"Jiwan Red Leaves Through the Warring States Period" has about 3.6 million words in total. It has been almost ten years since I started writing the first word to typing the last word, from junior high school to graduation from college. Although the writing style in the early stage of the novel is very childish and pretentious, the writing is
It’s not very good, it doesn’t have many readers, and it can’t be called a success. But now when I think back on the efforts I’ve put into this novel over the past ten years, I’m still filled with emotion. So I wrote this paragraph to record my ten-year journey.
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Simple directory:
1. From a Japanese song in elementary school to a major in university
2. The arduous writing process
3. How to persevere?
Fourth, why not sign a contract, not be listed on the shelves, and not charge a fee?
5. Acknowledgments
6. Some focused answers to questions
7. Remaining regrets and new book plans
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1. From a Japanese song in elementary school to a major in university
I still remember when I was in elementary school, I once thought of going to Xiangshan with my parents to see the red leaves in Beijing when I was a kid, but I couldn’t remember the month, so I went to the computer to search for the season of red leaves. I didn’t know how to search, but finally I found “My heart is dyed with red leaves”
This waka poem says, "The autumn colors of Tokiwa are in harmony with your heart." At that time, I didn't actually know the words "槭" and "様", but I was still moved by the artistic conception of this waka, so I took note of it. See the source.
It was "Imagawa Clan and Kansenji", which was said to be written by Imagawa Yoshimoto. At that time, I didn't know who Imagawa Yoshimoto was or what Imagawa Clan was, but I just thought that the poet named Imagawa Yoshimoto was very talented.
When I was in junior high school, I often went to Zhuang Sanjia to play games after school on Fridays. Usually we played the Romance of the Three Kingdoms and the Heroes of the Three Kingdoms series, but one day we got tired of playing and looked for related games on a whim, and found a game called
"Nobunaga's Ambition 13 - The Way of Heaven" is a work of Koei Company, so we downloaded it and played it. Since the game is called "Nobunaga's Ambition", we chose Oda Nobunaga and randomly selected 1555.
I didn’t open the "Historical Mode" in the script. I didn’t play for long, and I wasn’t even familiar with the operation. I was frightened by the Imagawa family’s army that came to kill me. After I returned home, I suddenly realized that this Imagawa family would not
Is it related to the Imagawa clan and Imagawa Yoshimoto who wrote the waka? So I started the game and was satisfied to find the author of the waka, Imagawa Yoshimoto, in the list of generals. I was as excited as finding an idol I had never met. As a result
I didn’t realize that I had activated the “Historical Mode” this time, so the historical event, the Battle of Okehazama, happened...
My feelings at that time were indescribable, and my mentality exploded. So I looked up the life of Imagawa Yoshimoto on the Internet, and saw the "Battle of Okehazama" that still makes me angry even now. I didn't understand it at the time, and Tangtang
Shugen San-Million Stone Daimyo, the No. 1 archer of the Tokaido, and the world's most popular figure, how could Imagawa Harubu Daisuke Yoshimoto be so confused and attacked by someone in a sneak attack? It was also from that day on that I came up with the idea of writing my own
The idea of a time-travel novel to rewrite the fate of Imagawa Yoshimoto.
In order to achieve this goal, I began to read a lot of books and novels about the history of Japan's Warring States Period, and also watched some Taiga dramas, and gradually became interested in that period of history. The Nobunaga's Ambition series naturally entered my game library and became a
It has been my main entertainment project for ten years. When I finally accumulated historical knowledge and began to conceive the plot of the novel and write the outline and some fragments in junior high school, I did not realize my strong curiosity about Japan.
I don’t know if I should call it “long-term love” or another kind of “path dependence”. When I was in high school, I became more and more interested in Japan. Not only did the extracurricular books I read were basically related to Japanese history, Japanese culture, and Japanese politics, but also I actively benefited from my classmates around me and gained two early readers of this book, Mizusaki Atonsune and Tian Shen Kentaro (manual dog head). It was precisely because of this interest that I chose the Department of International Politics in university and determined to engage in Japan-related research. .
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2. The arduous writing process
The writing process over the past ten years has undoubtedly been very difficult.
When I was in junior high school, my time to play with the computer was strictly limited, so I didn’t even mention coding on the computer. I could only write the outline and some of the plots I had already conceived in my notebook, and I was even caught by the class teacher. Parents. Although the word count progressed slowly during this period, it was also the period when I had the most imagination. The main plot of the entire novel and most of the main characters were conceived in a daze in the junior high school classroom (therefore, there are many childish elements in the plot, The unreasonable parts, I was actually aware of these bugs when I was writing it later, but I couldn't bear to give up the ideas I had when I was a child, so I bit the bullet and rounded it out). Many of the dozen or so chapters in the early part of the first volume were written at that time. Made a draft.
When I was in high school, I lived on campus, and the school naturally didn’t allow me to bring a computer. In addition, I was under a lot of academic pressure, so I had very little time to write novels. In addition to writing a little during the holidays, the rest was to sneak into the school library on weekdays. I used the computer in the library to quietly write the novel. The first dozens of chapters in the first volume, many of which were drafts and fragments written in high school. Because I had just started dating my girlfriend at the time, there was a lot of space. The love chapter almost turned the novel into a love light novel: "Red Leaves and Maple", which was criticized by many readers as being too sad.
The summer after I finished the college entrance examination, I finally had enough free time, and it was also the first time I started writing a novel formally and coherently. Because I had a large number of drafts and fragments prepared in junior high school and high school, I could publish them as long as I tinkered with them. I wrote the first volume very quickly. I updated three times a day for most of the summer vacation (later I never updated at that speed anymore hhhhhhhh). Looking back at my novels now, I see the childish and pretentious plots, dialogues and writing style of the first volume. It would make myself feel embarrassed and funny, but it was all the product of novels I wrote between junior high school and high school. The quality was not good but it was full of memories.
I just started my freshman year, because I am still completely unadapted to college life. There are too many things to do every day, and I can't find a rhythm. As a result, my state and inspiration are very poor - this also made me write about myself. One of the most unsatisfactory chapters in the whole novel - the Imagawa Civil War Chapter. Later, readers should also be able to find that the quality of my novels is closely related to the date (but because I have saved the manuscript, the chapters have been updated The date does not strictly correspond to the date it was written). During the winter and summer vacations, I had sufficient and consistent time to conceive and write the plot (such as my most personally satisfying chapter, the protagonist and Takeda Shingen’s Three Days in the Town) War, a total of more than 20 chapters, which I wrote in three days during the winter vacation); during the semester, I could only squeeze out a little time from my homework every day to write out every day. Even more than 3,000 words, the quality is often not satisfactory to me; and by the mid-term and final, due to the heavy academic work, the standard of the novel is a disaster. Readers who have read my eye-catching chapters should understand. Sometimes, by chance, a key paragraph The plot just caught up with the final season, and I would be really miserable (such as the battle of Kurigara between the protagonist and Uesugi Kenshin). I was obviously looking forward to this battle but I just didn’t have the time or energy to write it well. Sometimes I Even in order to postpone the key plot to the vacation after the final season, more than a dozen chapters in the previous final season (such as the decisive battle between the protagonist and Oda Nobunaga in the finale, according to the original arrangement, were to be written in the final season) It was written at the end of the fourth semester. In order to stagger the final season, I expanded the Kanto Conquest that I originally planned to cover briefly into more than a dozen chapters and put them in the final season).
My parents often worry about my studies because I write novels. In fact, they are right to worry. It would be a lie to say that writing novels is not tiring, and it is impossible to say that it does not affect my studies. The daily update capacity of 3,000 words will take up
It takes me one and a half to two hours, which is already very difficult during the full class days, and it becomes even more of a struggle during the mid-term and final quarters. Especially when I sit in the self-study classroom and look at the classmates around me.
When you are all reviewing for exams and preparing papers, but you have clearly failed to memorize the exam well and have not finished writing the paper, but you have to finish the novel first, that kind of mentality is very painful. This is why I have never established a reader book club before.
group, because I was worried that I wouldn’t have time to interact with everyone in the group (the author who only established the book club group when I was finishing the book was Chu).
It’s not that I never thought about giving up, especially when I was a sophomore, the heavy academic work itself was already difficult to bear, but I still had to deduct two hours from my self-study time every day. Studying during that time was very tiring, and the
The novel was also poorly written and I was very unsatisfied. I was overwhelmed during the mid-term and final quarters and stopped reading for a while. I was only one step away from becoming a eunuch.
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3. How to persevere?
During my sophomore semester, I
Countless times, due to lack of inspiration, I spent an entire evening in the self-study classroom writing novels, but a few hundred words were as difficult as squeezing out toothpaste. When I looked up, it was already half past ten, and I had not finished any of my homework.
The pressure of the point and the expectations of my parents made me want to give up more than once. My mother kept telling me: "It's useless for you to write that novel. If you don't sign the contract, you won't get a penny, and it will delay your studies."
,does it worth?"
It's not worth it in every sense. From a utilitarian point of view, writing novels will not help my studies except for making me more proficient in word count when writing essays and essay questions. Of course, I can't be stubborn.
I had to give in to my mother on this matter, and every time I would righteously reject her suggestion that I give up, but in fact my heart was very shaken. But every time when I was wandering on the edge of giving up, I couldn't help but click in the end.
Open that familiar folder, open Word, and continue writing. It seems that if you haven't written for a day, you feel like something is missing in your life, empty.
Later, I finally realized that novels are my most important interest, and it is also the interest that supports my continuous efforts. I still clearly remember that the night before I filled out the comprehensive evaluation application after the college entrance examination, our family sat in the north study room
On the bed, I had already discussed that my first choice would be to apply for a science and engineering program at SJTU, just like my dad did back then. At that time, I had already accepted all this in my heart, and accepted that my future would be an engineer, a science worker like my dad and mom.
But before I went to school to fill out the application the next morning, my mother suddenly asked me: "Do you still want to study liberal arts? Looking at the books you read every day and the things you write, I feel that you still prefer liberal arts.
"
Of course! Isn’t that nonsense! Do I look like I like science?
So we changed our preferences temporarily during breakfast in the morning and adjusted Fudan to the first one. The first one was the social science experimental class. Later, I came to social science and entered the national affairs as I wished, and chose Japanese diplomacy as my future.
The research direction of my doctoral career. All this is because of interest, because I have been interested in Japan since I was a child. And the source of that interest is that waka, which is the book I wanted to write when I was a child to change Imagawa Yoshimoto.
A novel of destiny.
If it was just for academics, just for success, just to be able to stand out in the future, I would have gone to Jiaotong University to study science and engineering. My parents wouldn’t have to tell relatives that “my son is studying literature” and then be asked in surprise, “How can I study with good grades?”
"I have learned literature." You don't have to worry that I won't be able to find a job after I study literature. Isn't the reason why I changed my choice and came here just for my own interests? If I abandon my interests now for the sake of study and success, I will not be able to find a job in the past ten years.
What does the effort count? It will only make me feel ironic when I secretly wrote outlines in class and borrowed computers in the library to write novels.
So I chose to persevere no matter what. No matter how hard and tiring my studies were, I could not give up. After figuring this out, I seemed to have an "epiphany". After that, I wrote more novels.
It went well, and I was able to take care of my studies and novels. I could also openly admit to classmates who asked about me that I was writing novels, instead of hiding it and not daring to show it to everyone.
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Fourth, why not sign a contract, not be listed on the shelves, and not charge a fee?
Whether it’s parents, classmates, or readers, one of the most asked questions to me is why I didn’t sign a contract and put it on the shelves without charging a fee. I wrote so much for free, and it was purely generated with love. One reason is that the contract I signed is so solid.
It’s too troublesome, I get a headache from reading it, and I’m too lazy to research; plus if there is a fee for signing the contract, my psychological burden will be heavy. If my writing is bad and I get criticized, I can’t say with peace of mind like now, “I don’t get paid anyway.”
"Yes.
Another reason is that I have invested too much emotion in this novel. If I charge money, it feels like it has become a little impure and has become a commercial behavior. This is what I don’t want to see.
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The word "Jiwan Hongye" in the title of the novel "Jiwan Red Leaves Through the Warring States Period" is taken from the Japanese song I accidentally found when I was a child, "The heart is like the red leaves staining the sacred pavilion, and the autumn colors of Joban are in harmony with the king's heart." When I confessed to my girlfriend in the first year of high school
, uses this waka. In the book, Yoshimoto Imakawa sang this waka and got married to the heroine’s mother. And the protagonist Yu Qiupei also ended up with the heroine Kaede Imagawa because of this waka.
Together, the male and female protagonists’ decades of emotional experiences have always been accompanied by this Waka. Their changes in attitudes towards relationships can also be explained by different interpretations of Waka. The protagonist is called "Rainqiu Hongye", and the protagonist's
The iconic costume of the red leaf shawl, as well as the protagonist’s red leaf army and the strongest reserve team, Tokiwa Bei, are all taken from this Japanese song. When writing the emotional story of the male and female protagonists, I also mixed a lot of the relationship with my girlfriend into it.
The details of their interactions and emotions (for example, the heroine is very ticklish), and her expectations for the future are placed in the book.
Regarding the creation of the protagonist Yu Qiuping, many of his character traits come from myself, but I highlighted them for the sake of drama. For example, his emphasis on rules and commitments; and even his respect for agreed and arranged matters.
, I am a bit paranoid about time and planning; overly cautious and conservative; I often have difficulty making choices and am indecisive; I sometimes prefer emotions and principles to some worldly gains and losses... While portraying the protagonist, I am actually also analyzing myself.
, understand yourself. By putting the protagonist into various environments, your own thoughts will change while testing the protagonist. I was only ten years old when I first started writing the book, so the protagonist in the book is inevitably naive.
The protagonist's growth is actually my own inner growth. The protagonist's realization of "the choice without regrets" in the finale is also my expectation for myself. The protagonist finally changed his name from Ame Qiupei (the ID I liked when I was a child) to Imagawa Ujihira (my
Today's commonly used ID), marks the end of the protagonist's growth. Therefore, you can regard chapter 1056 as the ending of the book. (The next dozen chapters are just me trying to prove that I can actually write cool articles.) However, this paragraph of writing
The process also has a side effect that I don't know whether it is good or bad. Because I am too invested in shaping the protagonist, I sometimes feel that I am becoming more and more like the protagonist in my novel, which in turn dramatizes my own character.
The three main contradictions and many plots in the book also come from the confusion caused by my daily study and reading. While writing the book, I also tried to explore my own thoughts through the exchanges and collisions between different characters and ideas.
understanding and answers.
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The first major contradiction is the "choice without regrets" that is implemented throughout the book, starting from Imagawa Yoshimoto's proposal to the protagonist until the final dialogue in Huangquan Hirazaka. What kind of choice is the choice without regrets? This has also been troubled for many years.
The question. The answer given by Yoshimoto Imagawa is also my own realization: choice means giving up, and regret is inevitable; instead of deceiving yourself, thinking that there is a choice that will have no regrets, and spending all your energy on the choice.
, it is better to accept the facts happily. Carrying the endless regret of giving up another choice, firmly embark on the path of your choice. That regret will make you realize how much the road you have paid for.
It will drive yourself to keep moving forward until all regrets are burned away. At that moment, the choice you make will be regretless.
The second main contradiction is also the most important main contradiction in the book - if you want to end the troubled times, should you uphold the right path and save the world in an aboveboard way, or should you use unscrupulous means to start chaos and then bring order to the world. This is what I have learned in the four years of studying international politics.
One of the most troublesome issues. Regarding this contradiction, the whole book has a lot of ink, and people who believe in the two factions have had many confrontations and dialogues. The former include Takenaka Shigeharu, Yu Qiupei, Imagawa Kaede, Asai Nagamasa, Mori Katsunari,
Akechi Mitsuhide, Hatakeyama Takamasa, Uakisaki; there are too many of the latter, including Amano Keitoku, Oda Nobunaga, Miyoshi Yoshihide, Hayashi Xiuzhen, Takeda Shingen, and most of the Warring States daimyo whose strength is supreme. The author of this book
The ending, as always, is written in the style of a romantic epic. Representatives of the two factions, Takenaka Shigeharu and Amano Keitoku, reconcile before their death, while the good-hearted Yu Qiupei finally wins.
The third main contradiction is the contradiction between the time traveler and history. As a time traveler, the protagonist spends his life fighting against history, trying to save Imagawa Yoshimoto, Asai Nagamasa, Mori Katsunari, Akechi Mitsuhide and others from the tragic fate.
There are many people who have finally succeeded miserably after countless failures. What I want to explore here is the inevitability of history and my own confusion when reading history. Once the character of a character is determined, what he does in a given historical environment
Is it impossible to escape the shackles of fate? As a "child of the future", do time travelers have the ability to change all this?
Many other scenes and plots are also closely related to my study and life. When I was studying politics, I couldn't help but try to create a completely different political system in medieval Japan; when I was studying Protestant ethics,
Then there is the night conversation between the protagonist and Honganji Xianru, discussing the meaning of religion.
Meaning; the cave through which the traveler travels is also derived from the metaphor of the cave in "Utopia" learned in the Western Politics class...
It is precisely because I have invested so much of my own emotions and experiences in the book that I want to keep it pure and clean, and do not want to have too much involvement with commercial practices.
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5. Acknowledgments
I am very grateful to my relatives, friends and book friends who have supported me over the years. This book could not be completed until the end without your help!
The first thing I want to thank is my parents. My dad has never taken a stand against me writing novels. It is said that he has read some chapters, but I don’t believe it. Although my mom has been verbally suppressing my enthusiasm and persuading me to give up, but In fact, she did not take any coercive measures, but acquiesced. She also believed that I could coordinate my studies and novels well. It is enough for me that my parents can adopt such an attitude towards my unprofessional behavior. This is the greatest support. .
The second thing I want to thank is my girlfriend. Although she abandoned the book without even seeing the appearance of the heroine based on her, and later only read the emotional lines of the male and female protagonists, she is the main supervisor who supervises my updates, and she also She graciously allowed me to write the novel without accompanying her (this may be the main source of time for the creation of this book). I also want to thank her very much for using Pindou to restore the protagonist Yu Qiuping's horse seal "Maple Bird" for me, which is On the cover of this book, I have been unable to draw the "Maple Bird" as I imagined with my handicapped hands.
Then I would like to thank a group of good friends! The two characters who claimed the roles of Aton Suzu Mizumi and Kentaro Tamashimi were loyal readers when the book was first written and before it was published on the platform for serialization, and they put forward many plot suggestions. Morita Evil Xiang, the eternal drop god, the most powerful free typo detection machine! There are also Senju Onari (I have climbed the technology tree for a long time in order to realize his dream of firing guns), Mishima Riyu (not a thousand from the appearance to the end) (Chinese characters), Li Jiaqi, Sugitani Wen, Kinomoto Ning, Fukuzawa Yunan, Kawako and other friends who have not read the book but played small roles, it is really a joy to spoof the characters!
The ones who need to be most grateful are the book friends! (Apologies again, the author is the author who established the book friend group almost after finishing the book.) Whether on the platform or on the forum, book friends can always make accurate and accurate comments on the endless flaws in the book. Sharp comments and interactions with everyone are also one of the most important motivations for my writing. The beginning of the book is very slow, the writing is childish and pretentious, and the plot is unpleasant and abusive. It can be said that the reading experience is very bad. In the middle, because the place name "山(AAAAAA) Yin(AAAAAAA) Road" appeared too many times, the book was mistakenly sealed. It was suspended for half a year, and too many readers were lost. Readers who can persevere and never give up are really good. It's not easy. The history of Japan's Warring States Period is a niche subject, and the writing of this book is definitely not good, and there are not many readers. But when I saw some book friends who have been following the book since the first update on the post forum, I survived the half-year ban and still kept up with the updates until the end. I was really touched. Thank you all again! I am really lucky to know you!
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6. Some focused answers to questions
Why is the ID of this book on the Qidian platform "Renewal of the Red Leaves of Joban in the Warring States Period"? What does the word "renewal" mean? The reason has been explained above, because too many banned words appear and the book is reviewed. It was banned and could not be restored. The editor suggested that I publish a new book. However, the ID could not be the same, so I added "supplementary update" after "The Red Leaves of Joban in the Warring States Period".
Why is this article not only not a good article, but also more cruel than normal? This question has been answered before in the comment area. Because this article is not for profit, and it does not pursue high reading volume and popularity. More It’s my own interests and I write what I want to write. Therefore, when it comes to plot design and protagonist character design, I don’t think too much about rhythm and excitement. The main considerations are character creation, growth process and several plots throughout the text. The main contradiction. Moreover, there are large sections of second-person emotional descriptions in the style of light novels in this article. Some parts are too delicate, which is normal for being unflattering. On the other hand, I think the Warring States Period was a cruel era, and I wanted peace and harmony. Meimei, it is a bit far-fetched to go through the "Shuangwen-style" life smoothly. Parting and separation, life and death are inevitable. This is why this troubled world is uniquely charming - precisely because there are so many cruel things. , people who are still struggling tenaciously are more beautiful. If the cruelty of troubled times is deprived, those people who can sing and cry will be eclipsed. Of course, my lack of writing skills is also an important reason for the poor reading experience. I think because of reading Readers who have been upset by this book apologize and sincerely thank those book friends who supported this book. However, although the protagonist Yu Qiuping does not have the aura of the protagonist, the eldest son Yu Qiu Shang has the aura of fullness. Of course, it is also what I am complaining to book friends: Xiao Naoe will always be a god! He married the son-in-law of the protagonist's daughter Yu Qiucen, Naoe Nobuhira. He has occupied the protagonist's halo for a long time, is full of luck, and understands everything.
Why don’t time travelers climb the technology tree? Why don’t they explore overseas colonies? Why don’t they engage in sea trade with the Ming Dynasty?… and a series of questions about the ability of time travelers. I have explained this question several times. After all, this article is what I want to write.
What I want is the story and characters, not a perfect guide. Therefore, I want the protagonist as a time traveler to integrate into that era, feel the joys and sorrows of that era, and have a collision of ideas. If the protagonist
Ahead of the times, quickly unifying the world through various optimal solution choices - this way of writing is of course also an idea, but it is obviously inconsistent with the purpose of my writing. There are some technology trees in the bar and book club.
Enthusiasts and medieval history experts hate the protagonist, a useless time traveler, who hates iron but never makes steel. He always comes up with various ways to use the time traveler's knowledge to break the situation. I can only smile bitterly. Everyone said
Naturally, it's all right, but I really don't want to write in this direction. The few climbing technology trees are also for the plot service: for example, to allow the protagonist to quickly become famous; to allow some historical figures to complete their character creation when they collide with technology and ideas that are beyond the times.
(For example, Yoshihide Miyoshi, Toyasu Anzai, Ichikawa Tokawa, Shingen Takeda); and to fulfill the dream of my roommates playing the role of a minor player (Osari Senju) (Li Jiaqi) to fire a cannon and be blown up to death.
Why does this book follow the Oda line? This is also one of the most important questions after the early battle of Otohazama-Narumi Castle. There is no doubt that as the author, I am an Imagawa fan, especially Imagawa Yoshimoto and Otohama.
Imagawa Yoshimoto's fake death in the battle was not a plot kill, but was decided when designing the plot in junior high school. On the one hand, this key plot involves two of the three core contradictions in this article; on the other hand,
Because I have many characters of the Oda family that I want to describe, I have to follow the historical trajectory of the Oda line. I believe that most of my friends who are exposed to the history of the Warring States Period in Japan started with Oda Nobunaga. Most of the best-selling books about
Books and novels on the history of the Warring States Period in Japan often use the Oda family as the first perspective, and I was greatly influenced by them when reading. Tsuneaki Ikeda, Mitsuhide Akechi, Katsunari Mori, Hideyoshi Hashiba, Hideyoshi Hayashi, Yoshiyuki Sawaki, Ori
Taichi, Oda Gotoku, and Oda Nobunaga himself... there are many, many characters with distinctive personalities that I want to portray, but if I want to make their characters full-bodied, I must let them experience their history.
The events I have experienced must have enough roles. Compared with the Oda family, there are much fewer books and novels about the Imagawa family. Except for Imagawa Yoshimoto and Taiyuan Xuezai, I am not familiar with the characters.
I know it, but I don’t know how to start. Therefore, this book chooses the Oda Line as the main line of the book, and it contains many characters and plots from the Imagawa Line.
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7. Remaining regrets and new book plans
After finishing this novel, I did not feel as relaxed as I imagined. On the contrary, I felt empty. I even lacked motivation to read the literature and prepare for the final project. As expected, my interest will not fade with the achievement of my goal. In fact, I still want to continue writing.
After all, the novel still leaves a lot of regrets.
As a fan of Imagawa, it is naturally a great pity that I was not able to write the story of Imagawa Line. And there are many things that I am not satisfied with in "Jiban Momiji: The Warring States Period". Some characters have become slaves to the plot and have done some inappropriate things for the sake of the plot.
Things that are in line with the character's personality have caused many shortcomings in the character creation. For example, Yu Qiuping's growth - in fact, based on the blows he has received and the things he has experienced, he should have understood some truths long ago. However, in order to allow the plot to continue, only
It allows him to keep his innocent heart forever. Of course, in a sense, this is also one of the most attractive aspects of Yu Qiuping.
After I finish my undergraduate thesis, I plan to continue writing the second part of the series, with Imagawa Yoshimoto as the protagonist, chronicling the second series of Imagawa Ujihei and Amakihei. Of course, I understand that the academic pressure will only be greater in the future, and I will have more free time.