Xiao Qian did not participate in the Sino-Korean singing event because she was busy with the movie.
In short, the money offered by CCTV was not enough and he was not interested.
How this party is organized is all handled by Ran Hongyu.
But as soon as this opening came out, Xiao Qian was completely relieved.
It is obvious that Ran Hongyu was deeply influenced by him, and his skills in stage creation have become extremely proficient.
After the opening ceremony, two hosts appeared.
There is a handsome boy on CCTV, and a beautiful girl on the Korean side. The handsome men and beauties stand together and complement each other.
This is where Ran Hongyu’s professionalism is better reflected.
Both presenters wear earphones, and simultaneous interpretation is performed inside, so that they can understand what their partners say in the first place.
But it's not like in the previous life, when the two of them stood on the stage, like idiots, almost talking about their own things.
It seems that the two of them are cooperating very well. In fact, this is the result of the two of them having rehearsed countless times beforehand, and they just completed their respective contents according to the script.
This kind of hosting is so embarrassing.
Now that there is simultaneous interpretation, it can be clearly seen that the two people cooperate more closely. They even exchanged their thoughts on the music.
Then it was time for the singer to appear, and Ran Hongyu also changed a lot.
The first singer to appear is no longer the male singer from his previous life performing solo.
Who was the first person to appear in the previous life?
What song is being sung?
Ah, I remembered. The song is called "I'm Special". It's a love song that can't be called good or cute.
The most frustrating thing is that on such an important occasion as the First China-Korean Song Concert, the first program to be performed actually arranged this.
For the person who planned it in his previous life, Xiao Qian could only give him the Chinese Pinyin.
Eat~oo~um~
Ran Hongyu would never make such a low-level mistake. The arrangement of the first program was very precise.
Wen Mu came out from the left, and a Korean female singer about her age came out from the right.
Likewise, the two have equal status in their respective countries.
The most exciting thing is the performance of the two people.
When Wen Mu opened his mouth, countless people were shocked.
What she sang was actually a Korean song.
The subtitles introduce an old Korean classic song, "The Man from Sinsa-dong".
She sang a short section, which made the Korean female singer next to her so amazed that she couldn't help but give her a thumbs up.
Then it was the Korean female singer's turn, and she also shocked everyone with her skills when she opened her mouth.
"Shanghai Beach" sung in superb and pure Chinese is full of momentum and impassioned, and is no worse than Wen Mu's original version.
Wen Mu was also pleasantly surprised. He walked over and took the initiative to hold hands with the female singer, making the stage very harmonious.
There was even more discussion in the audience, saying that Koreans are so generous and sincere that they actually practice Chinese songs so seriously.
Who knows that the female singer who sang "Shanghai Beach" is a queen-level figure in the Korean trot industry, Zhou Xuanmei, a descendant of overseas Chinese.
Both are Chinese, but Zhou Xuanmei and Jun Jixian are completely different.
Jun Ji-hyun is completely Koreanized and has become a Korean through and through. But Zhou Xuanmei still has a Chinese influence, and she is proficient in Chinese and is very fluent.
This is the singer that Ran Hongyu explicitly requested for Han Fang to bring along.
Well, this time the two diva-level collaborations have raised the China-Korean Song Concert to a higher level.
This made all the KBS staff on site frown and anxious like ants on a hot pot.
CCTV did such a good job at the party. It’s their turn next year, but what should they do?
If the hosting is bad, with the elegance and easy-going manners of Koreans, why don’t you kill the rat and call me with a blade?
After the two queens, the Chinese and Korean song festival got on the right track, with singers from both sides taking turns to appear and each gave a wonderful performance.
In the original version of the first Sino-Korean Song Contest, the Korean side was not very well prepared, so it can be seen on the stage that the Korean side's performance was almost solely supported by the singers.
Compared with the lively and colorful stage of the Chinese side, the Korean side seemed a little lonely when performing.
Crystal Boy has six boys dancing, and fin.k.l has four girls who can’t fill the stage.
Ran Hongyu noticed this when making the overall plan.
As the general director of the party, she did not think that this would allow the Chinese side to suppress the Korean side. Instead, she felt that it would affect the stage effect.
So after consulting the company, they lent Starlight Entertainment's dance team to Hot and Zaza.
Anyway, they are both in Xiao Qian's company, and they are already very familiar with each other. Many of Starlight's dancers also received training at SM, and many of them are even friends.
With the dance team as a backing, HOT's stage is even more gorgeous, and it also allows Chinese people of this era to truly see the strength of top Korean pop singers.
Many people in the audience were shocked and worried at the same time. They felt that there might not be any comparable singers in the country and that the Koreans would take away all their glory.
It's too early for them to worry. There are stars here in China.
When Hot stepped down and She came on stage, the cheers suddenly increased to a higher level, like a roaring mountain and a tsunami.
On such a stage, she did not need to perform a new work, but instead performed their debut song "Super Star".
This divine song that once took Asia by storm has brought back its momentum and made people in Korea marvel.
At least they all know that currently there is no girl group in South Korea that can compare with her.
It wasn't until after watching her performance that the leaders present smiled and took the lead in applauding.
At the same time, they had a new understanding of her and Xingguang in their minds.
It seems that in the future, such external cultural exchange activities will have to rely on starlight.
The second showdown between the top singers from China and South Korea started again soon.
This time the South Korean player is Zaza.
"e on" quickly captured the audience with its happy and simple melody, and the effect even exceeded that of hot.
There's nothing I can do about it, the singing and dancing of Hot is really too difficult.
Senior fans and young people will like it very much, but most ordinary people stay away from it and can't learn it even if they want to.
Another impact of Zaza's stage is that it gave Chinese people in this era a complete hip-pop concept for the first time.
In fact, hip-hop music entered China very early, but people's understanding of this music was not comprehensive at that time. They did not know that it was a complete type of music, but only regarded it as an element.
In the 1990s, many people's perception of hip-pop was Rua Pu.
I think if you say it with your mouth and add some rhyme, it will become rua.
The most typical examples are "The land is the mother and labor is the father" in the sketch "Red Sorghum Model Team" and "As long as you sow the seeds, everything will be picked up" and "Packaging like this" "Flowers bloom in spring, June, June
Watching the beauty of the valley six times, I will hit six or nine heads in spring."
It wasn't until 2000 that a real rap group appeared in China. And the concept was no longer rua pop, but real hip-pop.
Now, with Zaza's debut, this history has been advanced by one year. And it has a complete concept and performance as soon as it comes out. I believe it can provide a valuable reference for domestic musicians.
But when it comes to impact, the impact that Zaza had on the Chinese people was far less impressive than the shock that Tang Hualean, who came on stage later, gave to the Koreans.
The song "Pure Land" made all the Koreans present and in front of the TV dumbfounded. It was the first time they discovered that Chinese pop music has evolved so fast.
There are even many Korean producers who are excited and thinking about starting a Korean-style rock band?
However, all distracting thoughts came to an end at the end of Tang Hua Leran's performance.
The "Pure Land" performed on the stage has been rearranged. It does not end abruptly at the climax, but has an emotional oscillation and prolongation.
In this setting, a young man in brocade clothes strolled out and came to the center of the stage.
In his hand, he also held a strange musical instrument.
This instrument is small and pure white in color. At first glance, it looks like an animal skeleton.
But with this beautiful young man, everything is so fresh and graceful.
The person who wants to solo is none other than Xiao Yanming from Tang Hua Le Ran.
When he put the instrument in his mouth, the scene behind him suddenly changed, and there was a sense of desolation, like thousands of miles of yellow sand, and the majestic pass was still there.
The introduction of the piano and the melodious and unfamiliar sound of the flute are like ancient calls, bringing everyone's emotions back to their former hometown.
Countless people inside and outside the stadium were shocked, and then their whole bodies trembled, turning into sculptures, immersed in the perfect melody. Many people even shed tears, as the appearance of their old hometown seemed to appear before their eyes.
People who are well versed in music are the most intolerant.
They all took out pens and paper and tried to write down the melody.
I contacted and consulted everywhere, trying to find out who that magical instrument was.
Xiao Qian was the only one sitting quietly under the stage with a smile on his lips, very satisfied with the impact he had brought to the world.
