It's a pity that Wu Jianye and others were not in Suzhou City, but found a countryside to shoot the rural plot of "Under the Bridge". In fact, this plot did not need to come to Susu at all, but Director Bai Chen firmly believed that everything
Everything should be based on the actual situation, so in the end the crew decided to come to Suzhou.
Xiao Wu, I didn’t expect you to be so proactive this time and take the initiative to ask the crew to start filming in Suzhou as soon as possible! Bai Chen said with a smile.
After filming the plot in Shanghai, Director Bai Chen's original intention was to let everyone take a two-day break before shooting in Suzhou. However, Wu Jianye, as the assistant director of the crew, suddenly suggested two days ago that he should take advantage of the situation in front of and behind the scenes.
All the staff are in good condition and will immediately start shooting the plot in Susu.
Director Bai Chen thought for a while and thought that what Wu Jianye said was reasonable, so he agreed with Wu Jianye's opinion and led the filming team to Suzhou.
I also hope that the filming can be completed as soon as possible, so that we can see the results of our hard work for nearly a year earlier! Wu Jianye smiled, and then glanced at Gong Yin who was reading the script not far away with lingering fear.
Two days ago, Gong Yin suddenly found Wu Jianye and said that his parents wanted to invite him to their home. After Wu Jianye agreed with a smile, he immediately found director Bai Chen and encouraged the crew to leave for Suzhou as soon as possible.
The plot of Gusu does not have Wu Jianye's scenes. It is basically the scenes of Gong Yin, Jiang Shan, Wang Wei and Fang Chao, and there are not many scenes. It can be finished in two or three days.
Among them, the most difficult one to shoot was a scene between Qin Nan and Fang Chao.
There was nothing wrong with Gong Yin, but Ofang Chao was unable to enter the state many times and was unable to perform the state required by the director.
The child couldn't talk too much, so Gong Yin had to stay by his side to help him find his state.
Xiao Wu, of the filming scenes for "Under the Bridge", now only the scene where Qin Nan goes to the countryside is left, but that scene can't be filmed until winter comes. Are you going to stay in Shanghai or go back to Yanjing next time?
Director Bai Chen sat next to Wu Jianye and asked in a low voice.
Let's go back to my hometown first. I have been away for almost a year filming "Under the Bridge". My mother must be angry! Wu Jianye said with a smile.
Haha, yes, that’s how it is for those who do our job. I believe your mother will understand! Bai Chen smiled understandingly.
Nowadays, film shooting is very serious. It is common to take a year to make a movie. Wu Jianye and the others spent two or three months experiencing life, which is very little. Some
The movie even requires the lead actor to experience life for more than half a year.
And this is very different from the Xiangjiang movies of this era. Xiangjiang movies are all about box office service, so very soon, maybe even today, the idea came up, and the script was not yet out, and the project was started to shoot.
I was filming and writing the script at the same time.
But even in this way, excellent commercial movies were made.
Domestic films lack commercial competition, and studios do not have to consider box office, so they strive for excellence. This does not mean that domestic films during this period are artistically superior to Hong Kong films. It can only be said that both sides have their own merits.
But one thing that cannot be denied is that the influence of Hong Kong movies in the 1980s and 1990s was much greater than that in China. Most of the domestic movies produced during this period were only influential domestically, but internationally, except for those few that won three
Except for films that won awards at major film festivals, there is no comparison at all with other films.
Even at this period in the hearts of domestic people, domestic films of the same period also lacked Xiangjiang's film classics.
In the next 15 years, Xiangjiang movies were almost synonymous with Southeast Asian movies. If for the reborn, the film industry in Xiangjiang in the 1980s and 1990s was a copy of heaven, then the domestic film industry was a copy of hell.
Director Bai, there is no problem with Chaochao, let’s continue filming! Gong Ying came over and said.
Okay. After listening to this, Director Bai immediately stood up and ordered all departments to prepare to start filming.
When Gong Ying left, she gave Wu Jianye a charming look. This was something that would never have happened in the past. Now her mother is willing to invite Wu Jianye to her home, which indicates that her mother has a deep understanding of Wu Jianye's identity.
In Gong Yin's opinion, the last obstacle between her and Wu Jianye had been cleared, and naturally she did not hide her emotions. However, after arriving in Gusu, Gong Yin also knew that it was Wu Jianye who suggested leaving immediately.
Taken in Suzhou.
Gong Yin was indeed a little unhappy at first, but then he comforted himself. It must be that Wu Jianye was still shy. With self-suggestion, Gong Yin was not so angry.
Wu Jianye smiled bitterly, this matter was getting more and more troublesome.
Rebirth in the 1980s is a hellish level of difficulty not only in the film industry, but also in the affairs between men and women.
With the problem of Dongdong resolved, the filming of the scene in Gusu was finally completed.
.......
I'm really sorry to tell my aunt. I didn't expect that something suddenly happened in Yanjing and I had to go back. You also know that school things can't be delayed, so I have to wait until the next time I come to Shanghai.
Went to visit uncle and aunt! Wu Jianye apologized to Gong Ying who was helping to pack his things.
Originally, Wu Jianye was planning to learn editing from director Bai Chen, but director Bai Chen thought that he should wait until all the scenes were shot. At the same time, due to time issues, the filming of "Under the Bridge" had to be stopped for a period of time.
We waited until winter to film the scene where Qin Nan goes to the countryside.
In order to avoid Gong Ying's parents, Wu Jianye immediately found a reason and prepared to return to Yanjing immediately.
Although it would be troublesome to wait until Yanjing and then return to his hometown, it would be better to explain to Gong Yin.
Did my mother scare you? Gong Yin asked while packing Wu Jianye's luggage. There are some differences between her and Zhu Hao. Although Zhu Hao plays more majestic and dignified roles, in the
Gong Yin is more passive in matters between men and women. Although Gong Yin is a southern woman and seems to be euphemistic, she is more active in matters between men and women than Zhu Hao.
No, how could it be? I feel that my aunt is very nice. She has invited me to visit her home. If it were not about Yanjing, I really want to try her craftsmanship! Wu Jianye said with a smile, this kind of thing
It means that nothing can be admitted.
When I return to Yanjing this time, I don’t know when you will come back again! Gong Yin said quietly, although Wu Jianye has not officially responded to the matter between the two of them, Gong Yin has put Wu Jianye in the care of her boyfriend.
In terms of status, now that I am separated from Wu Jianye, I naturally feel a lot of reluctance in my heart.
Wu Jianye pinched Gong Ying's cheek and said with a smile: I will be back when the winter comes, when the scene of you going to the countryside is filmed, don't worry!
Facing Wu Jianye's first such intimate action, Gong Yin's face turned slightly red, but he did not avoid it. I'll wait for you then!
Seeing that her mood was a little low, Wu Jianye couldn't help teasing her: "While I'm away, Auntie won't introduce anyone to you anymore, right?"