The four big characters on the scabbard are exactly——
Purple green sword.
Wu Ma quickly remembered that this was not the one in the movie "Westward Journey" that Zixia Fairy held in her hand and said that you would marry me if you dare.
"Whether it's a god or a monster, only my lover and I can pull out the sword. Even if he is a monster, I will follow him for the rest of my life." This classic line of "Dancing Horse" can be recited word for word.
Dancing Horse's scalp is a little numb——
The second picture is an ancient Buddhist blue lantern picture.
It is a bit inaccurate to say that the blue lantern picture is because the painting is gray and white. It would be better to change it to the gray lantern picture of the ancient Buddha.
Or simply call it Buddha lantern picture.
Zixia and Qingxia were originally the wicks entwined by Buddha.
Zixia's sword is also called Ziqing sword.
The collision of these three coincidences can completely prove that the coincidence is no coincidence - the girl who lives next to the dancing horse is most likely the fantasy Sui and Tang Dynasty version of Zixia or Qingxia, or the carrier of the two people's split personality.
Big hair.
Will this world be the Sui and Tang Dynasty world that incorporates elements of Journey to the West?
Where did the Supreme Treasure go? It couldn't be Tian Deping.
No, Tian Deping is a black bear monster.
Are Tang Monk, Zhu Bajie, Bull Demon King, and Bai Jingjing here?
As a loyal fan of "Westward Journey", Wu Ma is very interested in getting a few autographs as a souvenir.
According to the setting of "Westward Journey", whoever can pull out Zixia's purple-green sword will be her sweetheart. Is this setting still valid in the fantasy version of the Sui and Tang Dynasty world? You might as well find an opportunity to do an experiment.
In addition to the new purple-green sword that appeared on the Buddha lantern picture, the ancient Buddha statue in the background was also a target that Wu Ma was very interested in. However, considering that Qingxia had experienced nearly an hour of personal experience as a guinea pig and was really weak, Wu Ma decided to
Take a break for the time being. After all, water can flow only slowly, and Qingxia cannot be used as a disposable consumable that can be thrown away after use.
Wu Ma turned his attention back to "Experimental Records Collection" and wrote:
In view of the scientific consideration of the durability of experimental materials, Prophet Wu Ma decided to temporarily skip the remaining links of Experiment 1 and proceed directly to Experiment 2 -
[About the relationship between portraits and death awakening disciples and the feasibility experiment of using portraits to develop awakening techniques]
Test subject: The picture of the bear monster in the first space of the "Illustrated Book" (it is seriously suspected that its prototype is the black bear spirit in Batu Mountain and Batu Cave who stole Tang Monk's cassock in Chapter 16 of Journey to the West).
Test Tool: Mysterious Gray Fog
Test method: Use gray fog to change the state of the furbolg picture
Experimental steps:
The first step is to use gray mist to touch every corner of the furbolg map. The key targets are: 1. the furbolg itself, 2. the black tassel gun, 3. the cassock worn by the furbolg, and 4. the altar.
(Note: During the process of Experiment 1, it was found that the oil lamp was very hot and the pain was strong, which caused a certain psychological shadow on the dancing horse. This should be avoided during Experiment 2)
…
Wu Ma sank his consciousness into his mind and took a closer look at the picture of the furbolg - the furbolg was wearing a cassock, holding a black tassel, and stepping on the altar.
Compared with the Chamber of Secrets period, this painting has two obvious changes: 1. The overall tone changes from gray to black and white; 2. The altar changes from color to black and white.
Wu Ma vaguely felt that such a change might affect his use of the function of the furbolg chart.
Does the degree of availability depend on the different colors? This needs to be answered through experiments.
…
The dancing horse rode the tail of the gray snake and carefully touched the furbolg.
At the moment of contact, Wu Ma felt an oppressive silence, as if he had walked into a cemetery late at night and a will-o'-the-wisp slowly floated towards him in the air.
The dancing horse instinctively separated the gray snake from the furbolg and wrote in the record:
"The breath of the furbolg that seems to come from the world of dead souls conveys a very clear message to the prophet Wu Ma - for a period of time, it cannot be used, cannot be approached, and cannot be provoked. It is very likely that Tian Deping's dead soul is sealed in it.
The prophet Wu Ma temporarily gave up the exploration of the furbolg. This is by no means a sign of his heart but a rational and strategic change of target."
…
Put down the pen, dance the horse, ride the gray snake, and start touching the black tassel gun.
The touch of the dancing horse was like a carpet without leaving any corners, from the tail of the gun to the body to the tip of the gun, not even the sparse black tassel was missed.
At first, the black tassel gun didn't respond to the dancing horse's touch.
The tail of the gun was as cold as a doorknob in winter. As the gray snake's tail groped forward bit by bit, the gun body gradually warmed up.
When you touch the middle, the gun body begins to heat up, and you can even feel its extremely subtle vibrations.
When I touched the head of the gun, it was already a little hot, and the gun body was shaking violently.
When I touched Heiying, the gun started to buzz.
The dancing horse is a little exciting.
He touched the black tassel one by one, and no fish slipped through the net.
When all the tassels were touched, a line of small words suddenly appeared on the head of the gun -