Miyazaki 6th Dan and Director Hirano returned to Jakko together. He sat down in front of the chessboard, still smiling and elegant. The episode just now didn't seem to have much impact on him, but his face was obviously three points brighter than before.
Cold and helpless.
He lightly tapped his palm with his folding fan: Sorry to keep you waiting, let's get started. After that, he nodded slightly to the crowd watching chess, and then bowed slightly to Xie Yi as a polite greeting before the formal move. Xie Yi
Sitting upright, she didn't return the greeting. Her eyes just fell on the chessboard without even raising her eyelids.
Miyazaki's sixth-dan expression remained unchanged, and he didn't seem to care about Xie Yi's rudeness. He picked up a black stone and looked at the chessboard. The two black stones he received were dazzlingly placed in the two pairs in the lower left corner and the upper right corner.
On the corner star position, White's first small piece occupied the lower right corner without hesitation. After Miyazaki 6th Dan thought for a while, he placed the chess piece in his hand on the star position in the last corner of the board.
Xie Yi responded almost the second after he made the move. The white piece was tit for tat, with one piece hanging on the corner. This small flying hand hit the low position of the black piece that had just been placed, and directly provoked the ground on the corner with a ferocious and domineering momentum.
competition.
Miyazaki Sixth Dan was not in a hurry to deal with Xie Yi's attack. He touched his chin, smiled slightly, and landed another piece on the star position. This time it was on the left side of the board, on the edge of the star position, with three black pieces.
Suddenly they formed a straight line on the left side of the chessboard, forming a classic three-star layout.
As soon as his side made a move, Xie Yi immediately followed up with another quick move. White's move was crisp and clear on the chessboard, appearing confident and aggressive. This move also landed in a low position in the upper left corner near the board border. White's move actively seized the solid ground in the corner.
, full of the attitude of a killer that is destined to swallow a whale.
The atmosphere of the chess game suddenly became intense under Xie Yi's strength. Miyazaki 6th Dan was also affected and responded with fast chess. Both sides made moves quickly, and soon the game was dozens of pieces away.
At the end of the layout stage, the chess game began to enter the middle of the fierce battle. The black and white stones each showed their prowess, and the layout intentions of the two became clear at this time. Even Sun Suhe, a low player, gradually saw some tricks.
What Miyazaki Sixth Dan uses is obviously a cosmic flow layout, and the three consecutive stars at the beginning are the classic moves in this layout.
"Xuanxuan Chess Sutra" says: The one who is high is in the belly, and he gains it by taking advantage of the situation. The secret of the cosmic flow lies in this. It does not stick to the competition for one moment and one place on the corners, but emphasizes the overall trend and moves towards the center of the chessboard.
The vast space spreads out, and when you play chess, it is like the solid ground breaking away from the corners is dancing in the void in the center. This is how the cosmic flow gets its name.
The idea that the superior is in the midsection has been around since ancient times, but it was not until the 1970s that the first-class Japanese chess player Takemiya Masaki 9th Dan created the Cosmic Style, and this large-scale strategy that focused on the midsection really began to shine.
This is because the value of the midsection was not really re-examined until the new layout revolution at the beginning of the 20th century. Previous chess players were generally obsessed with fighting for the edges and corners, and ignored the midsection. After all, the gold corner, silver edge, grass belly, this is Go.
A golden rule that has been passed down since ancient times.
Secondly, it is because the layout method of Cosmic Flow has very high requirements for chess players. They must have strong mid-game killing power and a superb sense of overall balance.
If there is no tyrannical killing power to support it, it is often difficult to form a big picture in the middle of the chessboard, and a few lone chess pieces will just parachute into your inner circle to stir up trouble. If you fail to kill the lone chess piece, you will be completely defeated.
The repeated judgment of the overall situation is the essence of the cosmic flow. When masters compete, a slight difference can make a difference, and a half-eye difference is the difference between victory and defeat. How to choose between the actual situation and the general trend, how to turn the emptiness into reality.
Turning a large pattern into a solid territory requires keen sense and precise decision-making to support it.
Miyazaki 6th Dan had the advantage of having two sons in hand, and he managed the corners steadily, which was a situation where he could make a profit without losing money. However, he chose the cosmic flow layout and managed a big midfielder early. This was to deliberately show off his strength and to
Absolute advantage and a perfect victory in this game. Sun Suhe sighed in his heart. Sure enough, Xie Yi's arrogant words and deeds still angered this gentle and elegant chess player. Professional pride cannot be insulted.
Interestingly, the strategy Xie Yi chose in this game was completely opposite to Miyazaki's sixth-dan. The opponent marched grandly towards the sky and the universe, but she plunged into the earth. Xie Yi was approaching the edge of the chessboard in large numbers.
The low-position moves, worrying about every inch of land
You must fight to seize every inch of ground in the corner. You don’t want the chess shape to look good, but only want to achieve the goal. Once you have a local advantage, you will quickly finalize it. You would rather give up the greater possibility of changes, and you must first confirm the territory you have obtained.
Come down and fight for victory steadily step by step.
This method of playing is stable and pragmatic, and is a very practical winning strategy. However, the biggest problem is that it is easy to play chess with too little efficiency. Especially many beginners, who naturally like this method of playing chess, tend to
Blinded by a Leaf, in the same number of steps, you spent a lot of energy and finally managed to save a small piece of territory, but your opponent has already surrounded an open space that is ten times as large as yours.
Only when a master uses this winning strategy, with the support of profound basic skills and superb calculation power, can he eliminate the shortcomings of low efficiency to the greatest extent, and turn this seemingly clumsy method into a clumsy skill.
The edgeless epee is invincible to those who are worthy of it.
Japan's top chess players Koichi Kobayashi and Zhao Zhixun, who are as famous as Takemiya Masaki, two junior brothers from Kiya Dojo, are very fond of this method, and have created a great record with it, becoming world-famous grandmasters.
In addition to victory, many Taoist chess players value the glory and beauty in the process of playing chess. In their eyes, this kind of chess style lacks artistic beauty and is not flattering, but it is undeniable that game after game is a success.
The victory was steadily harvested, which inevitably made them troubled and helpless. So much so that Kobayashi Koichi's 9th-dan move was jokingly called the subway flow, while Zhao Zhixun's 9th-dan move was nicknamed the mole that burrowed into the ground.
Xie Yi's layout strategy in this game of chess is profound. It is quite similar to Zhu Yuanzhang, the emperor of the Ming Dynasty, who built walls high, accumulated grain widely, and slowly became king. He first laid down the foundation steadily, and then used surprise troops to conquer the Central Plains.
With Sun Suhe's shallow Go level, he could only make out a rough outline. As for the various subtle calculations and calculations in the chess game, he could not figure it out. But Director Hirano sitting opposite him was a genuine professional seventh-dan player.
Chess master.
At the beginning, Director Hirano was a little disdainful of Xie Yi's play, thinking that she was too greedy for reality and was short-sighted. But after watching more than ten moves, he already knew that he was wrong. White was mature and sophisticated.
The rules are rigorous and the master's demeanor is displayed in the ordinary. It is clear that there is a big strategy in mind. Both sides show their abilities and confront each other tit for tat, which made Director Hirano exclaim.
Addiction. Almost all professional chess players have an unusual chess addiction. Such a wonderful game is right in front of them. Director Hirano has forgotten everything and is fully immersed in this black and white world. Sun Suhe's heart
It's secretly funny. You don't even need to look at the chessboard in this game. You can tell how the two sides are fighting just by looking at the ever-changing expressions on Director Hirano's face.
On the chessboard at this time, one person is managing the general trend, and the other is seizing the ground by force. Each has its own plan and its own strengths. It is still unclear who is better and who is worse. The next step will be the real decisive battle in the middle game.
Seeing Director Hirano looking left and right, his brows furrowed and stretched, stretched and furrowed again, and the loose muscles on his face were shaking from time to time. It was obvious that Miyazaki 6th Dan and Xie Yi had already started a hand-to-hand fight.
Among the dragons flying high in the sky and the tigers majestic on the hills, no one can give the answer at this time. However, Sun Suhe can already be convinced that Xie Yi is indeed genuine. Her words and deeds are arrogant.