Hearing what Lu Fei said, Gao Yuan nodded heavily.
"That's right, what I saw was like auspicious clouds flowing between the rainbows."
Gao Yuan spoke, and others responded.
"What I saw was different from what you saw."
"It looks like Penglai Wonderland to me."
"Mine is like a mirage."
"Mine looks like Nantianmen."
Xie Chuncheng, who spoke last, attracted everyone's contempt.
The next second, several middle fingers were raised at the same time.
"Fuck you, uncle!"
"The more you talk, the more absurd it becomes. Go back and pick out the beads."
"Woo!"
"Why do you always bully me?"
"Is it just because I'm the youngest?" Xie Chuncheng said aggrievedly.
"That's right, you're the youngest. If I don't bully you, who will you bully?"
"do you have any opinion?"
Everyone stared at the same time, and Xie Chuncheng shrank in fear.
"Ah no!"
"I have no objection at all."
"Brothers, take your time and play while I go to work!"
"Hahaha"
After laughing, Gao Yuan was still a little confused.
"Xiao Fei, just now you said that you need to move the pagoda to see different scenes."
"But in fact, the pagoda is here and has not been moved at all!"
Gao Yuan's question made everyone curious.
Lu Fei pointed at the wax fire and said.
"Although I did not move the pagoda, the wax fire kept beating."
"The wax flames of four candles are beating at the same time, and the images will naturally change."
Everyone heard it and suddenly realized it.
"Xiao Fei, I still don't understand something!"
"you say!"
"Why do you have to light a candle? Can't you do it under the light?"
"This is really not good."
Lu Fei said, and asked Xiao Ma to turn on the light again, blow out the candles, and everyone watched again. r> Sure enough, right in front of you is a white jade pagoda with exquisite carvings.
As for the previous miracles, you can't see them at all.
"Hiss——"
"What's happening here?"
"Lights are much brighter than candles, why not?"
Seeing everyone's confused looks, Lu Fei chuckled.
"As I said just now, this work is the work of Zhang Yizhou, the great jade carving master of the Manufacturing Office during the Guangxu period."
"Zhang Yizhou used superb techniques to create the magical phenomenon of flowing smoke and clouds."
"But don't forget that in his time, electric lights were not yet popular, so the environment when he was making them must have been under candlelight or oil lamps."
"So, the corresponding conditions for him to make the pagoda should also be candlelight or oil lamps."
"Whether it's a candle or an oil lamp, it must be placed on the table."
"The angle of illumination can only be parallel to the pagoda, or slightly higher or lower, but there will never be a big error."
"And our electric lights shine directly from above, which is completely contrary to the production conditions at that time."
"They didn't consider this kind of environment when they designed it. Of course you can't see it."
After listening to Lu Fei's words, everyone suddenly understood and couldn't help but marveled.
Lu Fei originally planned to take the pagoda back, but the younger brothers strongly requested to appreciate it again.
Everyone wants to see what they will see from different angles and different fields of view.
They are all brothers, so of course Lu Fei would not refuse this request.
What's more, Lu Fei also had this intention.
Turning off the lights again, everyone slowly walked around the pagoda to appreciate it carefully.
There were exclamations and surprises all around.
"Hey, I look over here, it seems to be Yunwu Mountain!"
"My side is like Mount Everest."
"My side looks like the Eiffel Tower."
"My side is awesome, it seems to be Nantianmen!"
It was Ma Tengyun who said this.
Xie Chuncheng, who was picking beads at the side, rushed over like crazy.
"Ma Tengyun, what did you say?"
"Just now I said I saw Nantianmen, and you said I was bragging. How do you explain it now?" .??.
"You must give me an apology."
"Otherwise I will never be done with you."
"Hahaha"
The boys made a fuss for a while, then the lights were turned on again, and Lu Fei carefully put away the Nine Exquisite White Jade Pagoda.
This time Lu Fei put the pagoda in the innermost part of his backpack, preparing to go back and give Chen Xiang a surprise.
Lu Fei previously promised Chen Xiang to witness the miracle together.
But when a fire broke out in Maojia Village, Lu Fei changed his mind.
First, these things were brought out by Sun Dianying from Dongling, and they have their own yin energy and Cixi's resentment.
If it catches up with his wife's menstrual period, this magnetic field will have a negative impact on Chen Xiang.
Furthermore, the unbearable stench was so overwhelming that even Lu Fei himself couldn't stand it, and he couldn't let his wife suffer the same.
Anyway, everything is here, it’s not too late to show it to Chen Xiang after I finish processing it.
After putting the pagoda away, Lu Fei picked up the third oil paper bag side by side.
There is also a big surprise here.
This is a pink tourmaline lotus flower, weighing about one kilogram.
The pink lotus petals and egg white flowers make the image lifelike.
This is a super big treasure, and it is also one of the nine treasures around Cixi.
This pink tourmaline lotus flower was placed at Cixi's feet when she was buried, and the lotus flower grew every step of the way.
This is a piece of pure natural tourmaline. The cost at that time was 750,000 taels of snowflake silver.
That's right, with just this thing, you can buy all the courtyard houses near Shichahai, and still have a lot to spare.
There is nothing special about the tourmaline lotus, Lu Fei just admired it purely from a collector's point of view and then put it away.
Moving on to the next box, Lu Fei was no longer calm now.
This is a piece of pure gold and silk with seven treasures.
Many people have heard of wishful thinking in movies, TV shows or books.
But there are quite a few people who don't know what this object is used for.
It sounds simple, but in fact this thing is the predecessor of the modern so-called tickle scratch.
It's just that the name is relatively tall.
The word "Ruyi" comes from the Indian Sanskrit "Analu". The earliest Ruyi, the end of the handle is shaped like a finger to show that what the hand cannot reach can be scratched as desired.
There are also ones with a "heart" shape on the end of the handle, made of bamboo, bone, copper, and jade, and the monks hold the inscriptions on them in case they are forgotten.
In ancient China, there was a "scratching staff" and a "wat" (also known as "chao wat" and "hand board") for recording events, and Ruyi was used for both.
By the Qing Dynasty, "Ruyi" had been most widely used in the palace and became one of the palace's treasures.
Later, due to the discovery of beauty by the ancients, Ruyi, as the original "itcher", gradually turned into a practical and aesthetic utensil, as well as a traditional auspicious symbol of China.
At the emperor's enthronement ceremony, the ministers in charge of etiquette will present a "ruyi" to wish the emperor a harmonious government and a smooth new administration.
When the emperor met with foreign envoys, he would also give "ruyi" as a gift to show the friendship between the two countries and the peace of the country and the people.
In the bedrooms of emperors, empresses, and concubines, there were "ruyi" symbols, which were used to nourish the spirit and bring good luck.
Especially during the weddings of emperors and empresses, longevity in the palace, and the Mid-Autumn Festival and New Year's Day, ministers are required to present a large number of "ruyi" to imply that the emperor and empress are safe and good, and good fortune is shining.
It can be seen that a small "ruyi" is a precious thing that integrates palace etiquette, Han people's exchanges, and display and appreciation.