Chihara Rinto did not expose Michiko. Now even if he proposes not to use the little girl, Murakami and Fujii may not agree... No, they will definitely not agree. For them, the little girl Michiko has huge use value.
I misjudged my vision and seemed to have made a mistake...
This Michiko Fukasawa must be a precocious child, and she seems to have entered the rebellious stage early. She is probably the kind of mother in the legend who hopes that her daughter will become a hero, but her daughter is overwhelmed, her mind becomes increasingly twisted and fragile, and she begins to wander on the edge of blackness.
This is not surprising. It is difficult for child stars to become successful. Most of them start to take on adult work and come into contact with the adult world when they are children, resulting in abnormal mental development and weak outlook on life. When they grow up, they either become depraved or depressed. Most of them have tragic endings.
It's a pity.
He said nothing. He regretted slightly but could not change it. He could only pretend that it had not happened. He was silent for a while and then went to do his work. In the next two days, he did not see the little girl Michiko Fukazawa again.
Then finally came the day when the crew officially started filming
He finally entered studio number 17 for the first time.
This studio was assigned to them by Tokyo Broadcasting Corporation. If the ratings are decent and they can film the second, third and fourth seasons, they may have to stay in this studio for a year or two.
This studio occupies a large area, a bit like a large warehouse, but there are multiple loops of rails at the entrance, which are convenient for moving cameras. There are various hanging lighting equipment on the roof, and there are also many steel cables on which wires can be hung to take pictures.
Shots flying back and forth.
There are many small cubicles on the left side of the studio, which can provide temporary rest for actors. Actors spend half of the time in the studio waiting for scenes. If you don't find a place to lock them up, it will easily get in the way;
On the right side is a control room, which can control the lighting equipment and sound equipment of the studio, move the camera, and simulate many natural weather conditions. For example, if you want to have lightning or something, just press two buttons.
The middle part of the venue is divided into three large parts. In the middle is a detachable bus. Now only the rear two-thirds are removed. The front part has been removed. The bus is obviously just a prop for filming. It has no wheels or engine at all.
, was placed on a flatbed trailer, and was probably pulled around by the prop master's manpower.
This is the property of the production company. Bus scenes are common in TV dramas. Whoever uses such a prop applies for it, which can save a lot of money over time.
Similarly, there are tram carriages, airplane cabins, etc., which are used by one crew and then taken over by another crew. This is another benefit of the production bureau system.
Of course, if you have to be "realistic", you can rent a bus and shoot inside, but it's troublesome and really "expensive", and it's far from safe in a studio. The original was shot on a tram.
The effect is more realistic, but it is also more expensive. For a small and poor crew like them, it is better to make do in the studio!
Chihara Rinto was very curious and went around and found that there was an electric device under the bus, which could make the bus shake violently or tremble slightly to simulate the bumpy feeling while driving. At the same time, the windows were covered with blue screens. Later,
It will complement the scenery outside the window.
Not far from the other side of the bus, a small stage was set up for the opening and transition of each episode. On the opposite side, it was used for the first skit in the first episode.
In the "hospital" composite scene, several prop masters there are still busy doing the final assembly, and it looks like it can be reused.
Directly in front of these scenes are two cameras and the director's lens imaging monitoring station. There is also a rail-mounted camera on standby on the side. In addition, there is a hanging rotating and swinging mechanical arm above the ceiling, which can be controlled from the control room.
Control, but it seems that it will not be used for the time being, and there is no camera hanging on it.
For the drama "Wonderful Stories of the World", the budget given by the writing committee seems to be very small, but it provides a large number of auxiliary manpower, free props and free equipment. If you really think about it, the investment is so-so, but most of these investments can be
Reusing it seems particularly stingy.
But based on the fact that it can be reused, it is no wonder that Japanese TV drama production companies are not very popular. It is estimated that in terms of cost, they will be rubbed on the ground by the production bureau system.
As soon as Chihara Rinto took a brief tour, Murakami Iori started calling him, "Qianhara, this way."
He walked over quickly and found that Murakami Iori was instructing people to set up the tribute table. The tribute table was divided into three levels. On the top level, there was a lazy-looking doll with an oval face and long black hair.
She is wearing a plain kimono that reaches her waist; on the second floor there are two kneeling dolls, dressed simply in red and white witch costumes; on the third floor there are some magical objects, water, flowers and
Fruit cakes.
Before the filming started, the crew asked for psychological comfort in order to make the filming go smoothly or to hope that the work would sell well. Oh God, this Qianyuan Rinto can understand. He has even seen people who worship the second master Guan, and it is similar to Heisehui opening an incense hall. No.
Thinking that it was the same here, but he didn't recognize the doll he was worshiping, so he asked Murakami Iori: "This is..."
Murakami Iori clasped her hands together and said softly: "It's Yunzhong Jumaji, the patron saint of talented people."
Chihara Rinto recalled it for a while, but had no impression of the name. Murakami Iori knew that he was a newcomer to the industry, so he explained it directly to him and said with a smile: "Legend has it that in ancient times, a king offended a powerful man.
Great monk, this great monk set a trap and sealed the Dragon God with a rope. As a result, without the Dragon God breathing clouds and mist, there was no way for it to rain, causing a severe drought in the world, people were in dire straits, and the country was about to fall into ruin.
disaster."
Iori Murakami sorted out the tributes, "At this moment, Yunzhong Zemaji suddenly appeared, entered the temple in the name of praying for her deceased husband, and tricked the great monk into falling in love with her through her beautiful appearance and superb acting skills.
, vowed to marry her, and on the wedding night, Yunzhong Juejian Ji tricked out of the place where the Dragon God was sealed, and released the Dragon God while the great monk was sleeping, directly averting the crisis of annihilation of the country."
"and after?"
"There was nothing after that. Yunzhong Juejenji was relieved of the danger of annihilation of the country and disappeared again without even leaving her name. In order to commemorate her achievements, later generations called her Yunzhong Juejenji. Most kabuki plays
I admired her courage, appearance and acting skills, so I made her my patron saint, and today, she has become the patron saint of talented people."
Qianyuan Rinto nodded repeatedly after hearing this, feeling that the plot was a bit familiar to Fa Hai and Xiao Qing? However, this story is indeed quite legendary.
He couldn't help but take a closer look at Yunzhong Juejian Ji again, wanting to see the kind of beauty that would make the masters of the country fall to their knees, but it looked like an oval-faced doll, and the workmanship was not very fine.
Seeing that he seemed very interested, Murakami Iori suggested: "Would you like me to give you one to keep at home for blessing? This kind of doll is often used. I just bought a thousand of them. It doesn't matter if I take away one or two."
of."
So it’s still a consumable? Qianhara Rinto immediately felt that the style of Yunzhong Jumaji had dropped by three levels. He shook his head and said: "No need, Miss Murakami."
He didn't believe this. There was an empty small shrine in the original owner's apartment. He had moved it and sold it for scrap, and there was no place to put it back.
It didn't matter that Murakami Iori was rejected. Seeing that the preparations were almost complete, he called the crew to come over and started the filming ceremony.
The people in the entire crew were arranged in a triangle formation according to their positions and seniority. Murakami Iori stood at the top, stretched out his hand and knocked on the rock, and then led everyone to bow their heads and pray for luck in the crisp and long aftertaste of the sound.
The shooting went smoothly and the work sold well.
Chihara Rinto is not disgusted with this, and he lowers his head and hopes that "Wonderful Story of the World" can achieve good ratings, at least not much worse than the original world.
It's really a bit imaginary. In the original world, the film was originally made just to make up for the time slot. A producer found a lot of screenwriters and asked each of them to write a short story. Then he hired some passerby actors and started filming. In the end, it became a hit but it was unintentional.
Willows shade the trees.
Now Murakami Iori has officially submitted the project and applied for a budget. Although the crew is also very shabby, it should be considered that they really care about it. It would be really tragic if it turns out to be a deliberate attempt to make things worse...
Chihara Rinto prayed silently, but not to God, but to hope that the crew could be more powerful.
Not long after, Murakami Iori clapped her hands lightly and opened her eyes. She directed two staff members to bring a brazier and burned Yunzhong Zemahime.
Chihara Rinto couldn't help it anymore. It wasn't that he was making a fuss, but that he really didn't understand something. He asked softly to Arima Fujii next to him: "Why do you want to burn it?"
Are you going to kill a god as soon as the filming starts? This is too fierce! Besides, you have just finished begging someone, and are you going to demolish the bridge before the river has finished crossing?
"Probably let the clone inform the main body?" Fujii Arima looked uncertain and said casually: "Anyway, this is the tradition. It seems that in the past, kabuki was burned before performances. Maybe Kumonaka-hime should return
Go to heaven?"
Chihara Rinto was speechless. No wonder he bought a thousand of them. It turned out that he had to burn one every time he started shooting. But is this too much to treat the hero who saved the country...
The studio is strictly non-smoking and fire-free. It took less than two minutes for the staff to get a fire extinguisher to put out the brazier, and then moved it out. It felt very ridiculous, but everyone in the audience didn't care. Maybe tradition is tradition.
, regulations are regulations, and even if things are done according to tradition, the regulations still need to be implemented.
The Japanese brain circuit is indeed difficult to understand sometimes, but the ceremony was not over here. Everyone moved the tribute platform and quickly got busy again. The actor Takeda Ichima also stood up and walked directly onto the small stage.
Director Fujii directed the camera to focus on him.
The recorder appeared, stood in front of the camera with a slate and shouted: "Scene 1, Act 1, 5, 4, 3..."
The studio darkened completely, and cylindrical lights were projected onto the small stage. Ichima Takeda, wearing a black suit and sunglasses, walked slowly to the light and said slowly: "There are always many wonderful things in the world.
Some of the things are incredible, some are dumbfounding, and some..."
After he finished speaking his lines, he wandered under a blue screen. Even if this shot was completed, there were all black eyes and no blue eyeballs. He was still used to cutting out pictures with a blue screen. Later, he would be "transformed" here.
"He turned into a black cat and ran out.
Fujii Arima softly exclaimed "Ka, very good". Even if the first scene passed, I deliberately found the simplest one and put it in the first scene to get a good omen that the filming could be passed in one go.
Everyone clapped softly, with smiles on their faces. It seemed that their morale was indeed +300 after the ceremony.
At this point, the shooting ceremony is considered over and the normal shooting phase has entered.
Fujii Arima began to direct the photography, sound recording, and lighting adjustments, and the makeup artist retouched Takeda's makeup. The assistant director on the bus side led a group of passerby actors from nowhere and began to direct them to get on the bus and arrange seats.
Serves as a human background.
At the same time, Michiko Fukazawa appeared on the sidelines wearing a white dress.
The hospital scene also started to get busy. Several staff members were drawing dark lines on the ground to facilitate the actors' positioning later. The actors who played the role of Miho's parents and the doctor were speaking their lines. The actor who played the grandmother was lying on the bed, and the makeup artist began to put on the scene.
makeup.
They are all experienced people, they are busy but not chaotic, and they even cooperate very well. They are probably all similar to each other. They are all in the production bureau mode. These people have long been used to it.
Iori Murakami has quietly left. The first episode is being filmed here. She has to prepare for the second episode. The time is still very tight. For example, the first short drama will only be filmed for one and a half days. Today in the studio
Let's shoot. We'll be shooting on location for half a day tomorrow. The assistant director has already brought people to prepare.
Chihara Rinto moved a chair and sat diagonally behind Fujii Arima, observing the situation in the venue while writing the script. He had already agreed with Murakami Iori about this, and Murakami Iori also agreed, but only asked him to ensure the quality and quality of the work.
If there is a problem with the quantity, he still has to go back to the headquarters to stay. If that doesn't work, Murakami Iori Hachisei will lock him in a hotel.
Thanks to the ability to distract myself, otherwise I might have had to sit at a desk all the time for the first three years of my career.
Soon, Takeda Ichima's scene temporarily came to an end, and the staff began to adjust the decorations on the small stage. The camera began to move, and arrived in front of the bus again, preparing to shoot the scenes of Michiko in a daze on the bus. The filming really started, and every minute the budget was exceeded
It's disappearing, really urgently.
Michiko performed very well and was very natural. She was looking out the window with her little hands on her chin and was very endearing. However, Fujii, who was looking at the monitor abruptly, stopped.
Michiko was stunned, stood up quickly, glanced at the frowning mother behind the staff, and quickly apologized to the director: "I'm sorry, supervisor, is there something wrong?"
Chihara Rinto didn't notice the problem. This shot was of Michiko walking over, sitting down, and then a close-up of her upper body and face. It just needs a longer time to prepare for the narration later. At most, be careful not to take pictures other than the car window.
In case the sharp-eyed viewers discover that the picture outside the window is fake, it is not difficult at all.
Fujii waved his hand and said: "It's not you, it's the passerby behind you... Yes, it's you. What's wrong with you?"