I lowered my head and carefully looked at the styles of those locks. Although at first glance they looked very ordinary, even a little old, they were more like the ancient hardware locks that were popular in the 1950s and 1960s. Even the patterns were very traditional and not similar at all.
Common Western lock spindles today.
But after carefully observing the words and pictures engraved on it, I discovered that the back of each lock was densely engraved with spells written in an unknown language, and the one above seemed to be the most popular Chinese classical lock.
The common pepper pictures with animal patterns are actually completely different from the authentic pepper pictures in many details.
For example, there is a horn on the oblique side of its head, which curves upward like a crescent moon. Its teeth are very neat and round, unlike those of Jiao Tu. In addition, its face and chin are smaller than those of ordinary Jiao Tu.
, also seems to be slightly longer, more like a horse.
What's more obvious is that his posture seems to be dancing and playing music, swaying this way and that, leaning his body and dancing, smiling broadly. However, the pepper pictures commonly used to guard things at home are definitely in an upright and serious posture, with a dignified and solemn expression.
It is enough to suppress evil things and lock in the righteousness.
That's right, this thing is not a picture of a pepper, it's just my preconceived impression. I thought the animal pattern engraved on the door lock must be it.
In fact, according to the pattern painted and engraved on the lock, it reveals a single curved horn, which looks like a man or a horse, proficient in singing and dancing, and looks happy... I have probably guessed what it is, it is the music played by Brahmanism and Buddhism.
The god of heaven - Jindra, also known as Kinnara.
"The Great Sage Kinnara King Sutra" once praised its wonderful music and singing voice, which even all the gods and Buddhas are impressed by. Its wonderful harmonious and elegant sound can stir up the Brahma heart, just like the sound of mountain mist blowing.
In the woods, the listener can't control himself and is intoxicated.
The great disciple of the Buddha, the Venerable Mahakassapa, who was holding flowers and smiling, even used a verse to praise the beauty of Chandala's music: "All dharmas are silent, even above, middle and below, empty and silent, without trouble."
Trouble, the untainted one appears most supremely now.”
To put it simply, music is called the highest realm of emptiness that is above the silence of all dharmas, pure and unsullied.
Generally speaking, no matter which school of doctrine he belongs to, Chandala represents the god of music and joy, and is not a sign of weirdness or evil.
Generally, when depicting and exaggerating festive occasions, the patterns of Chandala men and women are often carved. The men have horse bodies and faces, and the women are extremely beautiful. They are all singing and playing music, dancing together with Gandharva, another god of dance and music.
Dancing creates a very happy and peaceful atmosphere.
But obviously the environment I am in now is by no means such a happy occasion. On the contrary, the discomfort of both body and mind is always lingering in my heart, which makes people dare not move or make any noise. The Zandara, who represents the prosperity of singing and dancing, appears in such silence.
In the case of death, not only does it look even weirder.
Why is this pattern engraved on the lock? I don’t remember any legends about locks and restraints in Chandala. Even if it is engraved with other Buddhist protectors, it would be much more normal.
Is it related to the quiet environment here? I naturally associate this with the music god. Maybe the reason why the evil witch cult people lay a lot of felt blankets and velvet around them is to prevent people who walk in from making too much noise.
In order not to disturb the performance, singing and dancing of these Chandras?
Although this idea is somewhat absurd, it lingers in my mind, tempting me to continue thinking along this line of thought: the pattern on the lock cannot be meaningless, it must have its religious implications or functions. If these Zhenda
Luo was indeed playing music, so who were they playing to?
I looked around, and I couldn't find any signs of life, let alone any specific audience. These little people who were cheering and singing to their heart's content were probably not singing to the air.
Wait, life?
I suddenly realized that there are no living things that can hear music. I have also been dealing with the evil witch cult's poisonous insects these past few days. I almost forgot about my job. I am a Yin Yang Feng Shui master. I usually
Aren’t the ones you have to deal with the most are ghosts?
Both Eastern and Western countries, almost all ethnic groups, and all countries have the part of playing mourning music in their funeral ceremonies. Their significance is not only for the living to express their grief and stimulate the tear glands, but also for those who are entrenched in the corpse to not want to leave.
It also plays a role in comforting and guiding the newly dead souls, using soft and sad music to unconsciously guide them to reincarnation and rebirth, so that they no longer miss the earthly things.
Therefore, ghosts are not only sensitive to sounds, but are even far more sensitive than ordinary people. This is probably because they exist as spiritual bodies without a physical body and are more susceptible to interference and influence from the fluctuations of music.
There is a secret technique in Buddhism called the Lion's Roar. A roar filled with awe-inspiring righteousness by an accomplished monk is enough to break the gall of ghosts, drive away evil spirits, and frighten the world. Taoism also has the custom of elegiac songs to summon spirits.
, Nuo music of many ethnic minorities also makes use of this principle.
Could it be said that the Chandras painted on the triple locks are also singing a requiem to soothe the souls of the dead who are closed in this infirmary?
A bold idea came to my mind. Although according to common sense, it is best not to disturb these dead souls who are immersed in the music and chanting, but in order to bring medicine to the fat man, I had to touch this tiger's butt.
.
At any rate, I have been traveling around the world for a while. I should have no problem dealing with some dead souls, right? The evil witch sect specializes in Gu insects, and at most they only know some head-subduing techniques. I’m afraid I don’t have a deep understanding of how to subdue and transcend ghosts, but I am
Technical specialization.
Maybe it was because I was a newborn calf who was not afraid of tigers, so I was so confident in myself that I actually took out a Taiyi Evil Killing Curse, attached it to my mahogany sword, and slashed at the door of the infirmary.
With a swish, the entire door emitted a dazzling orange light, which bounced the mahogany sword back together with me. The huge impact directly knocked me into the thick blanket on the wall behind me, making a dull impact.
"Damn...it turns out there is a barrier spell engraved on the back of this door." I stood up with difficulty and touched my wrist that was so painful from the bullet. Although I was just a tentative attack and did not use my full strength, but
I had never expected that the door could release such a huge rebound force.
There seems to be something really sneaky and evil behind this door, which made the people of the Evil Witch Cult spend a lot of money to set up such a strong barrier. Fatty and I can't create such a powerful barrier together.