The four treasures of the study, including epigraphy, stone, calligraphy and painting, are all complete.
Among them, the most numerous ones are the porcelain that Lu Fei loves.
There are one hundred and eighty-six pieces of porcelain in two rooms.
The third dynasty of the Qing Dynasty has the largest number of blue and white, pastel and painted enamels, and every piece is a good item.
Among them was a blue and white pine, bamboo and plum pattern Guanyin statue from the "Wood and Stone House". Lu Fei and Xu Maochen saw it and were full of praise.
This blue and white pine, bamboo and plum pattern verses Guanyin statue is 40 centimeters high, 13 centimeters in diameter, and a little over 13 centimeters in full diameter.
The bottle has a slender mouth, short neck, sloping shoulders, bulging abdomen, the lower part of the abdomen gradually converges, the proximal foot is splayed outward, and the foot is shallowly circled.
There is a raised string pattern in the middle of the neck, the whole body is decorated with blue and white flowers, and the neck is painted with a bamboo pattern of folded branches.
One side of the abdomen is painted with travertine, pine, bamboo and plum blossoms, and the space is decorated with flying magpies.
On the other side, there is a seven-character poem in regular script in green material: "With the tremendous power of Yu's pen, I can sweep away thousands of clouds in my chest. The old stems are covered with frost and snow, and a branch first takes over the spring forest."
At the end of the sentence, there is the inscription "Invite the Master of the Moon", with a small seal at the bottom and a round seal at the bottom.
At the beginning, there is a rectangular seal "Wushiju" written in blue and white in seal script.
The outsole is imitated with six characters and three lines of "Da Ming Chenghua Year System" in blue and white regular script, with double coils on the outside.
"Mushiju" was a common Zhaitang style on blue and white and multicolored porcelain during the Kangxi period of the Qing Dynasty. It was a very important porcelain workshop at that time.
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The blue and white porcelain produced by Mushiju is very exquisite in craftsmanship. The green materials are processed and washed carefully, and the blue and white are brightly colored. They often use water separation techniques. The brushstrokes are extremely delicate, and the patterns have a sense of layering and three-dimensionality.
The necks of some bottles and other vessels are decorated with broken bamboo branches, broken flower branches or broken branches of flowers and birds.
The outer soles of the utensils are often signed with blue and white regular script to imitate the Xuande, Chenghua, Jiajing and other dynasties of the Ming Dynasty, such as "Xuande Year of the Ming Dynasty", "Chenghua Year of the Ming Dynasty", "Jiajing Year of the Ming Dynasty", etc. The fonts and calligraphy styles are consistent.
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This blue and white Guanyin statue can be called the representative work of the "Mushiju" workshop.
Although it is an imitation of Mushiju's work, because Mushiju is so famous and the objects are so few in existence, it is actually a rare treasure.
The value is much higher than the blue and white porcelain from the Kangxi official kiln.
The value of an object does not necessarily depend on its quality, but rather on the quantity of it in existence.
For example, at a treasure fighting conference, Lu Fei's inferior castration knife could stump the number one collector in Asia.
The reason is that the castration knife is so rare.
In addition to this Guanyin statue, there is another quite good item.
Kangxi cowpea red glaze radish vase.
This radish bottle is 20 centimeters high, 3 centimeters in diameter, and 4 centimeters in full diameter.
The bottle has a rounded mouth, long neck, broad shoulders, long belly and shallow round feet.
The outer wall is coated with cowpea red glaze, and the whole body is plain. Only the neck is decorated with a few convex string patterns. The white body can be seen where the string starts due to the thin glaze layer.
The inner wall is glazed with a transparent glaze, which is slightly green. The outer bottom is glazed with white glaze, and the blue and white "Kangxi Year of the Qing Dynasty" is written in three lines and six characters in regular script.
The copper red glaze on the outer wall of the cowpea red glaze vessel is made by blowing the glaze several times and then firing it at high temperature.
Since the glaze contains trace amounts of copper, it will oxidize during the firing process and produce
The green spots, commonly known as moss spots, are mixed with the red glaze color to create an interesting contrast.
Among the innovative radish bottles created during the Kangxi period, cowpea red glaze is the best. The glaze color of this bottle is uniform and elegant, with only green spots on the mouth. It is extremely beautiful.
The Kangxi cowpea red glaze is even rarer in existence.
What is known so far is that there is a residual weapon in Guanhai Mountain.
Therefore, this radish bottle is even more precious.
In addition, there is a blue and white heavy weapon.
Red whisk and blue and white hammer vase. .??.??
This mallet vase is also from the Kangxi period, with a height of 45 centimeters, a diameter of just over 13 centimeters, and a full diameter of 15 centimeters.
The bottle has a mouth, a short neck, plump shoulders, a long straight belly, and round feet.
All-over blue and white decoration.
The mouth is painted with triangular patterns, and the neck is painted with wishful patterns.
The legendary story of abdominal painting "The Legend of Hong Fu".
The figure in the center of the picture is Yang Su, an important minister of Emperor Yang of the Sui Dynasty. Behind him are two singing prostitutes, one of whom is Zhang Linghua, a girl with a red whisk, and another named Zhang Chuchen.
She admired the talent of Li Jing who came to visit him, so she escaped with Li Jing at night, got married, and assisted Li Jiangong in establishing his career.
This allusion is also known as "the wise eye recognizes the hero".
The mallet bottle was first created during the Kangxi period and got its name because it resembles the mallet used for laundry in the old days.
The carcass is hard, the texture is meticulous, and the blue and white colors are green and gorgeous, forming a sharp color contrast with the shiny white base glaze.
This is not only a hammer vase from the Kangxi official kiln, but it is also a valuable item. What is even more valuable is that it is a figure vase, which is very rare.
Xu Maochen was amazed.
"Liu Jianhua is indeed the number one collector in Asia. He has really good stuff!"
"These three treasures represent the pinnacle of official and private kilns during the Kangxi period. Even our Shenzhou Museum can't afford it!"
Lu Fei nodded and said.
"this These artifacts should have been brought over by the officers when Chiang Kai-shek's troops evacuated to the treasure island."
"Some of those big guys are very successful, while others are in dire straits and can only sell the things in their hands."
"It was a turbulent era and the collection was weak, so it was difficult to sell."
"Just at this moment, Liu Jianhua appeared."
"With his superb eyesight, he could be said to be like a fish in water at that time."
"This also laid a huge foundation for the Liu family."
"Brother, you are right, times make heroes."
"Liu Jianhua is in the right place. This is his fate."
"It's a pity that I don't have a virtuous son."
"It took less than three generations to end up like this." Xu Maochen sighed.
"What the second brother said is not entirely correct."
"To put it bluntly, Liu Jianhua himself has evil intentions."
"The upper beam is not straight and the lower beam is crooked."
"For the sake of a store, they indulged Bai Wenyu and indirectly cheated my old man to death."
"In order to make money, Liu Sisi did not hesitate to test the law. Liu Jinxuan was even more disgusting, colluding with the islanders to steal ancient sunken ships."
"What happened today is entirely their retribution." Lu Fei gritted his teeth and said.
Xu Maochen sighed and said.
"Brother, you are right. It's not that I won't retaliate. The time has not yet come."
"The Liu family, just like our Xu family, did not escape retribution after all."
"no the same!"
"The Liu family has brought trouble to the whole family, but the Xu family, at least you can stick to your heart."
"Second brother, believe me. Under your leadership, your Xu family will cheer up sooner or later," Lu Fei said.
"hehe!"
"Don't comfort me. I don't even have any descendants. The Xu family is over when I live here."
"The second brother will always be the sinner of the Xu family."