After taking care of Zhen Huiqi's matter, Qu Yun finally had time to solve her own problems.
As early as when the gnarled, branch-like wand she obtained from Sophocles' labyrinth began to break, she had already begun to search the Book of Retesin for the relevant method of creating her own enchanted wand.
In the free market, enchanted weapons, protective gear, various high-tech products and legendary materials emerge in endlessly. But when it comes to arcane magic, cultivating immortals and other systematic enchantments, and refining creations, there is a price but no market. After all, what can be done in the world?
Too few candidates are embarking on relevant paths.
Even if some teams obtain such artifacts in the game that require special energy utilization methods, they often know that there is no market and sell them directly to the system administrator of their own team space. Instead of selling them on the free market.
As for the limited number of related items for sale in the market, they are just lucky gamblers who bid sky-high prices in the hope that they will be spotted by the limited number of related system bosses in the world. In fact, they are all garbage. There is no market.
In terms of transactions, no one knows how much the market value of these things is. You can’t calculate it based on the actual value estimated by the system, right?
Therefore, in the end, there are only two options: either encounter a dungeon similar to Sophocles' Labyrinth and try your luck to find one. Or, build it yourself!
The Book of Retesin is worthy of being a treasure that contains the evolution of millions of creatures in the universe. The contents above are eye-opening and eye-opening for Qu Yun. From the beginning of "Create a magic wand for yourself", he skipped directly to "
With various normal choices such as magic beads, grimoires, and staffs, Qu Yun finally decided to build an instrument for herself.
Ordinary mages cannot cast spells with the help of musical instruments. Even if they can, they can only use the additional attributes of the musical instruments or just a wand that grows into the shape of the musical instrument. But Qu Yun learned Longwen syllables and took the path of rune music.
Even in the vast world of Lamarck's game, there probably isn't much recorded information on the enchantment of rune music. After all, for its real users, the dragon clan, this is an instinct integrated in the blood, and there is no need for it.
Use books to pass on the legacy just like human beings.
Fortunately, Qu Yun happens to have the Book of Retesin in her hand, which contains all the creations in the universe. As mentioned in the book above, magicians who use rune music use musical instruments as their magic tools.
Like all ordinary magician's wands and staffs, the instrument is only an auxiliary to the spellcaster. A tone-deaf magician may be able to borrow the fixed keys on a specially tempered clarinet to accurately play the dragon syllables? But this is usually not possible for magicians.
The main reason for the good effect of self-chanting lies in the medium.
Magicians who contain the door of truth in their bodies and are covered with arcane elements are themselves good materials for magical instruments. This is completely incomparable to those instruments made of ordinary metal and wood. If you want to make the instrument into a piece, it can be like a magic wand.
For a magic weapon that can effectively assist a mage in casting spells, the material is the first factor.
Materials with good magical conductivity, such as mithril, orichalcum, elder, and yew, are most suitable for making magic instruments. They can allow the power in the mage's body to be well exported and reduce media attenuation. In addition, good
Enchanting will also be an important reflection of the value of a magical instrument.
But the most important thing is to form an auxiliary effect on the magic being cast. According to the Book of Retesin, in the rune music casting system, the mage's own pitch control will directly dominate the quality of the spell. The auxiliary magic weapon is
The richness of the sounds derived from it adds potency and variety to the magic.
So how to increase the richness of music? This is exactly the area that Quyun is familiar with.
According to the principle of sound production, traditional musical instruments are divided into three categories: wind instruments, string instruments, and percussion instruments, with different timbres. Then two or more sounds appear at the same time to form harmony. There are dozens and hundreds of different harmony theories in the world.
The system constitutes huge possibilities.
Parallel to this, there is also the counterpoint method of combining multiple melodies in parallel at the same time. A good counterpoint melody can have various auxiliary effects for magic chanting, and when multiple counterpoint melodies appear at the same time, the mage
The magic chanted will be strengthened in various ways.
Many high-ring forbidden spells close to the center of the Door of Truth require corresponding harmonic counterpoint chants. The legendary dragons ended an era in a fugue chorus, and its prototype should probably be the talisman.
A large-scale ban on music.
What Qu Yun decided to make was an enchanted musical instrument that would allow her to play complex harmonic changes and counterpoint textures. It would even help her to cast Dragon on her own when her magic power reached the corresponding level.
A chorus of forbidden curses that destroy heaven and earth!
However, even in the Book of Retesin, which contains the principles of the creation of millions of things, such an instrument does not exist. Of course, Quyun is not the first to have such an idea. The Book of Retesin records hundreds of
The experiments and failures of thousands of senior mages.
The reason is very simple. The sound production principles of wind instruments, string instruments, and percussion instruments are different. When sound is produced, the sound waves in the resonance body interfere with each other, resulting in the arcane elements being unable to be guided smoothly, and the spell completely failing.
Some enchanted harmonic instruments that try their best to channel arcane elements will also explode under the massive energy burst when the spell is cast. And those who try to solve this problem by using all legendary materials will only end up
Because the properties of various materials are different, they will automatically disintegrate when casting the spell.
Therefore, the magical harmonic instrument only exists in theory. Although there are detailed instructions in the Book of Retesin to explain the feasibility of its working principle.
But if the theory works, then it is worth a try. After conceiving the theoretical structure of the magic harmony instrument out of interest in research some time ago, Qu Yun was very lucky to get an unprecedented experimental opportunity.
That is the "Special Game Scene Fame" obtained in the last game.
After identification, Qu Yun learned that the soft and pliable ice she obtained was called "Remote Memory Soft Ice"; the active flame used by the Mian Pos to cook was called "Thought Holy Fire"; and finally, under Zhu's instructions, Ren Mian
Shuang dug up the clay and named it [Soul Clay].
If you add a ball of [emotional fog] that she has not seen in the previous game, which can give birth to life out of thin air, it just happens to be the four basic elements of a world: air, water, fire, earth. And each one.
, are the essences that breed the corresponding elements.
These four materials have the same origin, and they are all rare treasures that are unique in the world, and they fit perfectly with each other. According to the Book of Retesin, under certain specific circumstances, if they are put together, the world can be created.
This is the reason why Qu Yun dares to challenge this unprecedented feat in a mere white robe. The predecessors have used more precious treasures as materials many times in their attempts, but there may not be any mages who are lucky enough to assemble such a perfect match.
Three different materials.
The characteristics of these three materials just met Qu Yun’s original design needs out of curiosity.
The grade of the material in the identification results is a familiar yet unfamiliar name.
Misha could not give any explanation for this level that was not in the classification system.