"When the smoke rises, the mountains and rivers look north."
"The dragon flag rolls around, the horse neighs, and the sword energy is like frost."
"The heart is like the vast water of the Yellow River."
"In twenty years, who can resist?"
…
"The horse's hoof goes south, and the man looks north."
"People look north and the grass is green and yellow, and the dust is flying."
"I am willing to defend the land and restore the borders."
"The great Song Dynasty wants to send congratulations from all over the world."
In the way of planting masters, the two masters are Lao Zhong and Xiao Zhong.
The monk Lu Zhishen of Nahua served as an official under the two of them respectively.
Originally, these two men were also commanders in charge of a large army.
But a few years ago, for unknown reasons, Zhao Ji recalled the two of them back to the capital and gave them a false position.
In name, they were told that they had made too many contributions to the country and were in poor health due to years of fighting, so they were recalled to take care of themselves.
But the intention behind this is probably only known to Zhao Ji or a few important ministers around him.
Therefore, while holding down their idle positions and going to court every day to hear about the various military events that took place at the border, the two of them felt quite unhappy.
As early as two days ago, Wu Zhi found the two of them and asked them if they were interested in performing a show at the First Spring Festival Gala of the Song Dynasty.
At first, neither of them had any interest in the so-called Spring Festival Gala.
However, when Wu Zhi showed the two of them the lyrics of "Serving the Country with Loyalty".
These two people suddenly changed their previous opinions and said that they must sing this song to all the ministers in the DPRK at the Spring Festival Gala.
So Wu Zhi taught the two of them this song of loyal service to the country.
That's why today's wonderful performance by these two is possible.
Scene four:
With the support of the queen, Zhao Ji walked onto the stage with excitement on his face.
Taking the opportunity of the first Spring Festival Gala of the Song Dynasty, I made an important speech to the officials at all levels present:
"On the occasion of the Spring Festival."
"I represent the Song Dynasty government and all the ministers and workers."
"To all the officers and soldiers who fought on the front line and fought bravely with the Liao Kingdom and the Jin Kingdom."
"To the officers and soldiers who stood firm on the borders of the Song Dynasty and defended their country."
"To the ministers and ministers who are still standing in the fight against drought and disaster relief, rescuing the victims from floods and fires, as well as the princes and ministers of Yu."
"My deep condolences and high respect!"
"I would also like to extend my most heartfelt greetings to all the people of the Song Dynasty and our compatriots overseas!"
Program nine:
Cabaret: Song of Victory.
actor actress:
Wu Zhi, Minister of Industry and Executive Director of the Spring Festival Gala.
Foreign aid from the Ministry of Rites, performer’s name, unknown.
Deputy Commander of the Royal Guards, Mei Youpu.
There are several musicians from the Ministry of Rites.
content:
This can be considered the finale of the party.
It is also the program with the largest number of participants.
At this moment, in addition to Wu Zhi, who had already appeared on the stage, there was also a woman wearing a white costume and a white gauze scarf.
This woman's figure is extremely tall.
Although the clothes on her body are relatively thick and wide, her exquisite and graceful figure, with bulging front and back is still vaguely visible.
Behind these two people, there were dozens of musicians from the Ministry of Etiquette.
At this moment, all the actors on the stage are holding different musical instruments.
The woman in white is holding a guqin.
At this moment, she is sitting in the middle of the stage.
Beside her, Wu Zhi stood holding a simple trumpet.
On the left and right sides of the two of them, there was a row of musicians standing on each side, forming a semi-circle.
What they held in their hands was a guqin, and then they placed the guqin on the small table that had been prepared in advance, and they all sat down against the qin.
On the left and right sides of these harp musicians, there were dozens of drummers holding drumsticks in their hands.
Behind the crowd, there were more than ten musicians holding metal percussion instruments.
In this huge symphony orchestra.
The woman in white is responsible for the main vocal part of the entire song, as well as the high-pitched singing in the second half of the song.
Wu Zhi is responsible for controlling the details of the entire song.
The harp musicians standing on the left and right of the two of them were there to provide harmonies for the woman in white.
In order to make the lead tone played by the woman in white more penetrating.
As for the drummers standing on the left and right of the harp musicians, they were set up to enhance the rhythm of the entire song, and were headed by Mei Youpu, the deputy commander of the imperial guard.
At the same time, it is also arranged to highlight the high-pitched and majestic momentum of the second half of the song.
Without them, the entire artistic conception of this piece of music would not be fully visible to everyone.
Standing behind the musicians, the dozen or so musicians holding metal percussion instruments were doing in-depth optimization to increase the details of the piece.
At the beginning, it was just the solo of the woman in white.
Its sound is melodious and ethereal, but it also contains a hint of uneasiness.
As the number of bass notes she played gradually increased, half of the drummers in the venue suddenly beat the drum heads.
In just one moment, the entire song suddenly transitioned from a melodious and ethereal melody to a high-pitched and shocking atmosphere.
At the same time, half of the piano players on the field also started playing in harmony.
Following closely the lead voice of the woman in white, it creates a more powerful sound field.
At this point, although half of the musicians on the field are not participating in the performance, the momentum is as if the top of a mountain is overwhelming.
He pressed forward towards the ministers sitting under the stage.
At that moment, it was as if their heartstrings were in perfect resonance with the performance on stage.
Gradually, the performances that followed became even more shocking.
After only a short transition, the second climax of the performance began.
At this time, all the instruments on the stage were used.
The sound field of his performance was more than twice as big as before.
The momentum created by this huge sound field is really powerful and powerful.
What followed closely was the loud singing of the woman in white.
The sound is rich, high-pitched and penetrating.
This has greatly increased the overall momentum of this piece of music several times.
Gradually, before the eyes of Zhao Ji and the officials in the audience, a scene that they had never seen before seemed to appear.