Kitahara Shuji didn't take it seriously when he yelled and cursed outside. This kind of situation is considered a daily occurrence here. Some frustrated people often get drunk and then smash and curse all the way to vent their grievances in life - there is no proud person living here.
There are people there every day, and basically no one cares about them. Occasionally, someone will call the police when the noise is too loud. Then the police will come, tie up the drunk with a quilt and drag him back to the police station to sober up.
But this time Kitahara Shuji thought about it, gently opened the door, looked into the darkness at the end of the corridor, and called softly: "Yoko?"
"Ouch~woof! Woo..."
What answered him was a dog barking, and then the barking turned into a whimper, as if the dog's mouth was covered. Kitahara Hideji waited for a while before hearing Ono Yoko's voice, "Onisan, I'm here."
"Have your parents not been contacted yet?"
Ono Yoko stood up and whispered: "I live with my mother... my mother hasn't called back yet."
A single-parent family? Kitahara Shuji couldn't help but feel soft. He looked at the drunk man in the apartment next to him who was beating the trash can with a wooden stick. From time to time, he pointed at the sky and cursed a few words. After thinking about it, he said: "Too
It’s late, it’s not safe outside, come to my place and wait!”
Ono Yoko looked at Kitahara Shuji, and then at the drunkard downstairs - she knew that there were a few drunkards living upstairs, and it was almost time to come back after drinking. If she accidentally noticed
to myself...
Although she is young, she also knows that the area where she lives is not a good place. She usually tries not to go out when she gets home from school, but now it is already so late, and it is really dark and scary outside. Look at Beiyuan.
Hideji had a righteous look on his face, and he didn't really look like a bad guy. He chose the lesser of two evils, so he hesitantly picked up his schoolbag and walked over with the puppy in his arms, and asked softly: "Will you give me some money for Onisan?"
trouble?"
"fine."
"Then... I'm sorry to bother you, Ounisang. I'll leave after this period of time has passed."
Kitahara Hideji smiled, opened the door wide, and said, "Come in!"
"Thank you!" Yoko Ono thanked her with a bow, held the phone in her hand, and then slipped into the apartment close to her side, trying her best to smile sweetly and not show any nervousness or caution.
She took off her shoes at the simple entrance, paying attention to Kitahara Hideji's movement behind her, but found that he just closed the door ajar and walked indoors. She couldn't help but asked in surprise: "Don't you close the door, Onisan?"
Hideji Kitahara turned around and smiled: "That's it, I don't have anything worth grabbing here." As the saying goes, he is a single man, and he still has to avoid the suspicion.
Ono Yoko blinked and understood. She felt relieved, and the smile on her face became much more natural. However, when she entered the house with her schoolbag, she realized that she had accidentally brought the dog in, and she immediately wanted to go out and send the dog away.
.Kitahara Hideji had already taken the corrugated cardboard box containing the books and said with a smile: "Is this your dog? Put it in here first!"
(Don't dirty your own floor...)
Ono Yoko hesitated for a moment, then put Hyakujiro in and whispered: "It's my dog, but my mother doesn't allow it to be kept at home, so I can only leave it on the street."
(He is a very gentle person, but he does not dislike Hyakujiro being dirty...)
Hyakujiro didn't make any fuss when he entered the carton. He put his front legs on the edge of the carton and called Kitahara Hideji softly, as if to say hello.
Kitahara Hideji took a look at it and found that it was an ordinary native dog, and its bloodline should be quite mixed. He couldn't tell the breed at first glance, but the dog's eyes looked quite intelligent.
Since the dog didn't make any noise and had no intention of dirtying the house, Kitahara Shuji ignored it and called to Ono Yoko: "Sit down wherever you want, Yoko, I don't have anything here, I have nothing to entertain you, I'm sorry."
"
Ono Yoko bowed politely again, smiled sweetly and said, "Thank you very much, Onisan."
Kitahara Xiuji saw that although she smiled sweetly, her hands and feet were very cramped, and she seemed a little uneasy. He also had this experience. He had been staying with relatives for a period of time, and he knew how to deal with it better-it was best to leave her alone and let her go.
It's best if she stays by herself, being too enthusiastic would be counterproductive.
"Okay, Yoko, I'll read a book for a while."
"Okay, Onisan."
Kitahara Shuji went to the innermost part of the house, leaving the place near the door to Ono Yoko, and then picked up a "Little Art of War" and read it, corroborating the unclear imprints in his mind.
Yoko Ono felt quite comfortable seeing Kitahara Shuji's attitude. She raised her finger at Hyakujiro and ordered him not to make any noise. Then he knelt down and sat down carefully, not even daring to breathe loudly.
She sat for a while and took a sneak peek at Kitahara Hideji. She found that his attention seemed to be completely focused on the book and did not pay attention here, so she boldly took a closer look.
The black hair is a bit too long for a boy, and is scattered in thin pieces on his forehead. His facial features have deep shadows under the light, which makes Kitahara Shuji look a lot colder. His brows are slightly frowned and his lips are pursed very thinly.
, seemed to be thinking seriously - Yoko Ono looked at it for a while, and found that she couldn't move her eyes away. It seemed that Hideji Kitahara had some kind of magical attraction, giving people a feeling of peace of mind and reliability. It seemed that just looking at it like this gave her a sense of security.
A sense of happiness arises spontaneously.
She resisted the desire to look again and moved her gaze to the moldy tatami in the gap. She felt a little strange in her heart, but she soon felt relieved - he was a high school student, and he must be different from the boys she knew.
This is normal, it must be something strange that I don’t see often.
She stayed there for a while and had nothing to do. Seeing that Kitahara Hideji ignored her, she dragged her schoolbag, quietly took out her books and started to do her homework, and soon she was immersed in her studies.
The room was silent for a while, except for a few vague shouts occasionally coming from the street outside. Hyakujiro stood with the box for a while and found that no one was playing with it, so he curled up in the box and started to take a nap.
Kitahara Shuji was reading a miscellany on swordsmanship collected by Shikishimaha. This book cannot be used as a skill book, but it contains some interesting things about ancient swordsmanship, which can be used to educate him about illiteracy.
Modern kendo generally refers to sports kendo, which is a sport, and the predecessor of kendo is the killing technique of Chi Guoguo, which has been active on the battlefield for a long time.
It is mainly divided into three major schools: Itto-ryu, Shinto-ryu, and Yin-ryu.
The earliest documented school of swordsmanship is Nakajo Itto-ryu, founded by Nakajo Nagahide. Its core proposition is, in a crude way, "cut down the enemy before he cuts me down." Its one-point sword refers to killing the enemy with one blow rather than
Refers to holding only one sword - many branches of the school have the technique of fighting with two swords, but there is no such title as the two-sword style, the three-sword style, and the four-sword style.
The most famous Itto-ryu branch now is Beichen Itto-ryu. Its forty-three sets of combos are a compulsory course for the RB police. In a sense, it is considered an official martial arts.
At the same time, as the first swordsmanship school, the core spirit of Itto-ryu has been throughout the development of RB swordsmanship, which is to quickly cut down the enemy to prevent yourself from being cut. This makes RB swordsmanship always full of offensiveness...
Kitahara Shuji slowly turned the pages of the book, confirming the marks of swordsmanship in his mind, and found that it was indeed as described in the text. Even defense in RB swordsmanship was all about cutting down the enemy, and there were countless counterattacks. Almost all in his mind
All fight videos are no longer than thirty seconds.
He looked at a line in the book and couldn't help but murmured: "Any actual combat fight that lasts for more than sixty seconds must be an act... It's really a killing technique, and the goal pursued is really simple and clear."