Without help, there will be a lot of inconvenience, but it is not difficult.
——Although there are many maids who take care of the "old lady"'s daily life, Nishikawa Suimi divides them into several waves, letting them enter their rooms at different times every day and do different things, so that they can think of each other.
Others will help the "old lady" wash up.
Then she kicks all the helpers out while she sleeps and washes herself, so that no one will see her body that does not match her actual age.
This is not absolutely safe, but there is no other mistress in the house now, only a son-in-law, and a grandson who grew up abroad and is not very close to the old lady.
As adults of the opposite sex, of course they cannot care whether the "old lady" is an old man or a young man after taking off her clothes.
Nishikawa Suimei has been living in obscurity and has not been exposed so far.
But today, her luck seemed to have run out.
——When Shiraishi was asleep just now, she used a secret passage to sneak into the room where the other party was. While the maid she sent was taking the high school girl to visit the castle, she put a glass of juice mixed with sleeping pills on Shiraishi's bedside table.
I originally thought I wouldn't see this person again today, but I didn't expect that he not only woke up, but actually made it in time for dinner.
Later, after discovering that the black-skinned detective and Shiraishi had actually entered the secret passage, Nishikawa Suimi originally planned to activate plan three and sneak attack the two people in the secret passage.
Unexpectedly, after turning around, she was never able to get behind these two people.
... It is impossible for a new stranger to be more familiar with the secret passage than she is. Nishikawa Suimi can only explain that these two people are very lucky, or she is very unlucky.
But Nishikawa Suimi did not give up.
After another failed containment, she came out of the secret passage and prepared to run into another secret passage and continue to take a shortcut around her back.
Unexpectedly, as soon as they arrived in the corridor, the other two people found the exit of a secret passage, and they happened to bump into each other.
Nishikawa Suimi is just a little stronger than her peers, and does not have the strength to fight two young men head-on - and the situation is worse than she expected. Not only can she not fight, she can't even run away.
When they were in the secret passage, Nishikawa Suimi eavesdropped on part of the conversation between the two and knew that they had already doubted the authenticity of the "old lady".
This time she was suddenly held down by the black-skinned detective. She thought everything was over, but she didn't expect that the little boy she knocked unconscious and took away would actually come in handy.
To the two detectives, the treasure had no value - it was no one's turn to take it.
In other words, they definitely care more about the child's life.
After comprehensively weighing the characters of both parties, and based on the principle of whoever has no bottom line wins, Nishikawa Suimi felt that she could forcefully ask them to tell them where the treasure was first, and then tell them where the little boy was tied up.
If such a small primary school student was thrown underground after being injured, these two people would definitely be very anxious and go to search below first.
At that time, he can take the opportunity to rush to the location of the treasure and get it. Then he can use his familiarity with the secret passage to escape quickly - he failed to block the two people just now because it was difficult to go around. If it had been someone else,
When chasing herself, Nishikawa Suimei is confident that she will never be caught up.
The only flaw with this plan is that if the treasure is too big, it may not be taken away.
But a man as rich as the master must like exquisite and expensive things. And if the thing is too big, she must have found it long ago after wandering in the castle for so many years, but she has not been able to find it until today.
Any clues, doesn't this mean that the thing is easy to hide?
Xi Chuan Suimei thought to herself that she was simply too clever.
Survive from a desperate situation, all the hardships come with joy. I originally thought that today was an unlucky day, but not only did the child see the old lady's body, but the detective also discovered her true identity, and she was forced to pull the plug.
Unexpectedly, in the end, not only did he rebel against the general, but he also got the treasure that he was looking for. This is simply...
So happy!!
And this kind of happiness that has gone through all kinds of difficulties and twists and turns is simply not comparable to ordinary happiness.
Nishikawa Suimi quickly formulated a plan.
She stood up and straightened her clothes, ignoring the fierce black-skinned detective, and turned to look at the kind young man on the other side who was still a little regretful for letting the news slip. She felt that this man must be easy to talk to and easy to deceive.
During the conversation, Shiraishi pretended to be entangled for a while, first going over and over with a few foreshadowing sentences: "He is still a child", "A man must keep his word" and "Will you really let him go?" before hesitatingly getting to the point:
"The clue is the deceased 'old man' of the Mamiya family, because of the chessboard in the yard... forget it, you probably aren't interested in hearing it either."
Shiraishi saw that Nishikawa Susumi was really eager, so he skipped the thinking process and said the conclusion directly: "In short, if you turn the portrait of the old man to the left, the entrance to the treasure will appear."
Hattori Heiji sighed again after hearing this.
For every detective, the process of explaining the reasoning and unraveling the mystery bit by bit is a great pleasure, but now, Shiraishi has voluntarily given up this fun.
He always felt a little shortchanged and wanted to add explanations.
But as soon as she said a word, Nishikawa Suimi had already rushed out with a vigorous pace that did not match her appearance, and went straight to the castle hall.
"..." Hattori Heiji glared at her back in displeasure and ran after her - he had to keep an eye on her to prevent her from running away. Although he didn't know whether she had lied or really caught Conan, no matter the situation
, must be prepared in advance.
…
Hattori Heiji only knew the location of the treasure, but he didn't know what the treasure was.
He followed Nishikawa Suimei to the hall and saw the old lady grabbing the oil painting and pushing it aside with all her strength.
An oil painting four to five meters high should be extremely heavy.
But when Nishikawa Suimi pushed it, she didn't feel much resistance.
She was overjoyed and became more and more excited - this happened, of course, not because of her natural power, but because of the mechanism behind the painting.
The young man didn't lie to her, the treasure must be hidden here!
The painting was tilted to a certain angle, revealing a vertical passage at the back, with a series of ladders nailed to the inner wall.
Climbing this kind of thing is very difficult and very challenging to one's courage, but Nishikawa Suimei got into the hole without hesitation and climbed up while humming.
Shiraishi originally wanted to climb, but when he poked his head in from the entrance of the cave and looked up, he was worried that Nishikawa Suimi would be too excited, her hands would sweat too much, her palms would slip, and she would fall and hit herself.
Moreover, this passage has not been used for many years, and there are several layers of spider webs hanging on it. Maybe when you climb to the top, there will be a layer of strange pendants above your head, such as a "hanging gauze embellished spider curtain".