Behind a high wall is connected to the mountain, forming a large courtyard. There is a large blue brick house with tiles in the center of the courtyard to the north.
The large blue brick house with tiles in the painting is the existing one of the tribe.
In front of the large blue brick house is a flat square, which is in the center of the entire courtyard.
To the south of the square, across the square from the large blue-brick and tile-roofed house, there is a high platform, connected by steps around the high platform.
There was a long pole standing in the middle of the platform, and on the top of the pole hung a flag fluttering in the wind. On the flag, there was a green bird fluttering in the wind.
Taking the entire Qingque Square as the center, the remaining courtyard is roughly divided into five areas.
There are rows of houses near the mountain, which is the residential area of the Qingque tribe.
In the center of the residential area, there is a house that looks larger than the rest.
There is a plaque hanging on the door with the word "canteen" written on it.
Moving the canteen out of the cave was Han Cheng's idea for a long time. Especially after returning from Tongshan for the first time and using fireworks to smoke out many small animals from it, Han Cheng became more determined on this idea.
But in the following days, I was busy with copper matters, and everything fell into place.
Now that he has made up his mind to make a big plan for the entire tribe, Han Cheng will naturally not miss the canteen matter.
On the east side of the square, there are some buildings that are different from the rooms in the residential area. They are round and domed buildings.
On the outside of these buildings, Han Cheng painted a square piece of paper stuck diagonally, with the word "grain" written on it.
These are the places where the Qingque tribe stores food.
With the same building materials, a cylindrical shape can accommodate the most things, so Han Chenggong made the new granary cylindrical.
The reason why the granary is built to the east is because the east side of the tribe has the highest terrain, and the grain is stored there and is least susceptible to moisture.
Adjacent to the granary is the Qingque tribe’s handicraft workshop area.
For example, textiles, carpentry, and stone tools are all used to build houses.
Tearing down a house and rebuilding it is a very labor-intensive and time-consuming task. When planning, Han Cheng tried to use the existing buildings in the tribe as much as possible, adhering to the principle of not tearing down the buildings if they can.
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For example, there were originally rows of granaries that looked similar to the houses in the Qingque tribe, but he turned them into houses in a residential area.
Many of the workshops in the painting already existed.
To the west of the square is the breeding area of the Qingque Tribe. Deer pens, sheep pens, rabbit pens, chicken pens, etc. are all built on this side. Also mixed in are the Qingque Tribe's toilets.
Here in the tribe, the east wind blows more often throughout the year, so these items with a stronger smell were moved to the west by Han Cheng, and during construction, they were kept as far away from the tribe's residential areas as possible.
Behind the breeding area, there are many large pits dug. These large pits are used to store the dirty water flowing from each pen.
Firstly, it can prevent pollution and make the tribe cleaner, and secondly, it can accumulate a lot of fertilizer for the tribe.
On the south side of the courtyard, that is, the side with the gate, there are piles of hay, firewood, charcoal, and other flammable things.
It is very far away from residential areas, grain storage areas and livestock areas.
With the increase in population and livestock, more and more firewood are always available in the tribe. This is a huge safety hazard, and it is necessary to stay away from people, livestock and food.
Outside the courtyard, there are fields in autumn. The ground is full of golden millet, and the fruit trees beside the millet fields are covered with abundant fruits.
In order to make these ripe millets and fruits more attractive, Han Cheng can make the yellow paint very thick and render it out bit by bit, making it look extremely attractive...
Everyone who gathered together stared at all this with their eyes wide open. They were amazed by the way the Son of God was able to put all these things on a piece of paper and display them.
I am also shocked and delighted by such a tribe.
The eldest brother twisted his neck with difficulty and looked around, looking at the current situation in the tribe, and then compared it with the scene in the painting.
I originally thought the tribe was very good, but after comparing it, when I looked at it again, I felt it was not pleasing to the eye.
He is not the only one who feels this way, most other people in the tribe feel the same way.
No wonder Son of God has always wanted to expand the tribe! Who wouldn’t want to live in such a tribe?
"This is where we will live from now on!"
Han Cheng smiled and said to the stunned tribesmen, his voice was calm and not very confusing.
In fact, there is no need for him to use more words to persuade at this moment. The presence of this painting is the biggest temptation to everyone.
The wizard who stood up straight was trembling all over. On the one hand, he was stimulated by the bright future of the tribe, and on the other hand, he suddenly discovered another use of paper, pen and ink!
It turns out that in addition to being used for writing and recording things, these things can also be used in this way!
The stone's eyes were wide open. If there were no eye sockets blocking them, they might have fallen out of them at this moment. It turned out that the tribe that the Son of God mentioned before was like this!
If I had known this to be the case, how could I not agree with it!
This pattern, which the people of the Qingque Tribe had never seen before, greatly shocked them. At the same time, it also showed the future of the Qingque Tribe in front of everyone in an extremely intuitive way, making everyone excited.
Trembling!
"God...Son of God, autumn...in autumn, it cannot be built..."
Shi Shi, who had been trembling for a while, suddenly spoke.
Shi Shi is basically regarded as the 'teacher' of the Qingque tribe, and he is the one with the best cultural class in the whole tribe except Han Cheng.
While most others were still in shock, he had already keenly discovered that the houses and other buildings in the painting were much more than what the tribe currently owned.
He didn't see the 1:200 scale. The courtyard in the picture was enlarged four times by Han Cheng. He also didn't notice this.
But just from the many extra houses, he roughly deduced that it would be impossible to build all these things by the time the millet turns yellow.
Because there are many things that need to be done in the tribe, it is impossible to use all the people to build houses.
Hearing Shitou's words, Han Cheng had a smile on his face. He had no idea of completing such a large project in less than a year.
