"Some kind of strange tone series system? The ending sound of each group is the same as the starting sound of the next group. Although each has a different shape, after several semitone transpositions, it cannot be transposed again, because the obtained
Is it the exact same sequence of notes as before? In other words, it only takes a shorter step of transposition to return to itself?"
Many musicians, music critics, or people who study mysteries prick up their ears and stare at the sequences of notes and chords they have written down on paper.
"This property is not possessed by any mode in the past! No matter it is seven tones or five tones, no matter which nation, no matter religious or secular, it always needs to be transposed 12 times in a row before it can return. This is not called regression. Under the 12-tone equal temperament
This is true in itself, and they only need 6, 5 or even 4 times to complete the true return! Yes, impressionism in the past few years
The diatonic scale played by musicians seems to have similar properties. After transposing it twice, it becomes the same. But diatonic scale is an extremely special existence after all! And Father Lavoisier here seems to have developed six or seven types in total.
Different modes, each mode has three to six shifting forms, thus forming a wonderful and huge unique religious vocabulary!"
"Is there some kind of unique rhythm system? Master Lavoisier seems to have found inspiration from the 'Tala Rhythm' and 'Iambic' theories developed by the ancient Janus sages. Through the 'Additional Principle', 'Inexact
The principle of expansion and contraction is modified, and I have recorded at least more than 120 variations!"
"No, there is a more important principle - no matter whether these rhythms are performed in upright or reverse position, the same result will be obtained. In other words, reverse position is meaningless! This is a kind of 'irretrograde'
Rhythm'! It seems to be praising the absolute authority of the 'Unfallen Fire' and the 'Endless Fugue', the indestructible divine power. It is impossible to reach this level of metaphor and be promoted by the invisible power invoked by faith.
Weird!"
Song 14, "Angel's Gaze", a horn-like melody burst out from under Fan Ning's fingertips. The sound was full, powerful and powerful. The songs of birds resounded through the night sky, and the angels' surprise gradually grew.
Song 15, "Kiss of the Holy Infant", is the longest slow movement and has five sections: "Sleep", "Garden", "Love's Tender Embrace", "Kiss" and "Kiss's Shadow". It is first built on
The gentle swaying in the "Heavenly Father Theme", and then the homophones repeatedly imitate the sound of distant bells, the texture flows lightly, and numerous dazzling brilliance burst out from it.
No. 16, "The Gaze of the Prophets, Shepherds and Wise Men", the strange music, the performance of gongs and oboes, showing the stubborn rhythmicity of the Eastern snake charmer, the grand music in unison, blended into the prophetic temperament
nasal timbre
Song 17, "Silent Gaze", everything is peaceful. On the altar dotted with stars, the sound produced by Fan Ning's hands falling on the keys is like the colorful confetti flying during the festival, and more like the gathering of delicate and small gems.
, they emit light when they touch each other
"It's an impossible harmonic charm!"
"Who said only the rhythm of The Rite of Spring is magical?"
A group of musicians who came from seminaries in various places continued to chant from the bottom of their hearts.
Because they discovered that what Master Lavoisier taught was a set of extremely important modern religious music composition techniques!
It should be said that through the exploration of major avant-garde schools in recent years, some of them have sprouted. Some of them have not only been explored in seminaries.
But it was not a system before, but now Fan Ning has exemplified a complete set of procedures that can be directly applied in the practice of religious composition.
The corresponding church mysteries will also be expanded and applied!
"The two fields, harmony and rhythm, correspond to 'limited displacement mode' and 'irretrograde rhythm' respectively!" There was light flowing in the pope's eyes, as early as the rest time before the beginning of the song "Silent Gaze"
He gave instructions, "Let the major seminaries organize it into a volume and include it as one of the study courses for senior students. Well, we will organize it first, and we will also look for opportunities for Master Lavoisier to have the final check."
The bishops behind the scenes were also engaged in heated discussions.
"Limited shift mode and irreversible rhythm are the important means used by Father Lavoisier to achieve the 'impossible charm', and they will surely lead me to the rainbow of theology!"
"A variant of the modern scale system? If Judge Melaldine wants to define it strictly this way, that's fine, but it's best not to simply regard it as a scale!"
"That's right, 'limited shift mode' is by no means a scale, but a color group of harmony! I admire Cardinal Richelieu's adjective just now - the rainbow of theology!"
"Well, it's very strange. They seem to be in the atmosphere of several tones at the same time - but they are not polytonal. Once a composer masters this technique, he can freely give one of the tones temporary dominance.
status, or simply let the inspiration wander.”
At the end of "Silent Gaze", the decorative descending sound pattern played by Fan Ning slowly fell like scattered pearls, slowing down the progress of the music.
As if the mist in the early morning has not dissipated, covering the green mountains after the rain, the music echoes in the overflowing gospel and mystery.
At this late stage of the performance, the development direction of the Holy Sun Church in modern religious music creation was initially pointed out.
What is impressionism? What is mystical chords? What is the twelve-tone system? What is total serialism?
Clergy who believe in "Eternal Fire" and "Endless Fugue" must use "limited displacement mode" and "irretrograde rhythm" like Father Lavoisier when writing modern religious music in this era!
Many people have already used this as inspiration to conceive of their next work.
"Is the missionary itinerary going to change direction? Master Lavoisier will have to go east instead of along the river." A bishop said.
"Well, the stops selected next are quite sparse. We will reach the Holy City in just a few stops. We need to prepare ourselves as soon as possible. There is another very important thing. I need to ask the saint's opinion first. Well, Rava
Master Xi is here." Yaning No. 19 nodded and immediately reminded him.
After Fan Ning answered questions from the local priest at this stop, he did not leave directly alone, but walked towards a group of senior officials in the shadows.
Melaldine, who had been greeted in advance, greeted the Pope respectfully and greeted him respectfully.
"Your Excellency, the presiding judge, that day I sent you to investigate the whereabouts of the Gentile Vincent Van Nin. How did you complete the work?"
Fan Ning's tone was gentle and polite.
"Master Lavoisier sent us to inquire in detail about Vincent. Our hands will complete the work."
Since being told about this matter at the end of the previous station, Melaldine immediately used all the church's power to investigate without any prior testing or questioning.
"After Vincent came to Janus in the year 909 of the New Calendar, all the whereabouts we can trace are on it." Melaldine took out a dark gold envelope from her lapel.
Check out the correct version one by one!
After Fan Ning took it, he read it calmly.
During this period, my eyes briefly paused on a few sentences to think about them.
After a long while, he finally raised his head and spoke, explaining an unplanned temporary itinerary:
"Tonight, please send a few people to follow me to the upper reaches of the Hedgewell River."