Seeing the quarrel between Wu Ziyun and He Ruchu, Zhang Zhong originally thought that the members of the art group would have a quarrel after arriving at the Chinese Painting Academy.
But the reality was completely different from what he imagined. After everyone arrived at the Chinese Painting Academy, they drank tea for a while and ate some desserts.
It has to be said that the tea at the Chinese Painting Academy is much better than that at the Oil Painting Academy, and He Ruchu did not hide his secrets. This time he entertained the students from the Oil Painting Academy and directly took out his favorite tea.
Of course, the desserts are not what the Chinese Painting Academy always prepares, but are temporarily ordered from outside Xueji Tower.
Xuejilou is a restaurant not far from Central America, and this restaurant no longer sells food.
In the beginning, Xuejilou was a comprehensive restaurant that cooked some Huaiyang dishes and took a high-end route.
The food is pretty good, but definitely not outstanding. In addition, the food is quite expensive, and the food is generally not cooked in the market.
But the east is not bright and the west is bright. His food is not very popular, but his desserts are quite popular.
In the beginning, you had to order the main meal first to eat his dim sum. Later, when the boss saw that the business was unsustainable, he took a step back and allowed customers to order dessert alone.
But I didn't expect that his dim sum would quickly open up the market.
Gradually, the restaurant's focus began to shift and became more of a dessert business.
In the end, it turned into a dessert shop.
Xuejilou has been open for some years. Most of the Central Academy of Fine Arts students here, whether they are graduates or not, recent graduates or those who have graduated for a long time, have basically eaten Xuejilou’s dim sum.
So for them, Xuejilou's desserts are not just desserts, but also represent their emotions.
Almost every school has a Xuejilou. Some are high-end hotels like Xuejilou, and some are inconspicuous stalls on the roadside.
Listening to them chatting about the story of Xueji Tower, Zhang Zhong also thought of the food stall at the east gate of Jiangyang University.
It's a fancy food stall, but it's actually an old couple who set up an awning next to their bungalow and set up two or three tables.
Of course, you won't be able to eat big fish or meat in a shed like this, but just some farm-style stir-fries. The taste is not that good, but it is more authentic and home-cooked.
The most important thing is that it's cheap. When Zhang Zhong was in school, if he happened to be in class at the first teacher near the east gate, he would go there with his classmates after school and order a dish each.
Order a portion of eggplant with minced meat or shredded pork with pickled vegetables, etc., and everyone eats it together, sweating profusely.
No matter what dish, it only costs six yuan here.
You can eat as much rice as you want, and you can have free soup as you like.
This restaurant has no signboard, but everyone still gave it a name because it makes it easier to make appointments.
You can't just say, "Let's go to the restaurant owned by an old couple on the east side of the east gate to eat at noon."
Because the boss was a fat old man, everyone gave this restaurant the name "Uncle Fatty Restaurant".
Later, the name Fat Uncle Restaurant became popular, so that some classmates who went to eat later thought that the boss's nickname was Fat Uncle and called him out. At that time, the boss also looked confused.
But later the boss accepted the title willingly.
Zhang Zhong later visited when he came back, but the area had been demolished and the Fat Uncle Restaurant was gone.
The members of the art team did not expect to receive such treatment when they came to the Chinese Painting Academy. They ate Xuejilou's snacks, drank good tea, and chatted with each other. It was certainly much more comfortable than staying in the cafeteria.
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After resting for nearly two hours, after finishing the snacks and drinking tea, He Ruchu led the students and teachers from the Chinese Painting Academy to invite people from the Oil Painting Academy to visit.
There was also harmony during the visit.
"This is Teacher Liang Hai's work "Mountains"," He Ruchu introduced.
"A good painting. The mountains seem to be the same, but different brushwork and ink techniques are used. On the surface, it seems that there are only seven mountains, but it gives people the feeling that there are millions of mountains behind these seven mountains."
"Although it is a picture of mountains, the looming water surface also makes people feel relaxed and happy. Mountains and rivers, mountains and rivers, mountains are not separated from water, and water is not separated from mountains. Without the beauty of water, it is difficult to show its magnificence."
"This painting is my humble work "Songjian Stone"." He Ruchu introduced again.
"Wonderful, the bright moon shines among the pines, and the clear spring rocks flow upward. The toughness of the stone and the softness of the water are all reflected in the painting..."
Perhaps he is a soft-spoken person, but every time He Ruchu introduced a work from their Chinese Painting Academy, the people from the Oil Painting Academy would definitely praise it and praise it with all their words.
Of course, those who are also engaged in art are more capable of flattering than ordinary people. Moreover, the works themselves are worthy of praise, so they are easy to pick them up.
Zhang Zhong often visits the Chinese Painting Academy as a guest, so he is naturally familiar with the paintings in their academy, but today he is not only here to see the paintings, but also to see the performance of the Oil Painting Academy.
In fact, Zhang Zhong had been paying attention to Hu Hai and Pan Jianfeng. He really wanted to see how these two distinctive people felt about traditional Chinese painting.
Hu Hai remained silent and his expression was nothing special, so nothing could be discerned.
Pan Jianfeng, on the other hand, seemed hesitant to speak. He seemed to want to express some opinions that were different from others, but he had concerns.
Wu Ziyun said that Pan Jianfeng was older and his style of acting and speaking had not changed. Zhang Zhong disagreed with this.
Although Zhang Zhong had never met Pan Jianfeng before, he had heard them mention it several times and probably knew what Pan Jianfeng's style was before.
At least now he is not as careless as before and knows how to read other people's eyes.
However, Zhang Zhong really wanted to know what he wanted to say and what he thought about Chinese painting.
It stands to reason that Pan Jianfeng should prefer the works from the Chinese Painting Academy to Wu Ziyun's hyper-realistic works.
Although Chinese painting does not place an extremely exaggerated emphasis on individual subjective emotions and self-feelings like expressionism, it can even lead to exaggerated, deformed and even grotesque treatment of objective forms.
But Chinese painting is also more important than expression.
Traditional Chinese paintings often don’t look very similar, and this is expression.
Although it is not appropriate to say this, Chinese painting does have this characteristic. Leaving aside the image paintings such as landscape paintings, the portraits of many people in Chinese paintings often have exaggerated expression techniques.
For example, the arms are particularly long, the fingers are crooked, the face is crooked, etc.
It is definitely impossible for a real person to look like this, otherwise biological scientists would definitely have an opinion.
Therefore, Zhang Zhong felt that Pan Jianfeng should have some identification with traditional Chinese painting, at least more than with other genres of painting.
But looking at him like this, maybe Zhang Zhong's guess was completely wrong.