Just a movie called "The Opium War" was released, and the good mood of the Korean people was gone.
I originally thought that this time the interoperability negotiations would bring great advantages, but suddenly I found that if it goes wrong, Chinese movies seem to be more terrifying than Hollywood.
From the beginning of the movie screening, Li Meijing remained silent. Underneath her gloomy face, she was obviously thinking about something.
Unlike her, those young directors were very excited.
These people are still growing up. After seeing such a wonderful and transcendent movie, there is so much they want to learn.
"Mr. Xiao, have you mastered the technology of explosive blasting? It is absolutely the first time in the world for a movie to explode at such a close distance without hurting anyone."
A man with a square face was the most excited, and he pushed his way in front of Xiao Qian to find out more about it.
Seeing this, Li Meijing could not think anymore and hurriedly introduced Xiao Qian.
"This is Kang Di-gyu, the key candidate for our Korean director's new star project. Although he is a newcomer who has just debuted, his debut film "Ginkgo Tree Bed" won the Korean box office championship last year."
Xiao Qian suddenly realized that he connected the young man in front of him with the top director in his memory.
Jiang Digui, in a few years, who will not recognize him?
The famous "The Flying Taigeuk Flag" gave him a lifetime of benefits, and he is truly one of the top directors in Korea.
But now Jiang Digui is a pure newcomer, with a hungry look on his face, just like the three good students in the school.
Seeing the great director's immature appearance, Xiao Qian couldn't help but laugh, but she didn't hide it.
"Yes, after careful research, we have mastered the principles and methods of close-in blasting with explosives. This should be the first of its kind in the world."
Jiang Digui's eyes flashed with excitement, and he opened his mouth and said, "Mr. Xiao, can I learn this method?"
He also rubbed his hands and said impatiently: "I have always been eager to shoot war-themed movies, but the explosive blasting technology has been difficult for me."
Before Xiao Qian could say anything, another young director with a heavy back also came over.
"I like Mr. Xiao's use of lenses the most. The cold blue light lens is full of chilling atmosphere and creates a suffocating atmosphere. This kind of lens is used in suspense, murder, and bloody movies, and it is the best lens language.
"
He has a typical Korean face, with a little beard, which makes him look more upright and elegant. He wears glasses, but he still looks like a gangster.
Li Meijing made another introduction.
"This is director Park Chan-wook, and he is also a young talent."
Xiao Qian suddenly realized, no wonder he likes such cold shots. The director of "Oldboy" is a person who is at the pinnacle of using this kind of shots.
"I still like the plot structure in the film, which is the soul of an excellent movie. Mr. Xiao's ability to capture historical facts in such an ups and downs and exciting way is the most impressive."
The person who spoke was almost carved out of the same mold as Park Chan-wook. If it weren't for the afro, people would suspect that Park Chan-wook had used the clone technique.
But after Li Meijing introduced him, Xiao Qian knew that this person's future would be even more terrifying.
The famous Bong Joon-ho is the first person in history to win the Oscar for Best Picture with a non-English film.
Xiao Qian's eyes were looking around, and she really didn't know what to say.
Kang Je-kyu, Park Chan-wook, and Bong Joon-ho are all the top Korean directors of the next twenty years gathered together.
Before he could think about it, the voice sounded again and a young director was sent to him.
"I think Mr. Xiao's scene in which Lin Zexu clears He Shanzhi's grievances shows the essence of top crime movies. If you want to make movies with similar themes in the future, you can refer to this part of the plot."
Choi Dong-hoon, the director of "Lady", "A League of Thieves" and "Assassination" is younger now and is more of a cultural person than the first three.
He looked polite, but looked at Xiao Qian with a gay look.
In fact, this is because Xiao Qian did not reflect on his dirty thoughts, and Cui Dongxun just admired his talent.
Looking at these guys who would dominate the Korean and even world film industry in the future, Xiao Qian even had extremely malicious thoughts in her heart.
If these guys are killed, will Korean movies be unable to rise?
Fortunately, I was just thinking wildly and was quickly distracted by Li Meijing.
"Mr. Xiao, these young people admire you. I sincerely hope that China and South Korea can strengthen cooperation in the field of film, make progress together, and promote our Eastern culture to the world."
It’s okay to strengthen cooperation, but forget about promoting culture.
Xiao Qian is not stupid.
If we agree to this, wouldn’t it elevate Korea to the level of a representative of East Asian culture?
Xiao Qian would have to be a fool to do something like helping others count money.
But other things can be dealt with quickly.
"I agree with Chairman Lee's words. China and South Korea are both lagging behind in world cinema. Under such circumstances, only by working together can we better break through the monopoly of the West. Today I see so many young and promising people
Junior, I suddenly had an idea. How about we set up an exchange forum for young filmmakers from China and South Korea? Let young filmmakers from the two countries communicate with each other and make progress together, and more brilliant results will inevitably be produced in the future."
Li Meijing's eyes lit up, and she was as excited as everyone else.
If Xiao Qian had mentioned this before watching "The Opium War", they would have definitely not agreed happily, because in their minds, they felt they were ahead of their Chinese counterparts.
But the Opium War had a huge impact on them.
The unprecedented use of film technology, outstanding lens language and perfect plot structure all demonstrate the production level of Chinese films.
If communication is strengthened under such circumstances, we should be able to benefit a lot.
How did they know that they were completely frightened by the Starlight Film and Television family.
In fact, in the Chinese film industry at this time, only Starlight Film and Television was so fierce. The rest were just premonitions of the crisis, but were still on the way to making changes.
Xiao Qian advocated the establishment of this forum for exchanges between Chinese and Korean filmmakers purely because he saw the backbone of the Korean director community such as Kang Je-gyu, Park Chan-wook, Bong Joon-ho and Choi Dong-hoon.
In comparison at this stage, except for Ning Han, Chinese directors really have no talents.
Those collected by Starlight Film and Television do not have a good platform for growth.
If you can communicate more with these top Korean directors, it will be very helpful for their growth.
Xiao Qian still understands the principle that stones from other mountains can be used to attack jade.
This return is enough to show that Li Meijing's thinking is still on the first level, while Xiao Qian is already on the fifth level.
After hearing his proposal to establish an exchange forum for Chinese and Korean filmmakers, people immediately came to send money.
"Mr. Xiao, can I join and learn blasting techniques from you?"
Jiang Digui is not reserved at all, he is as fanatical as the most devout believer.
At this time in his previous life, he should have been sent to DreamWorks by CJ Group to study with the crew of "Saving Private Ryan".
After I came back, I filmed the experimental "Spies of Life and Death", which was enough experience to accumulate.
After that, he was busy participating in the "bald head movement", and it took him more than four years to delay before restarting his film activities, which also produced the movie "The Flying Taigeuk Flag" that set a box office record for movies.
Now Jiang Digui doesn't know the future trajectory of his life, and he hasn't started preparing for "The Spies of Life and Death" yet. He has seen the war movie shooting technology that he has longed for. He doesn't care about anything. He just wants to fall into Xiao Qian's arms and become his loyal friend.
believers.
"I also support this plan."
Park Chanyu spoke and looked at Xiao Qian with equally passionate eyes.
Although Bong Joon Ho and Choi Dong Hoon did not speak, their nodding movements were noticed by everyone.
These four people are all representatives of the young generation of directors in South Korea, but they are still some way away from being successful. It is not difficult to see from them how unique the vision of the leaders of the Korean film industry is.
We can focus on cultivating these people at a young age and give them trust and high hopes.
In China, it was not until 2005 that the "Asian Rising Star Director" program appeared, which was regarded as a training for young directors.
But this plan is very crude and relies entirely on the talents of the young directors selected, so the chance of success is very low.
In this regard, Xiao Qian didn't have a good idea.
Taking this opportunity to establish an exchange forum for Chinese and Korean filmmakers, we can use the quality of outstanding Korean filmmakers to influence the younger generation of domestic directors and accelerate their growth.
Well, Xiao Qian's thoughts have evolved to the sixth level.
