Su Anran's mood at the moment is a bit complicated.
Everything as far as the eye could see was pitch black.
The air is slightly dull and turbid.
Of course, these two points are not the main point.
The real point is that Su Anran found that he couldn't turn around again, and with just a slight movement of his left and right hands, he had already touched the boundary. Similarly, even by raising his hand slightly, he could touch the obstacles that hindered his reach.
This is another coffin!
But compared to the last time, the material this time has been significantly upgraded.
The last time, Su Anran was lying in a wooden coffin.
But this time, he found that the coffin he was lying on was made of stone.
A sarcophagus.
Su Anran has already begun to wonder, does this unlimited flow system have a grudge against herself?
Or do you just dislike stowaways like yourself?
He had never heard that his fifth senior sister always appeared in the coffin when she entered. Why was she always in the coffin when it was his turn?
The only thing that made him feel lucky was that he was not buried in the soil this time. It was a blessing in misfortune - Su Anran's spiritual consciousness had detected it, and he found that he seemed to be in a tomb-like state again.
It's a place, but this tomb doesn't seem to be popular for burials, so he wasn't buried in the soil.
Su Anran gently knocked on the lid of the sarcophagus, and then with a sudden force, punched the lid of the sarcophagus.
However, the expected scene of the coffin lid being smashed into pieces did not appear.
Su Anran's punch only made a gap in the coffin lid, allowing her hand to stretch out.
"Ahem, it's quite hard."
He took back his right hand and looked through the gap in the coffin lid.
There seemed to be a light in the room, but it wasn't very bright. Su Anran speculated that it might be lighting something like an oil lamp.
This time, he didn't examine it too much, but began to take action frequently, directly smashing the lid of the sarcophagus, and then climbed out of the coffin.
When Su Anran sat up from the coffin, he was finally able to truly see the entire tomb.
This is a tomb chamber that is not too small in area.
The sarcophagus was placed in the middle, with an area of about one hundred square meters - Su Anran's spiritual consciousness had a radius of thirty meters. After he completely spread his spiritual consciousness, he could not explore the front, rear, left, and right sides at all.
There was still some distance to the edge, so he could only guess that the area of this square room was about 100 square meters.
In the four corners of the room, that is, at the corners of the walls, there is a lamp. The dim light in the tomb emanates from these four corners.
But precisely because the lamps are located at the four corners, the area that can be illuminated is quite limited.
Su Anran observed carefully and found that the light irradiation area of these oil lamps was about thirty meters in radius, so there was a dark area of twenty meters between every two oil lamps, and the one he was in was located in the room.
The sarcophagus in the middle also happens to be in a dark area.
"The person who designed this room is definitely a patient with obsessive-compulsive disorder." Su Anran curled her lips after looking around.
He has discovered that the layout of the entire room is full of a kind of symmetry deliberately arranged by obsessive-compulsive disorder patients: a square room, a sarcophagus in the center, lamps in the four corners, the same lighting area, and the same dark area.
Su Anran turned over and jumped out of the sarcophagus - the sarcophagus was placed on a platform, about two meters above the ground.
Through the perception and judgment of his spiritual consciousness, Su Anran quickly came to one of the corners.
He saw that the lamp was located about five meters above the ground, which was beyond the reach of ordinary people. But what was interesting was that the shape of the lamp looked a bit like an open beak, and the fire was lit from inside.
In this illuminated area, the murals on the walls on both sides can be clearly seen.
The one on the left depicts what looks like a green grassland. There are three flying birds of unknown species in the sky, fighting with a red flying bird. There are also four flying birds falling from the sky, seemingly
are the victims of this battle.
The crimson flying bird is larger than other flying birds, and its beak is sharper, and its flapping wings give people a metallic feeling; other flying birds are smaller.
More than a circle, their beaks are not as sharp as red birds, but in their exposed beaks, you can see densely packed sharp teeth, making them look particularly ferocious.
This mural gave Su Anran the feeling for no reason, as if the red color on the red bird's body was its own blood.
However, due to the limited lighting area, Su Anran seemed to be able to see only a little more than one-third of the content.
It can be clearly seen that the mural on the right is an extension of the mural on the left.
It is still the green grassland, but there is only one bird left in the sky. The other two have fallen from the sky, and the four birds that originally fell in the mural on the left have already landed on the grassland.
, there is a small piece of green grassland painted red.
In the sky, only the last two birds were left fighting.
It’s still only a little over a third of the content.
Su Anran frowned, his curiosity had been completely aroused.
So he walked quickly to the left.
Soon, Su Anran came to the end.
In the illuminated area, two murals can still be seen.
The mural on the right is a huge egg with red veins on the egg, which even gives Su Anran the feeling that the giant egg is breathing, like the beating of a heart.
A very subtle sense of weirdness.
The mural on the left shows a group of people carrying a coffin. The coffin seems to be carved from some kind of stone material.
Due to the painting of the mural, Su Anran could only see one side of the coffin.
The painting on the temple is a red flying bird, which is almost exactly the same as the red flying bird Su Anran saw in battle before.
Eight shirtless men were carrying the coffin into a cave.
"Is this the end?" Su Anran looked at the two murals, "And this is the beginning?...The content of the mural is a cycle of life and death? But why is it an egg when it is born, but it ends when it is lying on the ground?
Where is it in the coffin?"
Su Anran turned around and ran diagonally opposite.
There are still two murals here.
The one on the left is a red bird slowly falling from the sky. It seems to have won the battle with difficulty.
Looking at this mural, Su Anran also had an intuition in her heart that this red bird might not live long.
But the mural on the right shows a child picking up a red bird and seeming to be feeding it something to eat.
But Su Anran noticed that the smile on the child's face was very strange.
It was not a kind smile that saved lives, but more like a playful smile like a naughty child finding a toy.
Su Anran turned around and ran towards the last corner.
The mural on the left only has a huge black shadow.
Black Hawk seemed to be a person blocking the light, and the light refracted the person's figure, creating a long and huge shadow.
But after Su Anran carefully observed and examined, he found that this figure was not a back figure, but more like facing something. Because he saw that in the middle of the shadow, there seemed to be another person curled up, desperately
The creature trying to avoid - because it was too abstract, Su Anran couldn't be sure whether it was a cat or dog, a person, or something else.
The mural on the right shows a young man with red eyes.
The content of the mural focuses on the red eyes of the young man. Even if Su Anran sees it now, she can still feel a cold murderous intention.
Under the young man's feet, there is a piece of red liquid.
The liquid even covered the young man's insteps.
Moreover, the artist seemed to be deeply afraid that others would not know what the red liquid was, and deliberately depicted several headless corpses. The positions of these corpses were a bit weird, as if they were facing young people, and then put them
It's like having my own head taken off.
It seems extremely weird.
"This is... the history of a certain ethnic group? From the beginning to the end?" Su Anran frowned and thought, "But in this case, what role did the child play in it? And these people who seem to be committing suicide, are they?
What kind of cult ritual is being held?... Damn it, the two most critical contents have been blocked!"
Su Anran looked at the mural of children and huge shadows angrily.
He felt that the blocked content in the middle must be extremely critical content.
As for the other mural—the fourth mural consisting of people who seemed to be performing cult rituals and coffin carriers entering a certain tomb—the hidden content in the middle was obviously equally important.
When observing these murals, Su Anran did not forget to try to explore the four dark areas, but he did not find any door cracks or traces of removable doors. It seemed that the entire tomb was a completely sealed secret room.
.
But Su Anran knew very well that since outsiders could carry a coffin and enter here, and there were no other corpses in the tomb, it proved that this room was definitely not a secret room, but had a passage that could be freely entered and exited. He couldn't find it now
There is only one reason: this secret passage is sealed.
It is obviously impossible to leave this tomb until the correct answer is found.
This is also the reason why Su Anran guessed that the contents of the two hidden murals were crucial.
Because whether it was to satisfy his curiosity or to leave this tomb, Su Anran obviously had to find a way to understand the hidden contents of these two murals.
"How can I leave this man-made secret room?" Su Anran raised his head and looked around, "Or should I say, I have to find a way to get firelight for lighting?"
