Zhongying and Dongying opened their mouths as soon as they came up, scaring everyone.
Everyone also needs time to digest the plan Xiao Qian came up with. After returning, we must contact our families immediately to listen to everyone's opinions.
Xiao Qian and Han Siping didn't care. It would take a long time anyway, and they were definitely not the ones who couldn't afford it.
On New Year's Eve, while having a reunion dinner at home, Xiao Qian welcomed two people, one elder and one elder, for a double meeting.
"What do you Dongying and China Film want to do? Don't think about covering the sky with one hand. Domestic affairs are not that simple."
Li Jianguo didn't look at people either, but the meaning behind his words was very clear. He felt that Xiao Qian and Han Siping were a little whimsical.
Theater companies in various places are in trouble, but they are all gods behind them, and the network of relationships is extremely complicated. If China Film and Dongying want to eat them all, they will definitely cause trouble.
He took the lead in this matter and would never allow accidents or troubles to occur.
But Li Zhen saw it clearly.
"This kid may seem to be messing around a lot, but he seems to have a clear mind. There are no outsiders here. Let's talk about it."
Xiao Qian smiled and complimented: "Grandpa, nothing can be hidden from your eyes."
Li Zhen is angry and funny.
"You brat, is there such a metaphor? Your grandfather and I are Tathagata Buddha. In my eyes, you are the little monkey."
Okay, little monkey is just a little monkey.
Xiao Qian also knew that his plan needed support from his family.
"We and China Film Group have never thought about swallowing up other theater companies, and the state does not allow it. But the problem now is that the efficiency and management of theater companies in various places are really poor, and there are too many tricks behind them. If
Failure to bring them into a framework will cause great damage to the film industry in the future."
Xiao Qian knew that Li Zhen and Li Jianguo were actually outsiders in the film industry, and it would be impossible not to make it clear.
"Take movie distribution as an example. There are too many mountains. Distribution companies need to go to each company to negotiate, which requires huge additional costs. In addition, box office underreporting and false reporting cannot be curbed. Although computers can be implemented
The ticketing system is as good as the road, and the people below have many ways to cheat."
The computerized ticketing system is not a good solution to box office fraud. Later, this system has been fully popularized. Shouldn’t those who should be cheating still be cheating?
"In addition, these theater companies will rely on their local monopoly advantages to pass all the risks to production companies and distribution companies. And after the movie is released, regardless of the box office, they will make a profit without losing money? They have all avoided risks."
Li Jianguo couldn't figure it out.
"Can they still pass on the crisis?"
Xiao Qian's words were concise and to the point, and Li Jianguo suddenly realized what he said with just one word?
"Betting Agreement."
The most classic example of theater chains cheating people through gambling agreements in previous lives? It was Xu Tiezheng's "囧Mom".
Forcing Xu Tiezheng to lose face and postpone the movie? The result was public outrage. Coupled with the impact of the epidemic, Xu Tiezheng almost fell into the bottom.
In terms of the process of film production, distribution, and screening? The gambling agreement is completely unreasonable.
Because this is a problem for the entire film industry? Your theater chain can't just pick yourself out all of a sudden and push others to the edge of the cliff.
No director or production company can guarantee that their work will earn more than 2.4 billion at the box office.
Could it be that if this figure is not reached, the director and production company will lose everything?
But what about China’s entertainment and culture industry in the future? Such gambling agreements are emerging one after another. In addition to making big capital rich, it has also made the entire industry a mess.
What ultimately affects it is the quality of entertainment and cultural products, which makes the audience pay for them.
It is conceivable that Zhang Yishan's version of "The Deer and the Cauldron" would never have been filmed as well without the gambling agreement behind it.
As for the chaos in the future? No one can see clearly except Xiao Qian.
He had discussed it with Han Siping, and the other party agreed with his ideas. The two parties hit it off and planned to use this meeting to establish rules for the entire film industry.
As for investing in and controlling other theater chain companies, it is just to compete for the right to speak.
When the country’s cinema system is controlled by China Film and Television Corporation, no one can play tricks.
"Currently, in the area of theater chains, only our Dongying and China Film are the most formal ones, and they are willing to invest in the technological upgrading of cinemas. Other theater companies, even if they are willing to do it, do not have the capital. And the film market is about to
Once it is opened to foreign investment, foreign capital will inevitably choose partners. Once these theater companies are combined with capital from Hong Kong, Macao and Taiwan, it will really be a big deal."
Li Jianguo obviously doesn't agree with Xiao Qian's point of view.
"The film industry in Hong Kong and Taiwan is far more professional and advanced than ours. By cooperating with film colleagues from Hong Kong and Taiwan, we can also learn advanced experience."
Xiao Qian was heartbroken.
"Dad, don't be deceived by outside public opinion. What experience does Hong Kong and Taiwan have in advanced film and television production and operation? Now the most advanced and strongest power in the entire Chinese-speaking area is in our own hands. Hong Kong and Taiwan can only and must
Operating within our scope.”
Just talking is not enough, Xiao Qian also has sufficient arguments and information.
When all these things were placed in front of Li Jianguo, this leader in the Chinese cultural field realized for the first time how far the domestic entertainment and cultural industry had developed.
"In the past, Hong Kong and Taiwan's so-called advantages were just taking advantage of opening up to stay ahead of the mainland. But over the years, we have surpassed Hong Kong and Taiwan in terms of industry construction and talent training. What we need to do next is
We will continue to absorb outstanding talents from Hong Kong and Taiwan and gradually integrate them with the mainland industry. To pursue Hong Kong and Taiwan capital and peers at this time is to destroy all the advantages we have finally established in the early stage."
After the implementation of the Closer Economic Partnership Arrangement with Hong Kong in the previous life, the Hong Kong film industry began a wave of aggressive expansion into the mainland.
During that time, the entire entertainment and cultural industry was filled with Hong Kong capital and Hong Kong people. Although it brought superficial prosperity, it also brought more dross.
For example, a series of problems such as entertainment gossip and hype, anti-Japanese dramas, vulgar production of film and television dramas, and violations of traditional values have continued to affect Xiao Qian when he traveled through time.
The reason for this phenomenon is actually very simple, it is the inferiority complex in the Mainland.
I have always been influenced by the film and television culture of Hong Kong and Taiwan, and as Hong Kong and Taiwan are developed regions, I feel that everything is good, and I cannot distinguish the essence from the dross in detail.
This also caused those people from Hong Kong and Taiwan to develop a condescending mentality after entering the mainland and being overly favored, and even used their status to do mischief.
For example, Zhang Baldou, the cook's beating incident, and Zhou Bujie's blacklisting and fading out of the entertainment industry. Basically, people and capital from Hong Kong and Taiwan were behind it.
Originally, with the continuous improvement of national strength, this was a good opportunity for the film, television, entertainment and cultural industry to take the opportunity to become bigger and stronger. However, due to the interference of various factors, the entire industry gradually became a farce.
Now that she has the opportunity and the ability to change, Xiao Qian is naturally obliged to do so.
The information he gave Li Jianguo was very targeted.
From many aspects such as industrial scale, overseas influence, and future prospects, it provides solid data and analysis, which is unconvincing.
It was also the first time that Li Jianguo knew that the mainland's entertainment and cultural industry had flourished to such a terrifying extent.
Not only are emerging entertainment companies such as China Film, Dongying and Xingguang developing very well, but also many old companies, such as Emei Factory, Xiying Factory, Changying Factory, etc., have also regained their vitality under the influence and have been in a state of decline for many years.
It's profitable.
"Veteran film studios like Emei Film Studio, Xiying Film Studio, and Changying Film Studio are not incapable of making good movies. They do not lack talents. What they lack is good management methods, sufficient capital, and advanced concepts. Because they all lack the ability to make good movies.
They are state-owned enterprises, so reform is very difficult. But as long as they find the right method, they are no worse than those from outside."
Over the years, Xiao Qian has always focused on supporting the domestic film industry. Every time he shoots a movie, he invites major film studios to join in.
When the major film studios in the previous life were unable to survive, they could only choose an alternative solution. That was to finance films produced by private capital and sell factory labels.
In fact, many popular movies have influences from major film studios in their production.
For example, "Ashes of Time" and "Westward Journey" have the participation of Xi Film Studio, and the quality of the films is obvious to all.
It's just that during the production process, Xi Film Studio only played a supporting role, providing input but not receiving any benefit from the finished film.
There have even been conflicts between martial arts actors from the West Film Studio and martial arts actors from Hong Kong due to issues with treatment and role allocation.
In the previous life, the Mainland entertainment and culture industry lacked strength and could not be strong-willed. As a result, all the people invited in were gods, and they could only support and support them, and they also took their own direction astray.
Now, his influence as a time traveler has emerged.
Since the scale and influence of the mainland's entertainment and culture industry have far surpassed that of Hong Kong and Taiwan, why should we still give in?
The entertainment and culture industry in Hong Kong and Taiwan can only become part of the overall industry.
