Staring at the magic attack performed by Zera, his face showed doubts that he had not experienced for a long time since he came into contact with the realm of God.
The spells used by this girl were all out of character with their composition and effects.
Although he clearly has a treasure trove of knowledge in countless magical fields, Orrels cannot classify the vision in front of him into any kind of "known".
He was certain that the prototype of the blue-purple longbow in Zera's hand did not belong to Norse mythology, Greek mythology, or other famous legends.
Unknown weapons, and unknown magic.
That's why Orrells subconsciously asked the question, "Are you your ace?"
Magic of this kind of power and scale cannot be deciphered overnight through the original grimoire.
But there is one thing that this man who has never failed in the magic world seems to be unaware of yet.
Speaking of 'unexplainable phenomena', doesn't he himself also use the 'same type' of magic spells in the eyes of others?
…
…
In front of Orrels, the hurricane's divine arrow disappeared.
Such a huge blow exploded like a balloon the moment it was about to hit the target, without causing any waves.
It just leveled the snow and gravel on the path.
The blond young man stood unscathed, looking as if he had done nothing.
This natural result surprised no one.
If he were to be defeated by such an attack that was not even full force, Zella would have to redefine the standard of "quasi-demon".
But the abnormality that occurred when the magic storm dissipated did not escape Zera's eyes.
That moment.
There was some incomprehensible message 'wandering' around him.
This feeling seemed to allow Zera, who had been wandering and groping alone, to see tiny points of light moving forward, and it also seemed to be the fireflies on her fingertips that she caught when she entered the realm of God in the past world.
"The power of the devil..."
Zella whispered, thinking about the concept in her mouth.
What she lacked, what the "quasi-demon" lacked, was finally no longer a mystery.
For this reason alone, her contact with Orrels was of infinite value.
Even though this man has always been 50-50 equal to Othinus in previous battles, one would think that the difference between "Quasi-Demon God" and "Demon God" is just a word.
The reason why it turned out to be like that is actually because the current Othinus can only exert "50%" of the possibility of being born as a "demon god", and he is still in an extremely unstable and self-restrained state.
This also caused Orelus to have the illusion that he was on par with the "Demon God Othinus", believing that the gap between the "Quasi Demon God" and the "Demon God" was not so great that it was immeasurable.
However, this is wrong.
Knowing this very well, Zeira's eyes flashed with light.
not enough.
She needed to absorb more information from the half-purified part of Orrels.
How to take the 'road' after the 'Quasi Demon God', and what form a real 'Demon God' should have...
Zella had a premonition.
Everything happening here now is destined to become the guide for the future.
…
…
The blond young man standing far away from Zella once again confirmed the position of this battle.
Originally, they were not a life-and-death battle between enemies. Even though they said they should be serious, the serious part was not used to determine the winner.
Perhaps it is the result of Sylvia being a maid who guides her master all the time? Although Orrels' gloomy appearance has unfortunately not changed much, he is still basically a very gentlemanly person.
So when Zeira fell into inexplicable 'thinking' after the previous operation, he did not show any urging or impatience.
It can be said that both of them are sorting out the gains from this confrontation.
"Nordic Throne".
That was the name of the magic spell he used to attack just now.
Originally, the Throne of Gods that appeared in Norse mythology did not have offensive capabilities, but Orelus put his abilities and knowledge into practice and forcibly evolved this legendary object that had no offensive capabilities in theory into
'Indescribable power'.
Just like people know that swords are used for cutting and guns are used for shooting, there will always be means of defense.
But Orelus's "Nordic Throne" does not have that fixed explanation, and the power he uses has transcended the level of understanding.
Although the wind arrow is an unknown magic, it still has traces to follow, and it is reasonable for it to be scattered.
What piqued Orrels's interest was what was contained in the lost form of the magic power of the wind.
If he perceives it correctly, the nature should be——
"Angel Power".
In other words, is the other party a user of "Angel Art"?
After understanding this, part of Zera's mystery faded in Orelus's eyes.
There seems to be nothing wrong with putting "saint" and "angel" together.
Sylvia's trust is not without reason. This man is indeed worthy of being an old god who can use the power of the devil with ordinary magic power alone.
But ah.
I want to judge everything about Zella based on these.
It's still too early.
…
…
then.
'...Should we continue?'
Orrels's smile conveyed harmless advice.
The answer is also very clear.
For Zella, the 'academic discussion' has just begun.
Since the other party 'helped' her so generously, it was time for her to show some 'sincerity'.
To put it bluntly, "Hurricane Knight" can only be regarded as a borrowed means to add icing on the cake. It is truly her own, but she has not shown any of it yet.
Zera's essence is "celestial spirit".
What "Star Spirits" are best at is naturally the characteristic magic related to "Star Spirits".
In this world, there is no lack of magic related to "stars", or the use of "astrology".
But in the eyes of real "Star Spirits", those are still too rough.
Although it took some time to adjust to the system on my body, the battles along the way finally showed its meaning.
I don’t know when.
Under Orrels' surprised gaze, Zella's common winter clothes disappeared.
Instead, there was a set with black and white as the background color and a knee-length skirt...
(…)
(...maid uniform?)
Orrells doubted his eyes.
To describe it as incompatible with this scene, it is somewhat subtle.
Because not far behind him, Sylvia, who was also a "saint", had already cast her gaze.
That's probably it.
It’s seeing the eyes of the ‘understanding one’.
Is it possible that there is some special connection between the "saint" and the maid?