After processing the 500-year-old cellar and returning to the car, Lu Fei couldn't wait to take out Mixi's small purple bowl.
Compared with the 500-year-old wine, this bowl is also a treasure, and it is also a super treasure.
The word for a small bowl from the Jun kiln of the Northern Song Dynasty has the same pronunciation as the word for bowl. In ancient and modern collection circles, those pretentious celebrities wrote it as a small bowl.
However, this is indeed a bit pretentious, so let’s just write it as a small bowl that is easy to understand.
Jun, official, brother, Ru, Ding.
Among the five famous porcelains of the Northern Song Dynasty, Jun kiln porcelain occupies a unique place.
The reason why it is called unique is that Jun kiln porcelain is the only porcelain that no one can imitate perfectly and flawlessly so far.
It is also the most troublesome porcelain for the big names in the collection industry to appraise.
Jun kiln, also known as Juntai kiln, is a unique style synthesized based on the styles of Chai kiln and Lushan flower porcelain.
Deeply influenced by Taoist thought, it reached its peak during the Huizong period of Song Dynasty, and its craftsmanship was brought to its extreme.
Whether it is the expression of color or various textures, the expression technology that enables controllable kiln changes and arbitrary changes has never been imitated by anyone so far.
The Song Dynasty was influenced by Neo-Confucianism, which was reflected in the regular and symmetrical porcelain. This principle was followed in both shape and texture. Especially in the Jun porcelain made by officials in the Northern Song Dynasty, this principle was strictly adhered to regardless of whether it was a study utensil or a large sacrificial vessel.
Neat and symmetrical, elegant, palace-like, and meticulous.
Its momentum is heavy and simple, bright and deep.
Jian kiln, Yaozhou kiln and Jun kiln are the authentic and long-standing styles of Chinese traditional porcelain culture that have been passed down to this day.
Observed under a magnifying glass, earthworms are walking on mud patterns, using air bubbles connected one by one to form a three-dimensional crawling shape, and frog egg patterns are wrapping the egg nuclei in piles and are about to hatch out.
There are also cow blood patterns, the blood is deep red, dark and murderous, solemn and majestic, etc. It is difficult to describe them one by one.
The color, grain size and distribution of Jun porcelain from the official kilns of the Northern Song Dynasty are difficult to control artificially and are just right. They are the embodiment of the highest level of craftsmanship of Northern Song porcelain art.
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Some people think that the essential feature of Jun kiln is that the glaze has "earthworm mud patterns". This is not entirely correct, it can only be said to be one of the characteristics.
The glazes of many Jun kilns in the museum do not have mud patterns.
Because in the official kilns at that time, the glaze color was uniform, but due to the influence of the kiln temperature, glaze raw material ratio, firing environment and other factors during the firing of a small number of vessels, the glaze surface changed and restored unevenly in temperature, which resulted in the formation of Get rid of muddy lines.
Jun kiln in the Northern Song Dynasty achieved controllable kiln changes, and one of its characteristics was the pattern of earthworms walking on the mud.
Use bubbles to string together three-dimensional earthworms crawling around, frog egg patterns, fish egg patterns wrapping fish eggs that are about to hatch, etc.
The most important value of Jun porcelain in the Northern Song Dynasty lies in its ability to express the glaze as desired.
Jun means weight. Jun porcelain from official kilns in the early Northern Song Dynasty was heavy.
The traditional style of China's porcelain culture is simple on the outside but showy on the inside.
The so-called "Huayi light and dark color" is implicit and restrained, which reveals the essential characteristics of Song porcelain.
The delicious color and magical changes in tone of Chai kiln porcelain of the Five Dynasties are a milestone in the development history of Chinese porcelain art.
Under the brilliance of Chai kiln porcelain, the porcelain art of Song and Yuan Dynasties developed on a path of different styles but profound and extraordinary skills.
Thus opened the most glorious chapter in the history of Chinese porcelain art.
Originality runs throughout, and originality is the soul of porcelain art life.
One "hidden" and the other "explicit" reveal the inner essence of Chinese culture for thousands of years.
Since the Stone Age, Orientals have been deeply attracted by the infinite charm inherent in jade, which has expanded the breadth and depth of Orientals' understanding of the mysteries of nature.
But until now, Westerners still
Think that only shiny things have value.
Subtle observation of the natural environment and expressing them on porcelain is the core technology of Jun Porcelain.
The height of this expressive art is astonishing, and it has been the mainstream technique for palace porcelain production throughout the Northern and Southern Song Dynasties.
The texture of porcelain changed from "hidden" in the Northern Song Dynasty to "explicit" in the Southern Song Dynasty, and the surface form of texture in Guan kilns and Ge kilns had a direct impact on the porcelain art of the Yuan Dynasty.
Jun kiln porcelain has always been called the "treasure of the country". Among the five famous kilns in the Song Dynasty, it is unique for its "five-color glaze, gorgeous and gorgeous".
The ancients once used poems such as "The purple green at sunset suddenly turns into mist" to describe the beauty of Jun porcelain's flexible glaze color and its subtle changes.
Traditional Jun porcelain is magnificent and colorful, including rose purple, crabapple red, eggplant purple, chicken blood red, grape purple, cinnabar red, green... The glaze is red with purple inside, purple with navy blue, blue with white inside, and white with bluish inside.
It can be described as colorful and colorful.
The enamel is opalescent and crystal clear, thick and jade-like, similar to jade and agate, and has the beauty of ingenuity.
The firing temperature of Jun kiln has reached between 1350℃ and 1380℃. It inherits the characteristics of traditional Jun kiln with delicate texture and brilliant glaze color, and combines it with modern aesthetics, making the vessel full and exquisite in shape.
The uniquely developed agate glaze forms a more distinct layering after firing, with more than ten kinds of glaze colors. The whole body is also covered with vivid and wonderful flow patterns such as pearl dots, rabbit silk patterns, caviar patterns and twists and turns of earthworm mud patterns.
Gives people unlimited room for imagination.
How precious Jun kiln porcelain is can be perfectly reflected from the folk evaluation of Jun kiln.
For example, "Even if you have a huge fortune, it is not as good as a piece of Jun porcelain."
"The Jun porcelain is unmatched, and the kiln transformation is unparalleled."
"One color enters the kiln, and many colors emerge from the kiln." "If Jun porcelain is decorated with red, it will be priceless; if Jun is not decorated with red, it will be poor for the rest of its life" and so on.
The most intuitive evaluation of the commercial value of Jun porcelain is "Enter the Southwest Mountain, a seven-mile long street appears, with seventy-seven kilns, fireworks cover the sky, and merchants travel all over the world, making money every day."
There are countless poems praising Jun porcelain in history.
For example, Emperor Qianlong's "Appreciating Jun Hong".
"It's as red as the rosy clouds after the rain. It's like a fire, and it's slightly burnt. The world's cinnabar is unimaginable, and it's hard to match Western gemstones."
"Ode to Jun Porcelain" by Li Duo.
"The original clay body of the Honglu furnace is revealed, and the glaze is colorful and contains numerous treasures. The best quality letter is made from the kiln, and the price of a successful piece is unparalleled."
There are countless hymns dedicated to Jun porcelain, which shows how much people love Jun porcelain.
Jun kiln porcelain is better in red and purple in color.
The bowl owned by Lu Feimixi is an extremely rare small purple porcelain bowl.
This small Jun kiln bowl has a diameter of nine centimeters, with an inward rim and purple spots. This is the so-called Jun purple. It is produced by the fusion of red glaze and blue glaze. This is because the blue glaze is painted on during production.
Because of the layer of copper red.
There are a large number of bubbles in the Jun glaze, which causes the red, white, blue, and purple colors in the Jun kiln glaze to mix with each other, resulting in many colorful flow patterns. This is the phenomenon of kiln transformation.
On the background of blue, purple and white, there are blue and white interlaced, purple and red intertwined, and red and blue blended together, making the glaze color of Jun kiln particularly mysterious and elegant.
The overall shape of the device is flawless and flawless, and the natural patina is incredibly thick. It is probably something that is used every day.
It is a miracle that the porcelain of the Northern Song Dynasty can be passed down to this day without any damage.
Apart from anything else, if this small bowl were released, its value would definitely not be lower than my Ru kiln Fenghua style jade pot and spring vase, or even a few points higher.