film Industry Promotes Law and Economics National People's Congress Chang Wei Conference It was reviewed and approved and will come into effect on March 1 this year. This is an important progress in the construction of China's cultural and legal system and provides legal protection for the healthy and prosperous development of our country's film industry.
It is necessary to implement the Film Industry Promotion Law, fully understand the importance of formulating and implementing the Film Industry Promotion Law, vigorously promote the publicity and popularization of the law, promptly improve relevant institutional measures, strictly perform duties in accordance with the law, and ensure that the Film Industry Promotion Law is effectively implemented.