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0693 Chapter 15, Blood Candle Castle, Blood Moon, Blood Feast, Section 37

Looking closer, Qu Yun found that these reliefs did not place the square work in the grooves left on the wall like the decoration room, and then fix it. Instead, they were like the remains of archaeological excavations, with irregular edges.

There are many reliefs in the shape and are incomplete.

I don't know how many years have passed since these stones, and the people who have placed them here have carefully designed them to blend their color with the texture and the walls of the stone hall. There is no magic trick, but pure craftsmanship.

Sophocles, who represents the world, is a great artist. Qu Yun suspected that these reliefs were found from an older place when the god created this mausoleum. Then he processed it himself, so it appeared.

Ingenious design.

After walking a whole circle, Qu Yun found that the reliefs surrounding the stone chamber seemed to be a narrative work of art with a connection between front and back. However, their styles were so ancient that they could be said to be primitive and abstract, and there were many incomplete parts that made Qu Yun look at it.

Understanding the story in the relief creates great difficulties.

Generally speaking, it can be seen that two men led a tribe to migrate, fighting against various demons and monsters on the way.

As the migration process progressed, it experienced various completely different natural styles, and even included obvious backgrounds of the sea and starry sky; while the number of tribes was getting smaller and smaller, and more alien monsters were encountered, and it seemed that it was soon

It looks like you are going to reach the end.

At this time, a beautiful woman who had never appeared on the mural before appeared. The reason why she could clearly say that she was beautiful is because her image had a completely different style of painting on a series of stone sculptures. Her face and clothes were all realistic and realistic.

, like a sculpture from ancient Greece.

This sense of disagreement is very strange, just like a Ukiyo-e-style boss suddenly appears on a page while flipping through a superhero comic; or a landscape photo is mixed in a series of abstract oil paintings at the exhibition.

In the first relief of the woman, she held the blood totem with one hand and pointed a dagger with a curved tip at one of the two leading men, and a huge counter-cross appeared behind her.

In the next scene, another man took the dagger, stabbed the pointed man's chest, and took out a blood totem from his heart. After that, the totem turned into a thin sword and was held by the man.

In hand.

Then he changed in the next relief that faced the entrance of the room. He became a human-shaped winged creature whose lines were too simple and it was difficult to tell what kind of humanoid winged creature it was. Only by using the thin sword in his hand, can this person be determined

Identity.

Then the scene where he bit the throats of the rest of the tribe, and then the entire tribe turned into a winged alien race. Then the second half of the room returned to a series of stone sculptures at the entrance, and the tribe embarked on the journey back and took the first half.

Each scene that passed through the room was repeated again.

However, this time the men led the team changed from two to one, and the mutated tribe was invincible. The man held a thin sword and fought invincible, killing those powerful monsters fleeing in fear.

Finally, directly above the entrance, the tribe returned to their hometown where they first left. The people grew and used magic to build a magnificent city.

The man sat on the throne, holding up the invincible sword with one hand that followed him in battle, and holding the dagger with the curved tip in the other hand, while the simple blood totem emblem hung above his head.

In the same world, half is the beginning of the journey of the ethnic group leaving their hometown, while the other half is that they return triumphantly and become the masters of their hometown again. Like the circular room, the entire set of stone sculptures surround the walls for a perfect cycle.

Qu Yun carried Huoyu on her shoulders and gently stroked the ends of her hair with her fingers. Is this mythological description the origin of the blood clan?

If this is true, then wouldn’t my game goal be left to half of the decline of the blood clan? Even the leisure venue specially set up by Sister Dragon Girl, there is no reason to pass a Lamark game so simply, right?

It cannot be said that it is not difficult. When he was attacked by the Blood Candle, he was considered dead for death. Thinking of this, Qu Yun suddenly became clever again.

Why did those blood candles attack them? According to the rules of the game, does this have any potential connection with the rise and fall of the blood clan? Moreover, why did the blood candle, the specialty of Blood Candle Castle, appear in the Sophocles maze?

Thinking about these questions, Qu Yun let her consciousness sink into the spiritual world and touched the light spot to check the rules of the game. Sure enough, two-thirds of the "collecting three archaeological clues" in the victory conditions have been completed.

If the first clue is the blood totem in Consine's hand, then the second clue is probably these reliefs.

As if he had lost his patience, Qu Yun turned his gaze to the altar and said to the empty round hall: "I have been waiting for you for so long, and everyone has helped you go away. You should come out, right? Or, I have to ask for Yizi.

Only when you are not here can you continue your own activities?"

After finishing speaking, I waited for more than ten seconds and nothing happened.

"There is only one way in here, and there is no other exit in the hall. You guys are obviously magicians, why do you like to insult yourself and others' IQs so much? Come out, I don't want to destroy the ancient sites." Qu Yun faced the empty altar again

road.

It took another ten seconds, but there was still no movement. Qu Yun was singing a one-man show to the empty stage like a clown.

"Oh, I really don't cry until I see the coffin," Qu Yun sighed, raised the rain with one arm and pointed it at the edge of the altar: "mi re, mi- fa!"

More than a dozen fireballs formed out of thin air beside her and rushed towards a corner of the altar.

Bang!

The floor at the corner of the altar suddenly turned outward, and a figure rushed towards the towering top with lightning speed.

Unexpectedly, before touching the altar, the dozens of fireballs suddenly changed directions and flew in all directions. The two fireballs in the front were squeezed into the middle and flew away without an angle. They did not hurt a corner of the altar, but were destroyed in the void out of thin air.

.

Boom! Boom!

The figure flew quickly, but how could it be faster than the magic that set the trajectory? In a blink of an eye, two of the scattered fireballs were hitting the man.

Puff!

The figure in the air fell back into the altar like a knocked wild duck, and his body was charred and blood splashed out. At the same time, all the scattered fireballs were destroyed before they touched the wall.

It is obvious that the structure of the altar mezzanine and the guy hidden inside were heard by Qu Yun from the beginning. She adjusted the magic modeling with her own experience, and predicted that the [missile] blocked all possible escape directions.

, and be careful to avoid spells from harming the monuments.


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