Judging by the feel of the hand, it was a guqin wrapped in the high-density sponge, and Lu Fei was very excited.
Guqin is an extremely unpopular collection. Even I only have one.
And this is the Robert family's reward for repairing the Seven-Star Sword. It is definitely not an ordinary object.
Lu Fei moved the bubble wrap to the desk, turned the desk lamp to the brightest, lit a cigarette and continued to dismantle it.
Two minutes later, an extremely beautiful Guqin appeared in front of Lu Fei.
"Hiss——"
"Fuck!"
"Tang Qin!"
"Nine Heavens Ring Pendant!"
“That’s awesome!”
After seeing Fang Qin clearly, Lu Fei screamed strangely.
This square qin is made of sycamore as the surface and fir as the base. The whole body is painted with purple lacquer, with small snake belly broken lines. The pure antler gray tire appears at the smoothed broken lines. The base of the antler gray tire is made of Gebu.
The instrument is 1.25 meters long, 22 centimeters wide at the shoulder, a little over 15 centimeters wide at the tail, 6 centimeters thick, and 2 centimeters thick at the bottom.
The dragons are all in the shape of an oblate shape, and the grid is a thin joint of paulownia wood in the middle of the right side.
Nayin is slightly raised in the abdomen, and is concave in the form of a round-bottomed groove with a depth of about two centimeters and a width of three centimeters, extending from the end of Nayin.
On the top of the pond on the back of the instrument are engraved the four characters "Jiuxiao Huanpei" in seal script, and below the pond are engraved in seal script "including" one side of the big seal.
On the right side of the pool is engraved the running script cross of "Chaoji Cangxiao, Xiaoyao Taichi. Tingjian" by Huang Tingjian, and on the left side is the running script cross of "Lingran Xi Taigu, Collection of Shimengzhai" and the seal of Shimengzhai.
The nine-sky ring is worn above the foot of the piano and is engraved with twenty-three characters in regular script: "The spring breeze is soft, the ring is full of sounds. The new Yan language hanging on the curtain, the old dragon chanting in the blue sea. The story of Su Shi".
The oval seal of "Three Tang Dynasty Qin Pavilion" is engraved on the top of Feng Marsh, and the square seal of "Chu Garden Hidden Qin" is engraved on the bottom.
On the left side of the abdomen, there are seven characters inscribed in regular script "Kaiyuan Guichou in the third year of Kaiyuan", which means the third year of Kaiyuan, which is 713 AD.
In the above inscription, "Nine Heavens Ring Pei" and "Including" are printed at the same time. In the old carvings, the inscriptions, postscripts and abdominal inscriptions of Su and Huang are all fake.
The forehead of this qin is round and broad, the width and length of the neck extend to below the third emblem, and the waist length spans between 8 minutes of the 7th emblem and 2 minutes of the 11th emblem.
The curvature of the piano surface gradually grows from the edge to resemble the sky, plump and rounded.
The entire piano body is connected by arcs, and the transition of lines is natural and smooth.
Especially at the end, it gradually becomes rounded from the bottom of the thirteen emblems.
The lines of the crown and corners are also carved very finely, which improves the monotony of the piano body and adds a bit of agility to the rough body, making the entire piano body appear majestic and tall in its solemnity and richness, which is typical of the prosperous Tang Dynasty.
style characteristics.
The Jiuxiao Huanpei Qin is the rarest type of Tang Qin. Since ancient times, this Qin has enjoyed a great reputation and is known as the "Ding Ding Tang Quality" and "Immortal Quality".
Except for the patent leather peeling off in a few places, this Fangqin is generally well preserved.
In terms of value, although it is not as good as my own Donglei Qin, it is still top-notch among the guqins.
I have to say that the Robert family is really willing to spend money in order to win over them!
Currently, there are only four known Jiuxiao ring pendants in the world.
There is a collection of Fatty Wang’s old stories, a collection of Fengtian Museum, and a collection of history museums.
The last one is in the hands of the great collector Mr. He Zuoru.
Except for the one in the Fengtian Museum, all of the four Nine Heavens rings are damaged.
This is the fifth-party Jiuxiao ring pendant, and it is so well-preserved. It will definitely shock the collecting community when the museum opens for exhibition in the future.
By then, even if you want to see this Jiuxiao Huanpei at this juncture, you will have to buy a ticket for me.
Quack!
After admiring it for a while, Lu Fei took out his phone and took a few photos before packing it up again.
Previously, there was only one layer of bubble packaging, which was not safe.
Lu Fei opened Song Gui's box, demolished the east wall to patch up the west wall, and wrapped it up two layers before he felt relieved.
Next, the whistle continued to blow, this time the tone was changed to "Good Day".
Whistling, Lu Fei squatted in front of a fifty centimeter square wooden box.
I stretched out my hand and shook it. It was not light.
Lu Fei smiled slightly and the whistle became louder.
He carried the box to the desk and opened it skillfully. There was a layer of solid foam inside.
Remove the foam, and inside is a wooden box made of golden nanmu and gold.
Seeing this wooden box, the whistle stopped immediately.
This wooden box is not simple, it is 25 centimeters square, and is decorated with nine golden dragons all around. Judging from the wrapping and style, it should be a Manchu item.
The golden dragon decoration is definitely a royal thing.
The box had no lock. After emptying the surrounding garbage, Lu Fei opened the lid.
The moment the lid was lifted, a dazzling golden light refracted out.
The golden light carries a colorful halo, and the entire study falls into a colorful world.
“Jin Mou Eternal Cup!”
"Oh my God!"
"It's definitely this baby, it's so awesome!"
Seeing clearly that it was the Jin Ou Yonggu Cup, Lu Fei stood up with his eyes rounded.
The Jin Ou permanent cup is 13 centimeters high, 8 centimeters in diameter, and 5 centimeters in height. It is made of 80% gold.
The cup has a round mouth with engraved edges.
The seal characters of "Jinou Yonggu" and "Qianlong Year System" are cast on the edge of the cup.
The whole body is carved with entwining flowers, and the Qianlong gold-embedded golden Ou permanent cup of the Qing Dynasty is inlaid with a total of eleven large and small pearls.
Two of the main pearls are milky white and smooth in color, with a diameter of more than one centimeter. They are both precious. The best among beads, the other nine are also top-quality round beads with a diameter of more than half a centimeter.
The Jin Ou permanent cup is inlaid with twenty-one red and sapphires, all of which are made of high-quality Burmese red and sapphires, some of which have magical starlight, star rubies and star sapphires, which are really the best among gems!
The Jin Ou permanent cup is inlaid with four tourmalines, ranging from red to pink.
All belong to the most valuable "double pink" tourmaline.
On the left and right sides of the cup body, there is a Kui dragon galloping upward, representing vitality and majesty. They also have a precious flower on their heads.
There are three legs at the bottom of the cup, all shaped into the shape of an elephant's trunk.
Elephant is a homophonic word for auspiciousness, and the Jinou Yonggu Cup uses an elephant to hold up the cup body.
The "Jinou Yonggu Cup" is a rare drinking vessel for the emperor in the Qing palace.
When Emperor Qianlong came into being, he ordered the Ministry of Internal Affairs to make a gold cup, and the cup was named "Jinou Yonggu" with the four characters "Jinou Yonggu" engraved on it.
"Ou" originally refers to drinking vessels such as cups and bowls. Later, the ancients often used "Jin Ou" to symbolize state power.
After the gold cup is cast, it is dazzling and natural, which not only shows the royal dignity and luxury, but also symbolizes good luck and peace.
Emperor Qianlong, in his great joy, designated the cup-casting master of the Manufacturing Office as a "Nine-grade Craftsman" in recognition of his outstanding skills.
"Nine-grade craftsmen" has since become synonymous with top craftsmen.
According to the "Qing Palace Construction and Office Records", a total of four Jinou Yonggu cups were made by the Manchu Qing Dynasty.
One of them is gilt copper and is currently in the Wallace Museum in the UK.
There were only two gold cups during the Qianlong period, one is in Baodao Gubo, and the one in front of you is the second gold cup.
In the early years of Jiaqing, a Jinou Yonggu cup was also made, which is currently in the collection of Fatty Wang.
Lu Fei's piece is not only the only Qianlong gold Jinou permanent cup in China, but also the only one with the seal script "Made in the Qianlong Year".