During the meal, Hu Huifang kept putting vegetables into Li Yan's bowl, and while adding vegetables, she said, "Life outside is too hard. If you are so thin, your mother must be so distressed."
Li Yan's appearance was nothing in Zhang Chong's eyes, but in the eyes of elders like Hu Huifang, it was completely unacceptable.
When children are outside, as long as they lose a little weight, adults may imagine how much they have suffered.
"Hey, Aunt Huifang, my mother doesn't feel bad. When I came home, she looked at me and couldn't stop laughing. I even suspected that I was not her biological child."
"Nonsense." Hu Huifang rolled her eyes, "Your mother is forcing a smile on her face. You should ask her to come over for dinner tonight. Son, you don't know how to call you Aunt Wu."
Zhang Chong smiled and said, "You are wrong about me. I called Aunt Wu before cooking. She said she had no appetite at night and had cooked porridge early."
"Then we should let her come over and have a bite. What's the point of eating porridge?" Hu Huifang muttered and said nothing more. She knew the living habits of the old sisters better than anyone else.
Wu Aiying pays special attention to health care. She usually doesn't eat heavy-tasting dishes at all. She usually cooks a pot of whole grain porridge at night.
Maybe Li Yan came over to eat, so she could worry less, otherwise she would have to cook for Li Yan separately.
Li Yan stayed at Zhang's house until almost ten o'clock in the evening. When Zhang Zhong told Peng Peng a story, she also lay on the bedside with her hands on her chin and listened.
Because he was not fully prepared today, Zhang was so anxious that he could only tell the story of the Calabash Baby to the older and younger girls.
Zhang Zhong was not familiar with the story of Calabash Baby, and he had not read it in full. He only knew a rough outline of the story.
But the story was probably enough to cope with them. Zhang Zhong recounted the story of Calabash Baby with many details.
After listening to the story, Pengpeng lay on the bed and asked with confusion, "Dad, why did the Calabash Babies go to save grandpa one by one? Why didn't they go there together from the beginning?"
Good question!
When Zhang Zhong was about to use this story to teach his daughter that unity is strength, Li Yan next to her said, "Because gourd babies are very stupid. Think about it, they are transformed from gourds, so they must not be very big. When they grow up,
When Peng Peng is this old, he can be as smart as Peng Peng."
"But Peng Peng is not as powerful as Calabash Babies. They are so powerful. They can also breathe fire. Peng Peng can only spit."
…
When Li Yan left, Zhang Zhong walked to the door.
She stood under the moonlight, turned to Zhang Zhong and said, "Aren't you going to take me home?"
Zhang Zhong looked at the bright lights on the street and said with a smile, "It's just a few steps away. What can I give you? Besides, aren't you afraid of the dark?"
Because it is very dark, I am not afraid of the dark...
Li Yan rolled her eyes, and even in the night, Zhang Zhong still saw the roll of her eyes.
"Tsk, rare."
After saying that, she turned around and left.
Although Zhang Zhong didn't see her off, he still stared at her back until she was out of sight, then he turned around and went back to the house.
…
The next afternoon, Zhang Zhong went to Nanhuai Film Academy to take a film and television script writing class, and the teacher was also Yang Huaiyong.
Yang Huaiyong seemed to be looking for something in the crowd as soon as he entered the classroom. When he saw Zhang Zhong, he seemed to be relieved, an imperceptible smile appeared on his face, and his whole person became brighter.
Although there were more than a dozen other students in the classroom, it seemed that there were only two teachers and students, Yang Huaiyong and Zhang Zhong.
Whenever Yang Huaiyong talks about a knowledge point, he has to look in Zhang Zhong's direction to make sure he has heard it before continuing.
Once, Yang Huaiyong had just finished speaking on a knowledge point. When he turned around and saw Zhang Zhong looking down at his mobile phone, he immediately stopped. He waited until Zhang Zhong looked up from his mobile phone before continuing.
Of course, Zhang Zhong also noticed Yang Huaiyong's strangeness, but Yang Huaiyong's behavior was good for him, so he would naturally not have any objections.
In this film and television script writing class, Yang Huaiyong cited a script case, which was Wen Jinjiang's famous work "In the Forest".
After Yang Huaiyong introduced the screenwriter of "In the Forest", Zhang Zhong finally understood why Shi Tao's name felt so familiar when he heard it before.
Because the screenwriter of "In the Woods" is Shi Tao, and Shi Tao is not only famous for this one work, he is a very famous person in the screenwriting world, but most people rarely pay attention to who the screenwriter is when watching movies, so even if he participates
He has produced many movies and they are all famous, but in the eyes of ordinary people, his fame is far less than that of Wen Jinjiang.
One class spent most of the time analyzing "In the Woods". Yang Huaiyong seemed to be very fond of this script, and his words revealed his love for "In the Woods".
It seems that out of consideration for Zhang Zhong, Yang Huaiyong rarely mentions professional terms when analyzing. Even if he mentions them, he will explain them separately.
After the analysis of "In the Forest" was completed, the class was almost over.
Yang Huaiyong stood on the podium and said, "After this class is over, everyone can go back and think about the advantages and disadvantages of this script. If you have any insights, you can also write them down. I will add some points to you later."
His motivating methods seem to be of no use to the students below. In their minds, they don't seek merit, but seek no faults when sharing something like this. As long as the teacher doesn't deduct regular points, they don't want to earn regular points.
Want to do it too much.
Yang Huaiyong had already anticipated the students' reaction. If he would not have mentioned this matter normally, the reason why he mentioned it was to tell Zhang Chong alone.
He was vaguely looking forward to it, hoping that when Zhang Zhong came back to the next class, he could give him some insights.
Zhang Chong didn't expect that Yang Huaiyong had such high expectations for him, but after listening to Yang Huaiyong's talk about "In the Woods", he did have some insights. He wanted to go back and study the script of "In the Woods", not only to study the script writing, but also to study the script of "In the Woods".
Working on story structure.
Whether it's a script, a novel, or other types of literature, when it comes to stories, they are basically the same.
Often the techniques used in screenplays are also applicable in novels.
In the next class, he can submit a piece of reflection, but only if he has time.
After coming out of Nanhuai Film Academy, Zhang Zhong received a call from Fang Xingkai on the way.
On the phone, Fang Xingkai said mysteriously, "Teacher Zhang, I have good news to tell you."
"Oh, what's the good news? Could it be that the copyright of "Jieyou Grocery Store" has also been sold?"
Fang Xingkai on the other end of the phone smiled. He thought Zhang Zhong knew everything, but it turned out that Teacher Zhang sometimes didn't know.
"Hey, it has nothing to do with "Jie You", it's about the China Detective Master Award."