Chapter 32 The Six Key Words of Awakened Persons and Speculations About the Picture Book
After talking about recruitment, Wu Ma asked Liu Wenjing for advice on the practice of awakened disciples.
"Brother Zhao Ren, I have been practicing in the mountains all year round. My research on awakening techniques is all based on my own exploration. I hope you can give me some advice."
Liu Wenjing had the intention of recruiting him, so naturally she knew everything about it.
What's more, what he wants to talk about is not a secret in the circle of awakened disciples.
"I don't know how Mr. Wulang did it in the mountains. But it has been thirteen years since the awakened disciples appeared in the world. We have been studying for thirteen years, and there are roughly six key words that are the most important -
The first is the sea of consciousness, the second is the divine consciousness, the third is the natal monster, the fourth is the spiritual awakening object, the fifth is the awakening object, and the sixth is the awakening technique..."
Liu Wenjing said and pointed to the Baihui point on the top of her head.
"You touch here...
Oops...touch yourself,
Yes, it’s right here,”
Liu Wenjing drew a circle with her fingertips,
"It's probably at this location, where every awakened disciple has a space the size of a grain of rice, wrapped in a white mist.
We awakened disciples can use our thoughts to control the white mist and penetrate into the grains of rice.
We call the grains of rice the sea of consciousness, and the white mist our consciousness.
Spiritual consciousness can be detected outside the body, but it can only be detected from a distance of three or two feet at most - this dancer should know that."
Wu Ma subconsciously looked inside his own sea of consciousness and thought to himself: It turns out that the white mist is called divine consciousness. What about the gray mist? What is it?
When he was in the secret room before, Wu Ma used the gray mist to leave the body and reach the front yard of the Jun Cheng Mansion, which was about thirty or forty feet away.
Now that he has escaped from the secret room, Gray Fog has become even more restrained.
He tried it when he got up in the morning, but he could only find out more than ten feet at most, and it was very laborious, and he didn't know what the reason was.
Seeing his thoughtful look, Liu Wenjing stopped talking in a hurry.
After Wu Ma came to his senses, he continued: "The other one is the natal monster.
In the sea of consciousness of every awakened disciple, there is an illusion, and within the illusion there must be a natal monster.
We awakened disciples must practice awakening techniques, and we cannot do without the natal monster - for example, the [body-burning fire] I master is related to the mysterious fire in the body of my own natal monster.
The origin of the natal monster is mysterious. Before the meteor fell, no one thought that there would be such a mysterious creature hidden in the human head.
Everyone's natal monsters are different. It is said that some powerful monsters trace their origins and are actually related to the Classic of Mountains and Seas... This is the second key word I want to talk about."
After hearing this, Dancing Horse was speechless.
Liu Wenjing explained to him in detail. After finishing the six key words, half an hour passed before she continued:
"Wu Langjun, I guess you have some understanding of these things during your own practice.
The most important thing I want to say is -
All kinds of awakening techniques can be upgraded, but you must have discovered that practicing alone can only improve the proficiency and skills of using awakening techniques, but the power of awakening techniques will never be improved at all.
After studying hard for many years, I finally understood that the root of improving awakening lies in the Awakening Tower.
Without the Awakening Tower, even if you are a genius among geniuses, even if you practice day and night, it will be in vain."
"So," Wu Ma rolled his eyes, "you have been going around for a long time, and after talking so much, you finally want to persuade me to join Tang Gong's command."
"It's not just the Awakening Technique," Liu Wenjing said with a chuckle: "It is said that awakened disciples also have levels. Although no one has figured it out yet, this must be related to the Awakening Tower..."
"You... are so nagging and unhappy."
"Hey……"
The two talked like this for a while, and Wu Ma asked about some details about practicing and controlling awareness. He almost understood the theoretical part, and all he had to do was practice it himself.
Liu Wenjing said that Tang Gong still had some things to prepare for today's pagoda-building ceremony, so she took her leave and once again solemnly invited Dancing Horse to watch the ceremony.
"If Mr. Wu Lang is willing, we can be naturalized in the Awakening Tower on the spot——"
"Know it."
After Liu Wenjing finished her work, she led her apprentice Yuwen Jianxue to leave.
When the two people walked to the entrance of the courtyard, Yuwen Jianxue suddenly turned around and asked:
"Wu Lang-kun, aren't you curious about what is engraved on the second meteorite fragment?"
"You can use the fragments to summon the Awakening Tower - that's probably what it means."
Yuwen Jianxue said: "A stone creates a tower, and a tower illuminates a place."
"One tower... One side..." Wu Ma murmured.
Just as he was thinking about the meaning of his words, Yuwen Jianxue followed the master out of the yard.
In the distance, a white dress was fluttering in the wind, and soon disappeared.
…
After sending off Liu Wenjing and his apprentice, the first thing Wu Ma had to do was to continue the unfinished project in the secret room - studying the illustrations.
According to Liu Wenjing, in the consciousness of every awakened disciple, in addition to the natal monsters, there must be weapons or other objects.
One of the objects is an extraordinary object that enlightens the awakened disciple when he awakens. It is also reflected into the sea of consciousness, and it is called a spiritual object.
After discussing it with Liu Wenjing, Wu Ma guessed that the "Picture Book" was his spiritual object.
But as for the natal monster, not even a shadow can be seen.
In other words, the "Picture Book" may also be Dancing Horse's natal monster.
According to Liu Wenjing, awakened disciples must practice awakening techniques based on their natal monsters and understand the principles of awakening techniques.
Isn't this the most interesting experimental material?
Wu Ma planned to combine Liu Wenjing's explanation and concentrate on doing some experiments on the "Illustrated Book" to verify the speculation he had in mind before in the Juncheng Mansion.
From the various strange phenomena and accidents that happened in the County Cheng Mansion, Wu Ma initially drew three inferences -
[First inference]: The portrait appearing in the blank space of the "Illustrated Book" should correspond to a certain character in reality.
The first is the portrait in the first space - the furbolg is holding a black tasseled gun, and Tian Deping also has a black tasseled gun. Later, Tian Deping's black cherry gun turned into a ghost and got into the illustration of Dancing Horse, and it was the same as the black bear monster's.
The gun merged into one.
When Tian Deping offered sacrifices, he summoned a shadow of a furbolg, and the object of the sacrifice was the Black Wind God from Black Wind Mountain.
If Wu Ma remembers it correctly, doesn’t the black bear spirit who stole Tang Monk’s cassock in Chapter 16 of Journey to the West live in Batu Caves in Black Wind Mountain?
In Journey to the West, it is called the Black Wind Monster, and its weapon is the Black Tassel Spear.
In the secret room, Wu Ma once injected gray mist into the furbolg's eyes, and Tian Deping was also rubbing his eyes at the same time.
From the above details, it can be proved that the black bear monster in the first blank picture is probably Tian Deping's natal monster.
Look at the portrait of the ancient Buddha with blue lantern in the second space.
In the secret room, facing Tian Deping's life and death threat, Wu Ma once injected gray mist into the wick. As the wick turned on and off, Qingxia, who was originally in a coma, also had a subtle physical reaction.
It can be concluded from this that Qingxia and Qingdeng ancient Buddhist paintings are related.
The dancing horse quickly reminded me of the affectionate girl Zixia in the movie "Westward Journey".
Zixia and her sister Qingxia are just a pair of wicks who are entangled with each other.
This is where the dancing horse named the purple-shirted girl Qingxia.
So, is it possible that the oil lamp or wick in the portrait is Qingxia's natal monster?
[Second inference]: The changes in the portrait caused by the gray fog can affect the corresponding characters in reality.
This has been initially verified in the two explorations of the secret room.
[The third inference]: The color of the portrait is related to the status of the corresponding character in reality.
Specifically, when the corresponding character in reality dies, the portrait will turn into black and white - this is the latest change, as is the case with Tian Deping's portrait of the furbolg.
When the corresponding character is alive, the portrait will remain gray and white. This is the case with Qingxia's ancient Buddha blue lantern.
It is worth noting that Qingxia’s wick has undergone very obvious changes——
When she was in the secret room, when Qingxia was unconscious, the light of the lamp wick was as weak as a candle in the wind. Now, when Qingxia is dancing with a sword, giving birth to a dragon and a lively tiger, the lamp is dancing and bright.
Beyond that, there are two things that await more accurate conclusions:
[The first thing] Which people will have corresponding portraits in the illustrated book?
Tian Deping is the life and death enemy of Dancing Horse.
Qingxia is the person Tian Deping wants to save at all costs. She is the person who lives in the secret room with Wu Ma. Tian Deping sacrifices Wu Ma with the ultimate goal of saving Qingxia.
At this point, the two people who have appeared are closely related to the life and death of the dancing horse.
Who will be the next person? Dancing Horse is looking forward to it.
【The second thing】
The key thing is, what benefits can the dancing horse get from the illustrated book, as well as the above inferences and signs.
Dancing Horse plans to do an experiment first...
——————
Thanks to Yi Meng for fifty years, Chengdu cannot take away what Chengdu cannot take away.
Continue to ask for recommendations and investors late at night!