Li Yi glanced at Fang Nan, "As expected of you, you have continued the program style of "Things About Movies", and you will not open any pot!
"Ahem, actually I'm just a director, publicity matters are really not my business!"
Mu Nanxing and Fang Dongbai, who were sitting below, couldn't help but roll their eyes when they heard this.
Fang Nan would not let Li Yi go so easily, and continued to ask: "So what is the style of this movie?"
"I can only say that this movie does have warmth, healing, and the mutual redemption of humans and dogs. As for the rest, the movie will be released soon, and you will know it after watching it."
This covert answer immediately made many movie fans hate it. Sure enough, a dog director is a dog director, so he knew it would be like this.
Especially movie fans who have watched all of Li Yi's works are basically used to it.
Anyway, this is not the first time Li Yi has done this. The previous "Gift from Room No. 7" can be said to be a helpless move, but the following "Mom Love Me Again" stills of the "girl in white" are...
Who would believe that Li Yi and the others didn’t release it deliberately?
Even a sad drama can be promoted as a horror film, so what does this promotion mean?
Fang Nan is obviously not that easy to get rid of!
"So, you haven't changed your style?"
"Haha, this host is interesting!" The audience below couldn't help but laugh.
You must know that this is Li Yi's movie premiere, but the host actually kept asking questions.
Looking at Li Yi's embarrassed expression, everyone couldn't help but feel happy.
Although I clearly know that this is most likely a routine for the premiere, I can’t help but think it’s fun!
Li Yi suddenly spread his hands, and then said to the audience below with a look that he wanted to be beaten: "Okay, I'm going to show my cards, all the warmth and healing are fake, I just want to see you cry, don't cry,
I lose! Are you satisfied?"
Now it was Fang Nan's turn to look confused: "Uh?"
Everyone in the audience was a little dumbfounded. They didn't expect that Li Yi would turn around so quickly.
Moreover, he actually admitted it and looked like he deserved a beating.
The next moment, the whole audience made a sound of "咿...".
After a few commotions, the movie officially started showing.
The lights in the theater were turned off, and amid the relaxing and melodious background music, the first words that appeared on the big screen were the words "Director Li Yi's work".
Many directors couldn't help but feel a little complicated when they saw these words.
I don’t know since when, this line of writing has become a golden signboard.
Whether it's a movie, a short film, or a commercial, this is true!
Unless they are extremely confident in their own work, ordinary directors will rarely produce such subtitles.
Many movies are mostly marked with who the director is, rather than the works of director xx!
The background music stopped and was replaced by a slightly childish voice-over.
"Xiaoba is a dog raised by my grandfather. Everyone says that Xiaoba is very mysterious because no one knows where it came from. Maybe it came from a dog shelter or picked from someone's car.
Come out, maybe to a foreign airport, maybe to an unknown small city..."
With the tender voice of children, pictures began to appear on the big screen.
It was a child with red lips and white teeth, standing on the podium and telling a story, and on the blackboard behind him, there was a line written on it: The hero in my heart.
Below are the slightly immature words "Hachiko"!
Anyone who has watched Li Yi's movies can't help but smile knowingly. It's still a familiar taste, a familiar formula, and a flashback method.
"The Gift of Room No. 7" is like this, and "Mom Love Me Again" is like this. It seems that this has become an iconic beginning of Li Yi's movies.
Lens transition.
A truck is driving on the highway at high speed. There are cages of various sizes on the truck, and in the top cage, there is a young puppy!
The camera zoomed in on the puppy, giving a close-up of its eyes!
There is innocence in the purity, and the truck driving at high speed seems to make it a little panicked.
It makes people feel distressed just looking at it.
The child's voice continued in a serious tone: "No matter how it happened, a long, long time ago, Xiaoba appeared at the train station in the small town where my grandfather lived, and their story began...
."
The camera switches to a train station in a small town, with people coming and going under the dim lights.
On a trailer carrying a salute, the dog cage placed at the top fell off the luggage cart during the jolt and fell to the ground. The weak cage door was thrown open, and the dog inside...
He opened the small door of the cage with his feet and climbed out.
No one paid attention to this little guy who came out of the cage.
The dog came out of the dog cage, but his eyes were filled with confusion and panic.
It makes people feel pity involuntarily after seeing it.
The dog was aimless, trotting back and forth, seeming to be avoiding the crowd and looking for something. It seemed a little overwhelmed when it first arrived in your place.
Maybe it's fate, maybe it's fate.
A pair of feet appeared in the camera, and he suddenly stopped. The owner of the legs was on the phone with his family.
The dog also stopped and raised his head, as if he wanted to see who was blocking his way.
The camera moves upward, revealing a mature and handsome face. He has a bookish air about him, and the eyes of the man and the dog intersect in the air!
Zhao Qingyan couldn't help but be a little surprised, because the encounter between the male protagonist Liang Dong and the dog Xiaoba gave people a feeling of fate or destiny.
It was Xiaoba who found the professor, but how could it be that the professor found Xiaoba?
No one else stopped, only the professor stopped.
He leaned down with a smile: "Hey, little guy, are you lost? Come here quickly!"
The professor played by Liang Dong picked up the dog.
The pace of "The Story of Hachiko" is actually slower than Li Yi's previous two movies.
But at this time, surprisingly no one in the theater felt bored. Instead, everyone was curious about what kind of story would happen between a man and a dog?
Can the child at the beginning be hailed as his hero?
The plot is still advancing slowly. The male protagonist played by Liang Dong tries to send the dog to the station security office. The security guard tells the professor: "If no one comes to find it, I will put it here and lock it in here. It will be locked up here at night."
It is safe, but tomorrow, if no one comes tomorrow, then I will send it to the stray dog shelter."
"You can also take the dog back first. If anyone comes to the door, I will notify the professor."
The professor couldn't bear to abandon the dog, so he could only take it home.
He knew that his wife had never liked keeping pets, so he could only quietly temporarily place the dog in his study.
Especially, when he heard his wife's footsteps behind him, he was so frightened that he quickly closed the door, but he knew he couldn't hide it from his wife.
But before he had time to tell his wife about the dog, he was pulled into the bedroom upstairs to make out!
He told his wife that he encountered something very interesting at the train station, but his wife asked him to tell her tomorrow morning.
The conversation between the two, coupled with the dog's restless action of opening the door, is particularly interesting.
Especially his wife, played by Wen Qing, told him that she had prepared a surprise for him, and he also told his wife that he had also prepared a surprise for her.
Just when he was talking, the professor seemed a little uneasy. This scene was interesting to watch.
You can also feel that the relationship between the professor and his wife is very good.
