Observing the decaying hall in front of him, Quines could no longer see any of the familiar scenes from half a year ago.
After groping his way to the second floor of the mansion, Quins was horrified. After reaching the second floor, maids and male attendants walked past him in a daze. He didn't notice at all. The busy figures of all the servants were like a preset drama.
, running along a certain trajectory. If in reality, Quins ran away immediately without saying a word, and if so many people focused on him, even if he had made great progress in half a year, he would not be able to cope with it.
.
Resisting the urge to find trouble, Quins directed the tauren to carefully avoid the servants coming and going, and walked cautiously from the side. Only when he really saw the front faces of these servants, Quins relaxed for some reason.
Take a breath.
All the servants' faces were distorted, their facial features were misplaced, their eyes were moved to their chins, and their ears were hidden behind their heads. The position of each person's facial features was different.
The other parts of the body were covered by thick servant clothes, and Quins didn't see many clues, but at least such abnormality was considered normal here.
What makes Quins even more concerned is that every other distance in the corridor, there is an oil painting hanging on the wall. It is common for nobles and even such wealthy mansions to hang several oil paintings for decoration. What really makes Quins care is that
, these oil paintings are as if they are new and are incompatible with the surrounding corrupt environment.
The content on the oil painting seemed familiar to Quins at first glance. After careful consideration, it was exactly the scene where the third princess of Saruna, Her Royal Highness Fanny Cecil, entertained a group of nobles half a year ago.
What’s weird is that the characters in the painting have the same facial features as the servants Quins met before. They are all distorted and blurred. It’s impossible to see everyone’s expressions clearly. No, to be more precise, everyone’s expressions reveal something evil.
The strangeness, against the background of the surrounding environment, makes it look particularly gloomy. Even a person like Quins can't help but feel a chill in his heart after taking a look at a few more oil paintings.
Everything was too quiet, but it was this quietness that made Quins secretly alert. Everything here was too unusual. The corridor seemed to have no end. Quins felt that he had not reached the corridor after walking for five minutes.
At the end, Quins provided two pollution resistances for the three of them during this period.
After thinking for a moment, Quins decided not to go any further. He needed a change.
Finding a door to the room, Quins opened it and walked in. But when the door closed, what Quins didn't see was that an oil painting next to the door moved to the door like a ghost.
, the scene on top of the oil painting is exactly what Quins once secretly saw through Lilia, the scene where the three princesses received the thief Frederick Cook.
As soon as Quins entered the room, he regretted it.
Of course he knew the scene where the three princesses met the thief Frederick Cook in the hall. Although he could only vaguely recognize it from the shabby clothes of several people, the oil painting in the corridor showed that Quins had already
He figured it out clearly. Now that he suddenly saw this scene in the room, he immediately realized that something was going to happen.
Sure enough, the sound of the door closing alarmed everyone in the room, and everyone turned their heads to look in the direction of Quins. Can you imagine those monsters with weird eyes staring at you?
Quins didn't have to imagine it, because he had already felt it.
hiss!
As if they were unhappy because of disturbing everyone, the "Third Princess", "Butler Wood", "Maid Minian", and "Rogue Frederick" all jumped up and jumped towards Quins. When they jumped into the air
, countless ugly abscesses squeezed through the clothes of the four people, and then the abscesses shot towards Quines and the giant axe-tauren blocking the front like cannonballs.
"Moo!" The approaching threat caused the Minotaur to instinctively strike with his giant ax and sweep it towards the four people in the air. The Minotaur's characteristic, the Giant Ax Specialization, caused the giant ax in his hand to flexibly cut through the air.
Beautiful arc, this feature is most vividly reflected in the dead cards.
Quins behind him was not idle either. The twin instantaneous secondary magnetic fields put defenses on the Minotaur and himself. Then, the twin instantaneous secondary flame orbs exploded and followed by the light of the axe.
Roar!
"Butler Wood" opened its huge mouth, and a long, spiky tongue followed by the large intestine and small intestine shot out from its neck. Yes, "Butler Wood's" mouth opened on its neck.
Ding!
The black tongue clicked on the tip of the axe, blocking the giant ax for a moment and then being unable to survive, but this was not all of "Wood Butler". The large and small intestines connected behind the tongue were stressed, and circles of intestines were drawn out in a trembling manner.
Set, and go towards the giant axe.
"Moo!"
The tauren's scarlet eyes looked upward, and he calmly and gently shook the door-sized ax in his hand. A gas mark suddenly hit the intestinal casing, and he swept the intestinal casing aside arrogantly, but the ax was unable to castrate it.
Change and slash towards "Maid Minian".
The hands of "Maid Minian" that were caught off guard were cut off in a hurry. If "Frederic the Rogue" hadn't pulled her away, "Maid Minian" would have been hacked by the Minotaur.
The fate of two halves.
Boom! Boom!
The two secondary flame beads, all concentrated in the explosive direction, were deliberately controlled by Quines, and pushed the "Third Princess" and "Rogue Frederick" back to their original positions. In this way, "Maid Honey"
Ni'an" and "Butler Wood" were directly exposed to the tauren's axe.
"Moo!" The Minotaur's giant ax turned lightly. Without the help of "Rogue Frederick", "Maid Minian" was directly hit by the giant ax that came one after another. Her intestines were full of tears.
The ground, brains splattered everywhere.
After beheading "Maid Minian", things became easier. Quins commanded the minotaur to take a hard blow from "Butler Wood". Before "Third Princess" and "Rogue Frederick" came back,
Let "Butler Wood" follow in the footsteps of the maid.
The remaining "Third Princess" and "Rogue Frederic" could no longer make a big splash, and were split in half by the Minotaur one after another, and burned to ashes by Quins's Lesser Flame Orb.
At the moment when all four monsters died, the room that was transformed into a hall faded back to its original appearance, and an oil painting depicting a meeting scene between the four appeared at Quins' feet. The only difference was,
The four people in the painting are no longer in their original intact condition, they all died miserably after being killed.
Quins picked up the oil painting, but saw wisps of gray air climbing up along Quins' hand. Quins stretched out his hand, and with a flash of light in his hand, a ring of sealing technique was directly slapped on the oil painting.
The first-level sealing technique was directly transformed by Quins from the seal card. For this only first-level witchcraft that he created by himself, it took Quins a lot of thought and time.
After sealing the oil painting, when Quins looked up again, the space was spinning and he was back on the corridor again.
Quins didn't feel any fluctuations during the space transformation, which made Quins' face look solemn.
Next, Quins entered several rooms one after another, with men and women making peace, men and women on the dance floor, and walking in the garden. The monsters inside had many more strange abilities.
For example, in a room where men and women are making peace, Quince's desire aroused as soon as he entered. He was almost carried away by the intense hormones, and missed a good opportunity to kill the enemy's defense. If the minotaur was not a summoned object, he was not affected, and then reversed the situation.
Knowing the situation, it was really possible for him to take him inside. After that, Quins became a little more careful so as not to make the same mistake as before.
In the blink of an eye, Quins had collected six oil paintings. But now, Quins' time was up. Twenty minutes were about to pass. If he didn't exit the dream, Bayonetta would lose control and it would not end well.
After exiting the dreamland, Quins sat on the sofa with a headache. He thought he could explore the situation of Iron Rose Mansion in one day, but what he didn't expect was that he didn't even touch the core of the mansion in two days.
She looked at Bayonetta who was a little sleepy on the bed and thought about whether to let Bayonetta help in exploring the Iron Rose Mansion. Then she shook her head. The more Bayonetta moved in the decadent dream, the more energy she spent.
The more strength one has, the shorter the time to wake up. Asking Bayonetta to help would not be worth the gain.
"Huh?" Quins picked up the six oil paintings that appeared on the sofa nearby: "I didn't expect to bring out the things in the dream." Then I thought about it, the seals on the oil paintings evolved from seal cards. Since the seals
Card energy items are brought into illusory reality, so even if the effect of the sealing technique is weakened, it still has an effect.
Quins thought for a while, picked up an oil painting, and a wisp of his heart floated across the oil painting in his hand. In an instant, he saw a wisp of gray mist struggling to climb up from the oil painting, rushing towards the heart in Quins' hand.
Su Quins' heart moved, and the sealing technique on the oil painting opened a gap, and then the gray mist rushed out of the gap and merged into Xin Su.
"As I thought, these gray mists are also variants of the mind element," Quines carefully sensed the properties of the gray mist through the mind element, and Quines quickly sensed from it the characteristics of madness, rising desire, twisted mind, and mental confusion.
Fantasy and a series of negative grievances.
In a hurry, knowing that the gray mist was the materialization of resentment, Quins directly used his mind to extract the resentment from the six oil paintings and stored them in an empty bottle.
In the last day, Quins knew that he would not be able to thoroughly investigate the Iron Rose Mansion, so he did not plan to continue on the last day. Instead, he returned to his hometown and began to study the grievances that he had unexpectedly collected, and strive to use them in the remaining days.
In the next few days, I will research some methods to deal with resentment.