The value of Qiao Meng's first piece is indeed very good, and the value of Meng Kai's first piece is similar, about 80 million. It is a porcelain pot, produced in the Tang Dynasty, and its craftsmanship level is not extraordinary.
It's high and a little rough, but it also represents the level of technological development in a dynasty, so the value won't be too low.
It is true that the difference in speed between the two is not too big, but it is just the beginning. I don’t know what changes will happen if it continues.
Five minutes passed quickly. Both of them experienced five treasures. They were relatively accustomed to the speed and began to really enter the state. Meng Kai was getting faster and faster, and Qiao Meng continued to maintain it.
However, among these items, the most valuable treasure Qiao Meng needs is the first Ge Kiln white porcelain bowl worth 100 million. The lowest value item Meng Kai needs is a small jade pendant. Although it is exquisitely crafted, it is not
It doesn't have much historical value, so the market space is around five million.
It’s the sixth item, and it seems to be bigger this time. Qiao Meng’s side is a painting, while Meng Kai’s side is a large tripod. The difference is clear at a glance. If you just look at it to judge, it’s basically
The emperor would conclude that this tripod is very valuable, and if there is no problem with this painting, it should also be worth a lot.
One minute is very short, so Qiao Meng does not need to open the picture. It is already unfolded. He only needs to observe it. When his hands touch the picture, he feels very comfortable.
Relax in the landscape environment in the picture, feel the scenery from nature, and the fresh air, and the whole person will feel refreshed.
"It's really comfortable. I just need more paintings to let me feel it. It restores my energy even more than sleeping. It's amazing."
Qiao Meng couldn't help but sigh. He had not been able to experience this feeling for a while, and now it could be said that it was the nectar of a long time, which was particularly nourishing.
Xiao Qi, who was on the sidelines, looked at Qiao Meng and felt a little strange. He didn't know why a painting made him so happy. "Xiao Lan, do you think a painting can really change people's emotions?"
"Well, I think it is possible. Otherwise, why would so many people like to collect them? In fact, no matter what the object is, as long as it is exquisite and has its own unique charm, it will naturally bring corresponding pleasure to those who appreciate it."
When Qi asked, Xiaolan pondered for a while before speaking.
"That's right, just like when we see clothes or cosmetics we like, we always have different moods and different levels of excitement." Xiao Qi also somewhat understood what Xiao Lan meant.
Qiao Meng on the scene was still recalling the feeling just now, "Oh, this painting of "Wanhe Pine Wind" is really beautiful. It seems that I have to collect more paintings and put them at home. I have to tell Sister Yuling and the others when I go back tomorrow.
one time."
"I think the author of this painting also knows the mountains and forests very well. Is it because he is a monk himself? He is more leisurely and relaxed, and can truly integrate his body and mind into nature." Qiao Meng couldn't help but think so after knowing the identity of the author.
And this author is Ju Ran, a relatively famous painter during the Five Dynasties period.
Even his own name is so otherworldly, as if he was born to be very close to nature. He feels that he lives a very free and unrestrained life, without any psychological burden, just following his heart.
In fact, Qiao Meng has always wanted to live such a life, which is why he likes this painting so much and the freedom and ease in it.
But now there are many things waiting for him to do. There is no way and no way to stop. He can only wait until everything is over. Only then can he truly leave everything behind and live the life he wants.
, but no one knows how long it will take to achieve such a goal.
"Perhaps this is the helplessness in reality. Although I know there is another way that can make me more relaxed and happy, I have to continue to move forward on this road." Qiao Meng felt more and more in his heart.
This "Picture of Pine Wind in Ten Thousand Valleys" is an ink painting that was famous during the Five Dynasties period. It depicts the majestic scenery of the mountains and rivers in northern my country, with various pine trees in various shapes and forms, lifelike.
In the picture, we can see thousands of mountains and valleys, pavilions and pavilions, lush and clear. The scenery here is very fascinating.
If you were to experience this place in person, perhaps your whole body and mind would be firmly locked, and you would not want to leave again. The noise and fireworks in the world have nothing to do with this place.
It is vividly reflected in this picture. Seeing this painting, it seems that I have isolated myself from the world and can abandon everything I carry on my body, whether it is depression, responsibility, or the pressure that I must inherit, at this moment
You can put it all aside and just enjoy the beauty the picture brings to you.
After reading this, even if I need to pick up all the weight I threw away again, I will be more confident than before, as if everything is moving forward, but my physical and mental strength have been fully replenished.
This painting is relatively large, with a length of 200.7 cm and a length of 70.5 cm. It is made of silk. The slope stones on the picture are made of long slopes with light ink, and then burnt ink and broken brushstrokes are dotted with moss, giving it a melancholy feel.
It has a pure and strong charm. The whole picture is also written with thick and thick ink, simple and elegant.
In the picture, you can also see overlapping alum stones, clear springs gushing in the deep valleys, small streams flowing, and lush trees. In the middle is a winding path climbing up the mountain. This place is like a paradise.
Generally, there is no actual man-made damage.
"This painting of a distant scenery is different. From the foot of the mountain, you can see the small bridge over the creek and the pond, as well as the thatched huts sitting in the dense jungle. They all seem to appear here naturally. They are not like anything at all.
It was built by man."
On top of a stone altar, you can see a man in white sitting in it. He does not look like a normal person, but more like an immortal practicing Taoism here.
"It makes the picture more fairy-like, and the level has also been greatly improved. Coupled with the mist filling the sky, it is simply a fairyland on earth." The more Qiao Meng understood, the more subtle he was able to discover in the picture.
I fell in love with this painting more and more.
At this time, anyone with a discerning eye can see that in just one minute, Qiao Meng has already placed this painting in his heart and wishes he could have it as his own. Many people can understand this feeling. Naturally, he wants to return something he loves.
He owned it, but when the time came, he obediently put the painting back.
But at this moment, he was not too frustrated, because although the painting could not become his own, he could at least feel it for once.
And the realm he realized from the paintings also made him a little different. He no longer pursues the most forced way, but follows his heart. Whatever he thinks in his heart, it is whatever he wants. If he gets it, he will get it. If he doesn't, he will let it go for the time being. There will always be a chance.
when.
Moreover, the value of this painting was analyzed through the information from the treasure appraisal ability. It is at least 180 million, which is currently the highest value. According to his feelings just now, such a price is indeed very reasonable.
"It makes me feel a lot, but I think the value is too low. I didn't feel so comfortable with the previous value of 300 million. Is there something wrong with it?"
Qiao Meng thought of the paintings he had come across before, and there were some that were more precious than this one, but for some reason, he just felt that this painting was better than them.
"Maybe what I saw before, although it is of high value, does not match my state of mind. As a result, I cannot truly appreciate the essence of it, and there is no feeling at all." Qiao Meng suddenly said
After thinking about the comparison between before and now, I finally understood the difference.
This principle is actually not difficult to discover. As the saying goes, the person who untied the bell must tie the bell. If Qiao Meng was not in deep trouble, with too many responsibilities, hatred, and such a complicated mood, how could he have fallen into disgrace because of watching the bell?
When you see this painting, you gain some insights. These are all corresponding.
If at this time, the painting was not "The Wind with Pines in Ten Thousand Valleys" but a calligraphy work of higher value but more difficult to understand, then maybe he would not have any feelings at all.
The giant cauldron that Meng Kai came into contact with was actually not a valuable thing, because it was just a modern imitation, just because the materials used were relatively expensive.
Moreover, the processing method is very exquisite, and the carvings on it are very detailed. If you are not an expert, you will not be able to tell what it is like. The distressing method is even more first-rate. It can even be said that it is even better than the Ark, the mastermind behind the scenes that Qiao Meng solved before.
Ten times stronger.
The gap between them can be said to be worlds apart. If Qiao Meng had identified this giant cauldron, he would have lamented that Ark's technology was nothing at all. The country's level had already reached a higher level. Even if
No matter how hard Fang Zhou struggles, it's useless. His attempt to subvert and control the antique market by relying on such means is simply a fool's errand.
Perhaps in a remote place like S City, there is no core technology of the country, but the strength of regional self-development, so it can be exploited by Ark. But in a place like Kyoto, if the things made by Ark are taken out, it will be like
They are just like toys in people's eyes.
It is easy to be exposed by the real people in power here. The four major families, plus the Qiao family's deep-rooted power, are all profound. Such technology is equivalent to shoddy work in front of them.
It is said that the masters are among the people, but in fact the real highest level is still firmly controlled by the state, and what the people can see is only superficial.
Now, even if this tripod is not genuine, it is worth at least more than five million yuan, just because of this technology and craftsmanship.