"How on earth did Scheler come up with the idea to develop these heterogeneous timbres!?"
Opponents are scolding, admirers are admiring.
Let's not talk about such obscure things as ancient times, let's talk about wind instruments that everyone is familiar with - installing mutes on wind instruments is of course originally intended to obtain a weaker volume and make it softer and hazy, right? But in "
"The Rite of Spring" is played with great force!
Play with the intensity of fff, but install a mute!?
How come I, a person who has been playing orchestration for 20 to 30 years, never thought of this?
The tearing timbre is superimposed on top of the strings, bringing a more urgent and tense auditory experience.
"It's just a dance performed by the grass troupe."
Seeing the dancers who were physically exhausted, many opponents criticized and ridiculed them mercilessly.
"No! The actors are performing their exhaustion! Moreover, the whole dance drama really makes them exhausted, and the audience can feel it directly!"
"Exhausted from performing? Do you still need to 'perform' when you are exhausted? Haha, this can be 'washed' as well, so just forcefully 'wash' it."
There are always people looking for new points of attack, and there are always people who counterattack in an instant, and then the two sides clash with each other again. In some emotionally charged situations, accompanying physical conflicts become inevitable.
"Why isn't it a performance? The dancers did not hide their fatigue behind the smiling mask, but clearly showed it through a series of details such as heavy breathing and trembling limbs! Each unrestrained body practices
The process of intense conflict and excitement demonstrates this dance drama in a very 'physical' way: knowledge about origin and vitality, knowledge about senses, and knowledge about endlessness. Almost everyone present has a secret knowledge of the metaphors in it.
Personal feelings!”
"See such 'wonderful discussions' again. Haha, this may be the commonality of the sophistry of 'modern art'. It always needs to be deconstructed, always needs to be explained, and is always accompanied by a bunch of made-up nouns and accompanying
The iterative explanations that came from it turned the clumsy showing of cowardice into a well-designed 'intentional act'."
"Sophistry? Maybe. That's because every time something new appears in history, a group of defenders will always attack it! If you don't sort out your thoughts and express your opinions to defend your ideas, you will be criticized.
You are strangled in the cradle!"
"Although it hurts, let's tell the truth! Some old-fashioned and pedantic people should not talk about art today! Art is a bridge between imagination and reality. It discusses the future! It is about various possibilities!!"
"ah!!"
"Stop talking so much, beat the hell out of me!!"
Body and body are in conflict, and the harmonic tension is finally pushed to the dangerous level of chaos in "Sacrificial Dance". Some chord structures that should be only temporary and minor in the traditional context are here.
It has become the main factor that continues to appear for a long time!
A large number of overlapping chords appear like a storm, whether they are the original traditional progression of 1-4-6-5, or they are only related by a semitone, or they are separated by an augmented fourth "devil interval"
Well, they can all be stacked at this moment! They can be stacked directly together regardless of their origins and transitions! They will become a violent collection!
"Boom!" "Boom!"
Amidst the increasingly wild music, Su Luo, who played the role of the "chosen girl", collapsed from exhaustion!
The extremely fast descending chromatic scale and percussion sounds in the last sentence overlapped with the sound of her falling to the ground.
Then the background of the "Fauvist" painting fades, the scenery disappears and the lights go out.
The scene is fixed on a group of dancers lifting Sulotto who fell to the ground. Scheler and the musicians in the orchestra pool raised the batons or instruments they could lift and moved toward the "chosen girl" from a distance.
A scene of greeting!
The curtain is drawn!
"Bravo!!!" "Foolish!!!"
The audience praised it as wonderful and denounced it as stupid.
But for the actors behind the curtain that isolates them from the outside world, they seem to be unable to get any further feedback.
"Is this gone?"
"Why isn't this curtain drawn?"
"What's going on? Didn't the conductor take the curtain call with anyone?"
The audience looked at each other.
Regardless of whether one is preparing to pay tribute to Scheler or is preparing to wait for him to come up and denounce him in person, there is always the thought of "looking forward to the curtain call on stage".
But this
Isn't this too free and easy?
Is it because he is afraid of being scolded?
The audience at the premiere of the Southern Continent was stunned, and the audiences around the world whose "broadcast projections" were "clicked" were also stunned!!
Of course, the brain cassette is a cassette, and those desires to "vomit" have nowhere to vent, and they will definitely not be extinguished!
Now there is no worry about "being on stage". The etiquette that was a little bit instinctively worried before is now completely gone.
After being stunned for half a minute to two or three minutes, the audience began to spray each other with greater passion!
Even the most restrained place - the salon banquet hall where the Marquess MacAdam was sitting at the moment - started to erupt with small but fierce arguments one after another!
According to the salon arrangement, after the performances of "Adagio" and "The Rite of Spring", isn't it originally a "discussion" session on the topic of modern art?
Just right, just right!
"Caron, I feel like, uh, things are not going well." Sheeran looked around worriedly.
It seemed that in a certain corner, among a certain group of people, there was already a certain guest who suddenly slapped the table with his hand, knocking over the wine glass.
Moreover, not many people noticed his actions, because similar things may happen to other groups of people.
Xilan first looked at Fan Ning, but seeing Fan Ning's nonchalant look, she could only turn to Roy and said, "Senior sister, uh, there should be no fights in your salon."
"That's the question." Roy's face had an expression of "I'll see you soon." She sighed and said, "Before, if someone in our salon had a little quarrel, it would have been on the news, but it's just that
The current situation is that there has been a fight at the Turner Theater Theater concert, and it will soon be the headlines the next day, no, tonight. So if there is another fight at the McAdam Family Salon, it will be, at best,
Can only be ranked in the second row of the news column."
"Sir, madam, please stop arguing!"
Sure enough, as soon as Roy finished speaking, a loyal and conscientious servant of the family issued ineffective dissuasion.
"It's not a question of whether to quarrel or not, you know? If I don't clarify the truth with him today, I won't go back!"
"No, the third line." Fan Ning suddenly said.
"Huh?" Roy turned his head in surprise.
This guy's recent performance has not only been lazy, but also has a very strange brain circuit and a very long reflex arc.
"The third line of the news column." Fan Ning said again.
"Oh" Roy, who was holding the wine glass, couldn't help feeling a little funny, "This is your prediction. In "The Rite of Spring", the fight in the concert is the first line, and the fight in my salon is the third line. Okay, then you
Say, what’s the second line?”
"That's not clear." Fan Ning took the initiative to hand the water glass far away and lightly bumped it into Roy's hand.
"bite--"
Fan Ning's way of composing words and sentences is a little strange: "The Harvest Art Festival is bound to produce several talents. Hidden dragons and crouching tigers are unpredictable. Everyone wants to make a big news. This "The Rite of Spring" is relatively big.
But it’s hard to say whether we can take the first place in all major news sections.”