Le Xiaololi traveled to other worlds and collected countless rare treasures. When she built her private house, many places were inlaid with jewels. She even had a private treasure house studded with jewels, which was built privately by the real people of the Yulan Sect.
A nice little gift for her.
Because there are countless jewels, it is natural not to dig them out. There are many gems inlaid in the caisson. The eyes of many birds and animals are gems, and many flowers and fruits are also carved from gem materials.
The center circle of the caisson of hundreds of birds facing the phoenix is the picture of the phoenix rising to the sun. The phoenix is from north to east and the phoenix is from south to west surrounding the sun. The outer circle is the hundreds of birds. The birds are coming from all directions, and there are auspicious clouds and clouds.
The waves are lingering, far and near, with distinct layers.
The sun surrounded by the wind phoenix is also a pearl. From the pearl hangs gold, silver and five-color threads to form a rope braided with seven-color threads, and hangs a Xuanyuan mirror.
Xuanyuan Mirror is an evil treasure. It consists of seven balls, one big and six small. The big ball in the middle is also a pearl, six small balls, three luminous pearls and three pearls.
The three luminous pearls inlaid in Xuanyuan are larger and brighter than the luminous pearls in the Baihua Caojing bead lantern.
Because of the Xuanyuan mirror and the luminous pearl lamp outside, there is no need to install electric lights for lighting. In fact, the entire upper room designed by Le Xiaoluoli does not install electric lights. Rooms that require lighting use rechargeable lamp holders.
standing lamp or table lamp.
Of course, the upper room retains the trunking and pipes for installing wires, and wires can be installed at any time. Each room is designed to hang two rows of palace lanterns. The palace lanterns are both decorative objects and can house light bulbs inside.
Leader Li and others waited for the work to be completed, admired it for a while, rolled up their sleeves and got back to work, installing the floor slabs above the ceiling, and then installing the flat ceiling of the third room.
After installing the flat ceiling, the monks carried the scaffolding to the nave without stopping. Master Ayu grabbed the little girl and continued to install the caisson in the nave.
Little Le's classmate almost skipped a beat. He didn't rest in the middle of the night. Why did he have to work overtime? Doesn't it sound good to sleep?
It's so cold, to be honest, she doesn't want to work overtime!
She wanted to organize the books and materials in her mind and sort out the things she needed urgently. She went home and took the opportunity to study and perfect her little fighter jet.
As a result, the master of Ayubo caught her working the night shift. She didn't even know what to say. She couldn't move into the new house until at least next year. She was not in a hurry, so the monks didn't have to worry about what others were worried about.
The master is not in a hurry, but the masters are. The typical example is that the emperor is not in a hurry and the eunuchs are killed.
Unfortunately, she couldn't run away yet, so she could only risk her life to accompany the gentleman and accompany a group of excited monks to work all night long.
There is a back hall in the middle hall. Two pillars were added between the golden pillars in the depth of the second entrance. The distance between the pillars is about five meters. A Taishi wall was installed between the pillars to separate the second entrance from the third entrance.
Front hall and back hall.
Because the depth is very deep, and considering the lighting problem in the front hall, a 1.6-meter-wide rectangular solid wood wall was left in the middle of the Taishi wall for hanging calligraphy and paintings, with hollows around it.
There is a two-meter wide space on both sides of the Taishi wall. In order to let in light, no doors are installed. Only a light, volley-shaped flying cover is installed above.
Because most of the Taishi wall is hollowed out and there are no obstructions on both sides. Due to the lighting from the front and back, even if the hall is 9 meters wide and 18 meters deep, it is bright and bright.
What's more, the pillars and walls are all made of golden nanmu, the beams are decorated with Hexicai paintings, and the hall is magnificent. Even on rainy days, there is no feeling of cramped and dark indoors.
The monks were eager to have a quick look at the caisson after installing it, and they were extremely active. Even if the temperature suddenly dropped to several degrees below zero in the middle of the night, no one felt it, and they were working in full swing.
There is only one caisson in the central hall, with the theme of the harmony of dragons and phoenixes. When the dragons and phoenixes sing loudly, the immortal energy is breathed out from their mouths to form auspicious clouds. The clouds surround a pill bead, and the bead is hung with a nine-color thread hanging on the Xuanyuan mirror.
The location of the Xuanyuan Mirror is not in the center of the hall, but at the intersection of the diagonals of the entire house, that is, in the center of the entire house.
The basic sides of the dragon and phoenix and singing caisson wells are rectangular, and the interior is arched upward into a circle, with nine circles in total. The dragon and phoenix are in the center circle. The second to ninth circles are various auspicious animals, immortals, flowers and plants, clouds, waves and other patterns.
In the area near the Taishi wall, there is a small dragon in the caisson holding beads in its mouth, and a bead lantern with four beads and large beads hanging in it. Outside, there is a small phoenix holding beads and hanging a bead lantern.
For the caisson in the middle, many of the accessories are the same size. If you switch the position and install it, the seams will fit together. However, the flowers and trees do not correspond to the four seasons.
As for the caisson in the central hall, many of the accessories that carve birds, animals, and flowers appear to be the same size to the naked eye, but in fact they are different in size. The installation requirements are extremely demanding. Even though the little Loli personally directed them, the master of Ayubo and his fellow disciples personally installed them, which also cost six people.
Only then did the clocks come together.
The installed caisson has no impact on lighting. The ceiling surface, beams and beams are flush with each other. The caisson on the dome is more imposing than the caisson slightly below.
It does not give people the feeling of being graceful, luxurious, and imposing, but a very fairy atmosphere, ethereal and mysterious, and it also makes people feel real, peaceful, joyful, and peaceful.
If we say that the hundreds of birds paying homage to the phoenix in the middle hall are the most advanced, the dragons and phoenixes and the caisson well in the middle hall are extraordinary. Just looking at it makes you feel like you are in a fairyland surrounded by fairy spirit. The phoenix flies in the sky on the mist, and the flowers float under the fairy clouds.
The fragrance is fragrant, there are lots of fairy fruits, all kinds of auspicious animals are playing freely, there are mountain peaks faintly in the fairy clouds and mist in the distance, and the fairy palace is looming.
"Little girl, I don't care. When you move in, I will stay here for seven days, not even a minute less!"
Master Ayubo stared at the rare work that he had participated in, with a glowing face, hands on his hips, and he was discussing with the little girl like a scoundrel, which meant "If you don't agree, I will lie down immediately."
The head of the Xuan family and others did not speak, but the meaning in their eyes was the same: There is me and me, I also want to stay for a few days!
"When all the buildings in the garden are completed and I have set up the spirit gathering array, the atmosphere here will change. I will hold a banquet in the central hall for you and the craftsmen. You can stay in the central hall for a few days to gain some insights.
This chapter is not finished yet, please click the next page to continue reading the exciting content! Because the East Courtyard has a special meaning, I need to take a look at it myself. The East Courtyard will not allow guests to stay until I have stayed for a certain period of time. Please also
Forgive me."
Le Yun had already guessed Master Ayubo's reaction and accepted it calmly.
"Okay, it doesn't matter if there are no guests in the east courtyard. Just let me stay here for a few days to satisfy my old man's great expectations." Master Ayubo got his wish and was satisfied.
The little girl allowed everyone to stay in the nave for a few days, and the monks from each family suddenly felt elated. They felt that the little girl's visit to the nave was not simple. It felt as mysterious as facing the plaque "Zhiwei Study".
Measurement.
"Ah ah ah, it's finally done. I want to go back and take a nap." After comforting Master Ayu, Le Yun rubbed her neck and screamed. She raised her neck all night. Is it easy for her?
"Why are you sleeping? There are still floor slabs and ceilings in the back hall that have not been installed yet. It would be perfect to install them all in one go and then go have breakfast." The master of Ayubo was afraid that the little girl would run away, so he grabbed her back collar.
, dragged him to the back hall.
Head Li and others: "..." Mr. Hao really doesn't want to be a human being anymore!
Le Yun, who was caught by Master Ayu and suffered a lot: "..." Senior Ayu clearly promised to leave everything to them and just let her sit and wait for the house to be taken over. Why did he keep her promise and hold her in the cold?
Master Ayufang doesn't care whether the little girl's face is wrinkled like a bun or old tree bark. It's like "catching a scalper to be a horseman" as the countryside says. He won't let her go even if she doesn't do any work.
Watch.
Leader Li and others did not hesitate. They divided the work and cooperated. Some went up to the ceiling, while others passed the wooden boards below. They first installed the ceiling of the back hall, leaving only the last piece, and then laid the wooden boards above the central hall.
After fixing the wooden boards, go downstairs from the back hall and fasten the last board on. Everything is OK.
After installing the ceiling of the back hall, it was just after 5:40 and still early for breakfast. Master Ayu took the little girl to visit the upper room excitedly.
There are nine rooms in the upper room, the four rooms in the east are occupied by Mr. Le, and the four rooms in the west from east to west. The side rooms, the second room, and the second room are respectively: the rooms of Leshan, Mr. Yi, and his parents.
The last room is reserved for cabinets, quilts, mats, curtains, drapes and other items.
The reason why the younger brother was arranged to live in the west room was because the little Loli knew that her old father and Aunt Feng would not usually go to Beijing and would only stay in the capital for three or a few days if they had something to do.
When her younger brother studies or grows up later, he may spend more time in Kyoto. Let him live in the west room, which is close to the central hall and her bedroom, so that she can take care of him nearby.
Besides, the northwest is also home to the parents, so it is in line with Feng Shui to let the parents live for a while.
Mr. Yi is a maniac who protects his apprentices, so of course he should be kept closer to his apprentice's room. As for when Leshan grows up and gets married, we will make other arrangements.
Since there are three rooms in the depth, the first and second rooms in the depth direction are decorated with flying covers, and the flower covers between the second and third rooms are installed as partitions.
The styles and carving patterns of the hood and flying hood are different.
The ceilings of the four rooms on the west side are all flat and have different patterns, all of which symbolize good luck and good luck.
The owner of Ayufang took the little girl and visited the fourth east room, which is the little girl's private living room with various decoration styles.
There is a door in the middle hall near the main door leading to the east and west rooms. The east room is the little Lolita's bedroom. The first and second rooms are decorated with curved canopies between the center pillars, and the second and third rooms are decorated with flying canopies.
Floor-to-ceiling covers are used as partitions between rooms;
The east wall of the bedroom shares the same wall as the study. The south-facing half of the outer east wall is a solid partition, and the north-facing half of the wall is equipped with a Bisha kitchen.
There are double doors in the middle of the Bisha kitchen, which can be opened or closed to protect the privacy of the bedroom.
A flying cover is also installed between the outer room and the inner room of the study. The pattern of the flying cover symbolizes the carvings of the great journey and the inscriptions on the gold medal. A railing cover is installed between the second and third entrances. In order to provide lighting to the study, the horizontal railing cover is
It is also hollow and does not install a partition board.
The east wall of the outer room of the study is also divided into two. The northern half of the wall is a solid partition fan. The southern half of the wall is not installed and is connected to the outer room of the next room. It is only equipped with a floor-to-ceiling cover for decoration. Moreover, several parts of the floor-standing cover are installed on the floor.
The character legs have been improved and made narrower, with larger carved gaps and higher permeability.
Because the outside of the study room is connected to the living room, the spaces in the study room and the living room both look spacious and spacious.
There is also an exquisite floor-to-ceiling open cover installed between the second and third entrances of the living room. The east board wall of the outer room is partly a partition-style wooden wall and partly equipped with a gauze kitchen. The door in the middle of the gauze kitchen leads to the Baibao Pavilion.
The master of Ayubo grabbed the little girl and talked non-stop while visiting, saying how beautiful this cover was and how beautiful the pattern of that flower cover was. From time to time, he asked how he would arrange the furniture in the future.
Because the master of Ayubo almost asked how to decorate each room, and after a lot of trouble, the sky was bright and everyone finished the visit and went to wash up first.
