The little Lolita and the handsome guys from the Xuanjiahua family ate fruit and gnawed on two packs of chicken feet, and then the team set off back to the paradise.
The helicopter stopped at a place where the convoy could not be seen. Student Le Xiao walked alone and dropped more than 20 boxes at another hidden place not far from the helicopter, and then drove the helicopter to the place where the things were stored to load the goods.
When she returned to the paradise with a pile of boxes in a helicopter, she landed in the yard in front of the upper house in the east courtyard. The east courtyard was more than a hundred meters wide from east to west. Even if trees were planted and rockeries were arranged later, the road in the center
It is more than enough to park a helicopter.
The box that little Lolila brought home contained the plaque and the palace lantern. After the hanging was completed, she took office and got to work. She first opened the rectangular box that contained the plaque and took out a large rosewood plaque with cloud and dragon patterns. It flew up to the eaves of the upper room with double eaves.
Between them, hang the plaque on the central axis of the upper room.
The color of the old rosewood is so red that it turns purple, and the purple is so thick that it is almost black. There are three golden characters "Langhuan Palace" written from top to bottom. The characters are majestic and powerful. Each stroke has the power of thunder and wind.
After hanging the plaque, Mr. Le Xiao flew to the ground, took out a rectangular red sandalwood plaque with a dragon pattern and gold calligraphy with "Lang Huan Ze Shi" and hung it right above the wall hanging calligraphy and painting area of the Imperial Master in the middle hall.
The upper room in the east courtyard is called "Langhuan Hall", and the middle hall is the main hall of Langhuan Hall. Langhuan Hall refers to the upper room or the middle hall, just like the Hall of Supreme Harmony or the Hall of Yangxin in the Forbidden City or the halls of various palaces.
The main hall only has plaques with various inscriptions and no other names.
After hanging the two plaques that most represent the face of the entire upper house, Le classmate hung plaques in her private reception room, study room, upper floor room, west wing room, east and west wing rooms, and south and north wing rooms respectively.
The private reception room is named "Jiudetang", the study room is still called "Zhiweizhai", the upper room is used for alchemy and medicine, the plaque is still the same as before with only the word "Danlu" written on it, and the west room is for the east courtyard.
The large study room is called "Dianmo Studio".
The main hall in the east chamber is the "Sansi Hall", the south wing is used as the kitchen, and the plaque is named "Bao Shan Cupboard". The north wing is planned to store tables, chairs, benches, screens and other supplies, and the plaque is named "Zangzhu".
The name of the central hall in the west chamber is "Qinjin Hall". Two of the three rooms in the south wing are bathrooms, so there is no need to hang a plaque. The northernmost one is used for smoking and drying clothes in the house in winter. In order to distinguish it, it is named
There is a small plaque saying "Lavender Room".
The north wing of the west chamber is the tea room. The kitchen is far away from Langhuan Hall. When there are guests, it is convenient to boil water and make tea in the north wing of the west wing to take to the upper room. The north room of the three wing rooms is used for storing dishes.
There is a cupboard like this, in the middle is a place for tea drinking in leisure time, and in the north is a workshop for making tea and placing tea sets. In the middle of the ear room is a plaque with the name "Liu Hua Xuan" hanging on it.
There are plaques in the front yard and back building. The front yard is called "Zhaixingju" and the back building is called "Lanyue Building". There are no plaques in the front yard and the living room of the back building.
After hanging the plaque, install the palace lantern.
Because the building materials of Langhuan Hall are extremely precious, the structure is complex, and the carvings are exquisite, the installation of wires, pipes and switches would be too unsightly. Therefore, it is planned to use rechargeable standing lamps and peach pole lamps as lighting lamps. The lamp holders are already prepared, and the batteries are being made.
Then Mr. Yan will take over the contract, and it will be ready by summer vacation at the latest.
Therefore, the palace lanterns in Langhuan Palace are actually decorations.
The main lamp is a combination lamp. There are five rosewood carved palace lanterns, one large, four small, under a square lampshade frame.
The four corners of the lampshade of the combination lamp are four small pure gold dragons. The large and small palace lanterns are all hexagonal square lampshades. The lamp wall is inlaid with colored glaze and jade. The small golden dragons at each corner are hung with tassels and tassels of pearls and crystal beads.
The palace lanterns are mainly made of white colored glaze and jade pieces, and are inlaid with colorful enamel pieces and mother-of-pearl patterns. A set of five palace lanterns is noble and gorgeous, and is full of brilliance.
The main hall, Jiude Hall, Sansi Hall, and Qinjin Hall of Langhuan Hall are mainly composed of palace lanterns. Several other styles of palace lanterns are also hung in other rooms to prevent all the same palace lanterns from looking boring.
Electric wire lighting is installed in the east and west wing rooms, wing rooms, Zhaixingju and the back building. Hexagonal palace lanterns and square palace lanterns are mainly used. The palace lanterns with light bulbs are covered with white gauze to improve light transmittance.
Octagonal palace lanterns are hung in the colonnade, and round gauze lanterns are hung in the cloister.
In front of the hanging flower door and the gate, palace lanterns are also hung in the door opening, basically round gauze lanterns.
It took an hour and a half just to install the lighting. The little loli silently put away the empty boxes and vomited silently. Decorating a home is also a technical job and it is really tiring!
She decided not to engage in large-scale construction unless necessary. It was too troublesome!
Feeling hollowed out, the little loli sat in the main hall and silently ate a big apple to reward herself for her hard work and sit down to practice.
Xuan Shaohua, who was the escort, and the convoy crossed Daxian Avenue with the perseverance of six generals who had passed five passes and climbed back to the paradise at four o'clock in the morning.
The young people drove some vehicles into the park and went to rest. They only rested for two hours and then resurrected with full health. Because they found that a big lantern was hung at the gate of the east courtyard, they immediately ran to visit the little girl's east courtyard in full swing.
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As soon as a group of young people entered the east courtyard, their bodies were shaken. When did the little girl complete the spirit gathering array?!
With shock in their hearts, the handsome young men visited the hospital. When they saw the plaque, they were filled with admiration and envy. Until they saw the plaque in the north wing of the west chamber, the young men were completely confused.
Xuan Yi didn't understand and asked: "Master, what is this Liuhuaxuan used for?"
"It should be the tea room." Mr. Xuan said seriously. He remembered that Little Loli once said that the north wing of the west wing was the tea room.
"Why is it called Liuhua? Tea is called Xiangming. If the name is Ming, I can tell it at a glance. I can't guess the name at all." Xuanyi said that he might have read too little.
Mr. Xuan looked at the sky silently, "Who are you asking me? Anyway, I'm not embarrassed, it's others who are embarrassed."
Young Master Hua saw little Loli coming out of the central hall and asked with a smile: "Little beauty, what are your specialties in Liuhuaxuan?"
"Liuhua is also an elegant name for tea. It comes from an ancient Li Tang poem, 'Liuhua purifies the muscles and bones, and clears the heart.'" Yan Zhenqing, a famous official in Litang and a calligrapher, wrote in "Five-Character Moon Night Warm Tea Couplet" that "Liuhua purifies the muscles and bones."
The sentence "bone, sparse and cleansing the heart" later became the elegant name of famous tea "Liuhua".
This chapter is not finished yet, please click on the next page to continue reading the exciting content! "Sure enough, I don't study much." Mr.
I sat in Liuhuaxuan and read the collection of tea's poems all night long to replenish my stomach with some ink."
"Little beauty, there is a small pavilion in my house that is also a teahouse. There has never been a suitable name. I would like to ask for a plaque for the teahouse." Hua Shao smiled and took the opportunity to ask for a plaque.
"Is it a pavilion or a building?" Le Yun didn't mind helping someone carve a plaque.
"It's a two-story pavilion, facing a ditch on one side." Little Loli didn't refuse, and Mr. Hua was in a happy mood.
"There is water in front of the pavilion. When spring comes, the flowing water is as green as blue. Can we call it Green Flower Pavilion?" Le Yun thought for a moment: "Lvhua is also tea. In "Cha Chuan" by Lu Guimeng, a poet of Li and Tang Dynasties, there is a saying: "Yesterday's pipe tobacco grains are stored today.
"Green Flower". Or you can think of a name yourself, tell me what you think, and I will engrave a plaque."
Mr. Hua was very happy: "Most of our family members have little education, so the name was useless, and we still don't have a name until now. I think 'Green Flower Pavilion' is very good, so to meet the occasion, I will find the poet's poem and recite it several times later."
You can still pretend to be 13.”
Mr. Xuan cried out: "I don't have a tea room specifically for drinking tea at home. It's probably not too late for me to go back and build one now."
"Why is it too late? It's too late. Let's wait until you finish building the house." Le Yun pursed her lips and smiled.
"My home is too far away. I am considering building a small pavilion in the courtyard of Sihai Tea House just for drinking tea." Mr. Xuan touched his chin and considered it very seriously.
"It's best to plant a few more plum blossoms and go drink tea when the plum blossoms bloom and it snows. The mood will be better."
Mr. Hua made a suggestion, and Mr. Xuan muttered: "Drink tea in a well-ventilated place in winter without freezing to death."
The young people of the Xuan family and the Hua family held back their laughter and tried their best not to laugh out loud.
The handsome young men were very happy and clamored to visit the backyard. Le Yun did not accompany them. They went to the outer courtyard restaurant first to have morning tea with the monks who got up early.
Master Ayubo and others could endure it. They knew that the little girl had decorated the east courtyard and were not in a hurry to visit it. After breakfast, they went to help move the furniture into the east courtyard and admire it.
The atmosphere of the East Courtyard is as refreshing as the West Courtyard.
The monks also knew that the little girl had set up the spirit gathering array, and they understood it tacitly. No one asked the little girl. They quickly moved the furniture from the car into the courtyard and decorated the Langhuan Hall first, starting from the middle hall.
As the furniture in the nave continued to increase, the whole picture soon emerged. In front of the Taishi wall in the nave, there was a large rosewood case with Kui pattern scrolls and an upturned head in the middle, a bronze square statue more than two feet high in the middle, and a simple bronze futon in the east.
Gui and bronze 甗, to the west are bronze piers and gold-plated bronze yi, and at the edge of the case are a pair of blue and white jade pots and spring vases.
On each end of the big red sandalwood case with Kui pattern, there is a rosewood round flower table with waistband. Next to the flower table, there is a red sandalwood flat head table with cloud pattern and lotus branches. In the middle of the east table, there is a three-legged bronze tripod with round belly and double ears.
There are copper francium and copper 鍣 on the left and right respectively, and a pair of colorful hanging bile bottles on the outside.
In the center of the small table on the west side is a bronze tripod with an animal face pattern, a round bottom, a bulging belly, a narrow neck and an open neck, a bronze goblet and a bronze goblet, and a pair of chi-eared pipa vases with green lotus patterns on the outside.
In front of the large Kui pattern case, there is a large Arhat bed with nine screens made of golden nanmu, dark wood, inlaid with glazed inlays and mother-of-pearl. There is a Kang table on the bed, and in front of the bed is a golden nanmu footrest.
On the two sides of the Arhat bed, there is a sun and moon fan with a copper base and golden nanmu wood inlaid with precious stones. On each side of the armrest, there is a square flower table with a jade-carved Lanzhi Yushu potted against it.
In front of the Arhat bed, there are two rows of sixteen golden nanmu Taishi chairs with coffee tables facing each other.
On the west side of the outer room of the nave, next to the board wall, there is a curved-foot-shaped bronze bell stand with a golden man wearing a sword and a red sandalwood horizontal frame supported on the pillars. There are 65 bronze bells in a row arranged in an orderly manner according to size. Each bell is exquisite in appearance and simple in color.
Thick.
That set of bronze chimes is a miniature version of the bronze chimes of Marquis Yi of Zeng in the Chinese Museum that shocked the world at home and abroad after being unearthed and advanced the history of human music for more than two thousand years.
The longer side of the ruler-shaped bronze chime of Zeng Houyi is 7.48 meters long, and the shorter side is 3.35 meters. The bronze chime stand placed by Little Loli in the nave has a long side of 4.9 meters and a short side of 2.2 meters.
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The inner and outer halls of Langhuan Hall are each nine meters wide and nine meters deep. The long side of the bronze chime is against the west wall, and the short side is not far from the door frame leading to the west room. An incense table is placed against the wall next to the door frame.
There is still a lot of space between the north side of the bronze chime and the central pillar, where a Duobao Pavilion and a long table are placed.
There is also a set of chimes on the east side of the outer room, but it is a jade chime with the mythical beast Bixi carrying a rosewood pillar. There are sixteen chimes, and a phoenix bird stands on each end of the top horizontal bar.
The jade chime bell is an imitation of the jade chime bell from the Liangzhu culture.
The furnishings on the east side, starting from the north side of the door leading to the east room, are the incense table, the jade bell stand, the incense table, two side-by-side Duobao Pavilions, a painting vat, a long red sandalwood table with armchairs, and two
Embroider the pier and place a small flower table in the shape of a few characters next to the center pillar.
There are long tables and Duobao pavilions on the east and west walls. If guests come, they can chat happily. Not only can they chant correctly, but they can also express themselves to their heart's content and leave some calligraphy treasures.
In order to highlight the majesty of the carved dragon center column, only a few-shaped low flower tables were placed in the area near the center column in the outside, with copper rails facing them.
With a bronze deer, a bronze dragon and a bronze phoenix.
On the east and west walls of the nave, next to the central pillar, there is a flower-shaped flower table facing the Duobao Pavilion in the north, a round flower table with waistband, and a rosewood table with cloud and thunder patterns, with an Eight Immortals table and two Taishi chairs.
Further past, there are waistbands and flowers again, and further north, the furnishings are different.
Next to the flower table in the west is a dragon-shaped column supporting a golden chime on a rosewood frame. Nineteen chimes made of gold are hung on a three-story wooden frame, which is magnificent and magnificent.
On the east side opposite the golden frame are two large rosewood flat-head cases, with rosewood shelves or bases placed on them, and jade huangs, jade Zhangs, jade guis, jade bis, jade congs, and jade ambers are hung or displayed.
Huang, Gui, Bi, Cong, Zhang and Hu are the six auspicious symbols in jade, and they are also the highest-level ritual vessels. In ancient times, kings and princes used the six auspicious ritual vessels to offer sacrifices to the four directions of heaven and earth.
In the central hall, there are tripods and chimes that represent inheritance and status, as well as elegant Duobao Pavilion and other ornaments. Set off by various furnishings, it is even more grand, graceful, magnificent, and elegant.
When decorating, large items are placed first, and then other ornaments are used to decorate them. The Duobao Pavilion contains the four treasures of the study, gold, silver, jade, copper, pottery and other ornaments. There is a jade tripod and a pair of vases on the long table with the Eight Immortals table in the east. Among them, the Eight Immortals table in the east is placed
A citron plate holder holds a citron plate with a dozen delicate yellow jade Buddha's hands stacked on it, while the citron plate holder placed on the Eight Immortals table in the west has several yellow-red jade pomegranates and pomegranates placed in the citron plate.
A big grapefruit.
While moving the furniture, the monks secretly took a few breaths. When the little girl dropped the big square cauldron that was put on the table at the end, the monks who were standing in the nave and watching suddenly felt like they were being strangled.
The bird can't make a sound.
The central hall gives people too much momentum...,
The monks' brains were short-circuited for a moment and they couldn't describe it. In short, they felt a huge and majestic momentum rushing towards them, which was awe-inspiring. They didn't dare to move. They felt that breathing loudly was a mistake.
