When "White Wolf Heap" was performed in Pingcheng, the army officers and soldiers even shouted and lifted Li Jing and threw him into the sky to express their admiration for the young supervisor. In addition, it is said that His Majesty
"Mulan Joins the Army" and "The Peach Blossom Fan" which he personally directed.
The former is obviously in response to the current male-female equality advocated by the Han Dynasty, praising "women and men." Although there are not yet female soldiers in the army, almost all of the nursing teams are women, so of course the soldiers take this
Don't feel disgusted.
The latter, "The Peach Blossom Fan", naturally tells the story of a talented man and a beautiful woman in troubled times. Li Xingchen slightly changed the background and characters, but the main line of the story has not changed, and it is consistent with the current situation.
Lieutenant generals in the army have been on the battlefield for a long time, so you can't watch a play that is all about wind and frost. Some stories about talented people and beauties can also be tempered. In addition, "The Peach Blossom Fan" is about the difficulty of lovers getting married in troubled times, and wandering in chaos.
The story moves people to tears, but also makes them wish to end this troubled world as soon as possible.
The main function of drama is naturally to arouse the resonance of viewers, and it can even become or itself can be said to be a means of political propaganda.
Historically, the emergence of drama did not occur until the middle of the Tang Dynasty, and was the product of rapid economic and cultural development. Now that Li Xingchen has given birth to drama, it will naturally allow him to take control of public opinion and even people's hearts to a higher level.
In addition to the military, theater troupes of all sizes are also touring in various cities. Wherever they go, tickets are really hard to come by. It has even aroused people's pursuit and love for the characters in the drama, such as once
Zhou Peng, the commander-in-chief of the Yangwu Army who showed great distinction in the Battle of Qingshui, is now stationed in Chenliu. When he walks on the street, he always encounters many girls shouting and waving, and young men who admire him appear one after another at the Yangwu Army.
The Recruitment Department has almost completed the recruitment work for the Yangwu Army by the beginning of next year.
This naturally aroused dissatisfaction among the other armies. Everyone began to form their own theater troupes to praise the heroic deeds of their own soldiers. We must not allow guys like Yang Wujun to become famous just because they followed His Majesty and participated in the Battle of Qingjiangkou.
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Li Xingchen was naturally happy to see this. Behind the development of drama, it actually represented the development of culture.
During the three hundred years of chaos, although China could not be said to have become a cultural desert, many ancient books and many poems and songs have been burned. Later generations often talk about Tang poetry and Song lyrics, but they don't know how many other Han Dynasties had the same developed and popular songs.
Human works were lost in the flames of war between the Northern and Southern Dynasties.
Li Xingchen believed that the three hundred years of chaos in the Southern and Northern Dynasties should be the heaviest blow to Chinese culture, mainly because a fire in Luoyang at that time burned many ancient books collected by the Western Jin Dynasty royal family.
Moreover, the writing of books in this era still relied on bamboo slips, so it was not easy to preserve and spread these books. With the war, countless books were scattered and disappeared. In contrast, during the long-term troubled times such as the Five Dynasties and Ten Kingdoms,
, because the printing technology has developed, and the Five Dynasties and Ten Kingdoms are still dominated by the Chinese Han people, the protection of culture is naturally better than that of the barbarians, so the books of the Sui and Tang Dynasties can still survive.
Therefore, Li Xingchen is very grateful to Xu Ling and others. Their existence and efforts have allowed future generations to at least read such famous works as "The Poetry of Mulan" and "The Peacock Flies Southeast".
Now that the Han Dynasty has fully built a printing system that mainly uses movable type printing and woodblock printing as a supplement, there is no need to worry about this problem. But after all, it is still in troubled times, and people do not pay that much attention to culture. They are hungry
Who would think of reciting poems and composing poems while shaking their heads?
Moreover, three hundred years of troubled times have also left the illiteracy rate among the Han people at a high level.
The emergence of drama now undoubtedly tells Li Xingchen that the people of the Han Dynasty are gradually accepting culture and entertainment into their lives. The culture of the Han Dynasty, or the culture of China, is recovering. Although this method does not look very good.
High-end, but what Li Xingchen needs is not high-end, but resonance.
A culture that can resonate with the common people of the Han Dynasty is a good culture; a culture that can give people a sense of belonging to this country is a good culture; a culture that can promote positive and uplifting values is a good culture.
Yangchun Baixue is certainly nice to listen to, but its music is highbrow and mediocre.
Lower Riba people may not sound good, but they can arouse the interest of the people, which is enough for Li Xingchen.
In the final analysis, what the people need is a kind of spiritual comfort and relief, and what Li Xingchen needs is to subtly capture the hearts of the people through these cultural disseminations.
Drama is indeed a good choice, no matter who it is.
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Xiao Xiang and Yang Lihua arrived in Luoyang City in the afternoon.
Also accompanying her was Princess Jiangling, who was Xiao Xiang's daughter. Jiangling was the place where Li Xinchen and Xiao Xiang got married. It was natural that Jiangling was the place where his daughter lived. It also reflected Li Xinchen's love for Xiao Xiang.
And Yang Lihua’s daughter is still young and they are not together.
Including Yang Lihua's daughter, Li Xinchen now has three sons and three daughters.
Li Xingchen was still very ashamed of his children. Except for his eldest daughter, Princess Jinling, and his eldest son, Li Canghai, he hardly had much time to spend with his other children. He was not even around when they were born.
As an emperor, he is indeed worthy of the world. Even as a husband, he treats the concubines in the harem well, but he does not fulfill the responsibilities of a father to his children.
Li Xingchen picked up Princess Jiangling. The little girl was still nursing when he last saw her, and now she was already heavy.
Perhaps because she was rubbed by Li Xinchen's beard, Princess Jiangling screamed suddenly, and she didn't know whether she was crying or laughing. She scratched her hands and looked like you were about to let me go, which made Li Xinchen quite embarrassed.
"Your Majesty, my concubine, come here." Xiao Xiang gave Li Xingchen a roll of his eyes. My husband is good at everything, except when he holds the child, he is neither gentle nor heavy.
When Princess Jinling was still young, she cried often, which made Yuchi Chifan wish he could separate the emperor from his daughter.
Li Xingchen awkwardly handed his daughter, who was sure to be crying, to Xiao Xiang. Yang Lihua took out a lollipop from her sleeve and handed it to the little princess. The little princess was immediately happy, picked up the lollipop and ate it happily.
Lollipops naturally appeared on the market with the development of Han commerce and the increase in social income. However, the lollipops were wooden sticks, and the sugar was actually a ball after the syrup solidified, and later generations of lollipops were called lollipops.
The sugars are different in color and shape, but they just look similar.